Will Cobbs News

DETROIT '67 is part of Morisseau's 'The Detroit Project,' a 3-play cycle inspired by her connection to the city. This production's story, said director Jade King Caroll, is grounded in family. No matter what might be happening in the world outside, 'you always have your family,' she said.

It's the summer of 1967, and the songs of Motown are breaking records and breaking barriers. Chelle and her brother, Lank, are running an unlicensed after-hours juke joint out of their basement-risky business-especially during a brutal police crackdown that sets off riots throughout the city. When Lank offers refuge to a mysterious stranger, he and Chelle clash. Pent-up emotions erupt, and they must navigate the chaos both outside and within.

It's the summer of 1967, and the songs of Motown are breaking records and breaking barriers. Chelle and her brother, Lank, are running an unlicensed after-hours juke joint out of their basement-risky business-especially during a brutal police crackdown that sets off riots throughout the city. When Lank offers refuge to a mysterious stranger, he and Chelle clash. Pent-up emotions erupt, and they must navigate the chaos both outside and within.

It's the summer of 1967, and the songs of Motown are breaking records and breaking barriers. Chelle and her brother, Lank, are running an unlicensed after-hours juke joint out of their basement-risky business-especially during a brutal police crackdown that sets off riots throughout the city. When Lank offers refuge to a mysterious stranger, he and Chelle clash. Pent-up emotions erupt, and they must navigate the chaos both outside and within.

The journey takes us to a small southern town, 1945. More precisely, to the kitchen and adjacent back yard of the Addams family on the eve of a wedding. The action plays out over a few days in late August and tells the story of 12-year-old tomboy Frankie. Frankie's mother died when she was born, and her father is distant. Her closest companions are the family's African American maid, Berenice Sadie Brown, and her six-year-old cousin, John Henry West. She is awkward, has no friends, and dreams of going away with her brother and his bride-to-be.

Williamstown Theatre Festival (Mandy Greenfield, Artistic Director) has announced additional casting for the 2018 summer season, including Eden Espinosa, Samira Wiley, Krysta Rodriguez, Rachel Tucker, and many more.  It was also announced that two-time Tony Award® winner Chita Rivera will perform a one-night-only solo concert benefitting Williamstown Theatre Festival's New Play & Musical Development Initiative. 

Blackboard Plays presented a workshop reading of Camille Darby's Queen Nanny, directed by Miranda D. Haymon, as part of the cell's Third Annual C-MORE Festival at the cell, 338 W. 23rd St. in Chelsea.

Lorraine Hansberry's groundbreaking play A Raisin in the Sun is making Arena Stage its home for the next five weeks and it should not be missed.

The 'play that changed American theater forever' (New York Times) comes to Arena Stage at the Mead Center for American Theater for the first time ever this spring. Due to popular demand, the production has been extended for one week with eight additional performances, running now through May 7, 2017 in the Fichandler Stage. BroadwayWorld has photos from the opening night festivities below!

Arena Stage at the Mead Center for American Theater will present the American Voice Award to Congressman G. K. Butterfield (D-NC) on Thursday, April 6, 2017 as part of the opening night celebration for Lorraine Hansberry's groundbreaking drama A Raisin in the Sun.

The 'play that changed American theater forever' (New York Times) comes to Arena Stage at the Mead Center for American Theater for the first time ever this spring.

Producers Taylor Norton, Hannah Rosenthal and Lindsay Wormser will present the workshop production of a new play with music, CRY EDEN, at the Access Theater Black Box (380 Broadway) from November 17-20.

Producers Taylor Norton, Hannah Rosenthal and Lindsay Wormser will present the workshop production of a new play with music, CRY EDEN, at the Access Theater Black Box (380 Broadway) from November 17-20.

The Repertory Theatre of St. Louis continues the 2014-2015 Studio Theatre series with Safe House by Keith Josef Adkins and directed by Melissa Maxwell. This compelling production will be performed in the Emerson Studio Theatre of the Loretto-Hilton Center for the Performing Arts, 130 Edgar Road (on the campus of Webster University), Webster Groves, January 21-February 8, 2015.

Dramatic, powerful, and intense describes When I Come To Die now playing at the Kansas City Repertory Theatre, Copaken Stage. Nathan Louis Jackson, playwright in residence for KC Repertory, wrote the thought-provoking look at a prisoner on death roll that cheats death at his execution, only to have to relive waiting to die.