Based on Ron Chernow's 2004 biographical book titled Alexander Hamilton, this musical tells the true story of America's $10 Founding Father. The story begins when he was an immigrant who came to New York from the West Indies. Eventually, he became George Washington's right-hand man during the Revolutionary War and was later named the nation's first Treasury Secretary.
Hamilton is the room where it happens—a history remix that’s not throwing away its shot at dazzling you with rhyme, rhythm, and revolution. Founding fathers trade powdered wigs for mic drops as ambition rises faster than the tempo, and duels come with both pistols and punchlines. This production of Hamilton will be performing at the Fisher theatre now through May 17th.
Celebrity Attractions is proud to announce the 2026-2027 Broadway Season. This Broadway season brings four unmistakable stories to the stage, each one reimagined in a way audiences have never experienced before.
When the musical juggernaut titled “Hamilton” stormed into Kansas City’s gilded Music Hall this week, it arrives not as a relic of mid-2010s hype, but as a living, breathing re-invention of America’s founding fathers. A decade after its Broadway debut, the touring production proves that the show’s central thesis — that history is urgent, messy and deeply human — still lands with force. Somehow, the national political atmosphere cross-pollinated with the this most special 250th anniversary of the United States.
A decade after it first reshaped the Broadway landscape, Hamilton arrives on tour not as a replica of past success, but as a living piece of American theatre that continues to justify its presence.
This would mark my third time seeing Hamilton at The Overture Center. All have been good, and all have been slightly different. And all have had a varied effect on me.
Tyler Fauntleroy talked about his personal journey with the show, provided insight into the musical's themes, and gave some reasons why Canadian audiences should see a story about America's beginnings, despite current cross-border tensions..
The June 9 performance of Lin-Manuel Miranda’s epic musical HAMILTON may have opened under a cloud of disappointment at the Ohio Theatre (39 E. State Street in downtown Columbus). Before the opening curtain, theatergoers learned the roles of Aaron Burr and Angelica Schuyler, two of the lynch pins in the sweeping story of Revolutionary War America, were to be played by understudies Hosea Mundi and Alexandrea Reynolds respectively. Jorge Guerra (Sam Seabury) and Kevin Murakami (Charles Lee) were also understudies who played in the June 9 performance.
It’s back, and we were in the Room Where It Happened. Lin-Manuel Miranda’s HAMILTON is running here in Austin through April 6th. Inspired by Ron Chernow’s 2004 biography Alexander Hamilton, the musical premiered Off-Broadway in 2015 at The Public Theater before transferring to Broadway later that year, where it became a cultural phenomenon. Can you believe it? TEN years ago?
Few musicals have left an impact as profound as Hamilton, and for Auston Charles Henderson, being part of the show is nothing short of a dream come true. A Houston native, Henderson has taken the stage in the Hamilton Angelica Tour, bringing his passion and talent to nationwide audiences.
'Hamilton' is in the top three of my all-time favorite musicals. This cast left an indelible impression on me with their precise articulation and energetic dance moves. This is my third time seeing this remarkable production, I am ecstatic.
While I may have been one of the few in the audience who had never seen Hamilton before-you can tell by the amount of people who sing along to just about every song-it was still the rarest of musicals, a combination of history and the best jazz, hip-hop and R&B music ever combined.
Truthfully, it is big shoes to fill when the expectation on a show is so high due to how accessible the Broadway show was to us, but the new Angelica cast blew us all away. We soaked in every emotion they were giving us, and there were many tears all around me during the sad moments.
New Federal Theatre (NFT), Elizabeth Van Dyke, Producing Artistic Director, in association with ASP/Castillo Theatre, will present a reading oof Long Time Since by P.J. Gibson, to benefit the Classix Collective. The performance will take place on June 27th at 7pm at Castillo Theatre (543 W. 42nd Street, New York, New York 10036).
A private industry reading of CHARLIE HUSTLE, a new musical by Ryan Noggle (CBS'S THE NEIGHBORHOOD) and Neil Berg (GRUMPY OLD MEN), directed by Nick Corley (WOODY SEZ) will be held in New York City on Thursday, September 15, 2022.