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Video: Watch Music Video for Disclosure Single 'She's Gone, Dance On'

Disclosure have shared the summer-perfect and stunning video for their recent hit single “She’s Gone, Dance On.” The electronic phenomenon dropped in May to massive acclaim and kicked off an action-packed season for the multi-platinum-selling duo. Watch the video!

Review: THE SYNDICATE, Theatre Royal

Based on her hit BBC TV series that entertained millions of viewers over four series, The Syndicate is the new stage hit comedy drama by the legendary Kay Mellor which is getting five star reviews and standing ovations from audiences around the country.

Review: CENTENNIAL CASTING at Penguin Rep Theatre

Mike Labbadia creates a larger-than-life Vincent whose slow burns, emotional outbursts, and comically hapless attempts at romance reminded me of Jackie Gleason as Ralph Kramden in seminal sitcom The Honeymooners. I mentioned the Gleason comparison to Mr. Labbadia after his performance. What I didn’t realize at that moment is that in the script, which I read later, the character breakdown for Vincent invokes “Ralph Kramden” and an authors’ note in the script references “The Honeymooners.”

Release Date Set for GODLESS Starring Ana Ortiz and Harry Lennix

Michael Ricigliano's film Godless will premiere in September 2024. Shot entirely on location on Long Island, it presents a thought-provoking narrative that delves into the complexities of faith, ambition, and personal conviction.

Director Rhana Devenport Farewells AGSA

Art Gallery of South Australia Director Rhana Devenport ONZM will launch an important new contemporary exhibition at the completion of her tenure with the Gallery on 7 July, after six years of artistic success and achievement.

Review: UNNECESSARY FARCE Updates the Formula at Saint Vincent Summer Theatre

The funny thing about farce as a genre is it seems to be perpetually stuck in the past; the constant misunderstandings, cross-dressing and door-slamming seem tied to a time before the internet, before cell phones... hell, maybe even before the Pill. It's a Ken Ludwig world that seems tied to the Ken Ludwig era, which is part of what made Saint Vincent's production of Paul Slade Smith's Unnecessary Farce so surprising: this show maintains the frantic craziness, slapstick, sex and silliness of farce, but brings it into the present by imbuing it with elements of the Coen Brothers' crime comedies.

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