Twilight Theatre Company News

The Rosenberg/Strange Fruit Project, produced by Twilight Theatre Company, comes to 59E59 this week. Performances run July 10 - August 04, 2024.

Clutch Productions will present two staged readings of PALESTINE by Najla Saïd on June 15, 2024, at Holy Trinity Church Inwood. Proceeds benefit humanitarian aid for the children of Gaza.

59E59 Theaters has revealed its Summer 2024 Season. See full programming and learn how to purchase tickets.

The Elysabeth Kleinhans Theatrical Foundation has gifted an additional $10 million to support 59E59 Theaters and its artistic programs. Learn more about the donation.

59E59 Theaters has unveiled the productions for the Brits Off Broadway 2024 Season, their annual celebration of the U.K.’s most innovative theater. See the productions being featured!

The winners have been announced for the 2022 BroadwayWorld Portland Awards, honoring the best in regional productions, touring shows, and more which had their first performance between October 1, 2021 through September 30, 2022.

The latest standings as of Monday, December 19th, have been released for the 2022 BroadwayWorld Portland Awards! Nominations were reader-submitted and now our readers get to vote for their favorites.

The latest standings as of Monday, December 12th, have been released for the 2022 BroadwayWorld Portland Awards! Nominations were reader-submitted and now our readers get to vote for their favorites.

The latest standings as of Monday, December 5th, have been released for the 2022 BroadwayWorld Portland Awards! Nominations were reader-submitted and now our readers get to vote for their favorites.

Twilight Theatre Company will present The Golfer, a fast-paced, comic fantasia by two-time Fringe First winner Brian Parks, directed by Fringe First winner Margarett Perry to 59E59 Theaters East to Edinburgh (New York City) July 24, 27 & 28, and Assembly George Square Studio Two (Edinburgh) August 3-29.

Performances of Boston Playwrights' Theatre's (BPT) Lost Tempo begin next week.

Performances of Boston Playwrights' Theatre's (BPT) Lost Tempo begin next week.

The Farm Theater will present Bullpen Sessions: Producing For Your Community with special guests Ty Jones, Artistic Director of the Classical Theatre of Harlem, and Lou Moreno, Artistic Director of INTAR on Tuesday, April 5 from 6-8pm at Punto Space (325 West 38th Street). Admission is FREE, but seating is limited. Please RSVP at bullpen@thefarmtheater.org 

Abingdon Theatre Company - which has produced more than 78 new American plays in its 20-year history - continues its 2012-2013 Season with the world premiere of BODEGA BAY by Elisabeth Karlin (THE MOONCALF), set to begin previews Friday, January 25, prior to its official press opening February 3, at Abingdon Theatre Company's Dorothy Strelsin Theatre (312 West 36th Street). Sturgis Warner, who recently helmed Najla Said's PALESTINE, directs. Performances run through February 17.

Abingdon Theatre Company - which has produced more than 78 new American plays in its 20-year history - continues its 2012-2013 Season with the world premiere of BODEGA BAY by Elisabeth Karlin (THE MOONCALF), set to begin previews tonight, January 25, prior to its official press opening February 3, at the Abingdon Theatre Company's Dorothy Strelsin Theatre (312 West 36th Street). Sturgis Warner, who recently helmed Najla Said's PALESTINE, directs. Performances run through February 17.

Abingdon Theatre Company - which has produced more than 78 new American plays in its 20-year history - continues its 2012-2013 Season with the world premiere of BODEGA BAY by Elisabeth Karlin (THE MOONCALF), set to begin previews January 25, prior to its official press opening February 3, at the Abingdon Theatre Company's Dorothy Strelsin Theatre (312 West 36th Street). Sturgis Warner, who recently helmed Najla Said's PALESTINE, directs. Performances run through February 17.

Ripe, a production starring and written by John Jiler, is now scheduled for an extended run. Originally set to close October 28, Ripe will now run through November 11, with performances on Thursdays through Saturdays at 8:00 PM and Sundays at 3:00 PM (no show November 1).

Manhood takes on a very different meaning for baby boomers who waited until middle age to marry. Having committed late in life, they got newborn babies and dying parents at the same time. Such is the situation of the protagonist in 'RIPE,' a new solo show by playwright/actor/journalist John Jiler, which begins with him on the phone to a pharmacist, ordering three boxes of diapers at the same time: two for his aging parents, and one for his new-born son. The play's about being caught in the middle. Theater for the New City, 155 First Ave., will present the piece tonight, October 11 to 28, directed by Sturgis Warner, who staged 'Palestine,' the widely acclaimed solo show by Najla Saïd (daughter of Edward W. Said) at the Fourth Street Theatre of NY Theatre Workshop in 2010.

Manhood takes on a very different meaning for baby boomers who waited until middle age to marry. Having committed late in life, they got newborn babies and dying parents at the same time. Such is the situation of the protagonist in 'RIPE,' a new solo show by playwright/actor/journalist John Jiler, which begins with him on the phone to a pharmacist, ordering three boxes of diapers at the same time: two for his aging parents, and one for his new-born son. The play's about being caught in the middle. Theater for the New City, 155 First Ave., will present the piece October 11 to 28, directed by Sturgis Warner, who staged 'Palestine,' the widely acclaimed solo show by Najla Saïd (daughter of Edward W. Said) at the Fourth Street Theatre of NY Theatre Workshop in 2010.

Abingdon Theatre Company-which has produced more than 77 new American plays in its 20-year history-launches its 2012-2013 Season, beginning this fall with the world premiere of MARCH MADNESS by Mike Vogel, set to begin previews October 26, prior to its official press opening November 4, at the Abingdon Theatre Company's Dorothy Strelsin Theatre (312 West 36th Street), directed by Donald Brenner.