Jermyn Street Theatre has joined forces with leading internet theatre platform Digital Theatre for a major new online project to be produced this autumn.
The UK Government has announced a £1.57 billion rescue package to help the nation's cultural, arts and heritage institutions weather the impact of the health crisis. Arts institutions are responding to this announcement, including the National Theatre, Royal Shakespeare Company, and more!
Today, leading West End studio theatre, Jermyn Street Theatre has announced that it will remain closed until 2021.
Exactly two months after Jermyn Street Theatre's doors closed, its Artistic Director, Tom Littler, today announced a series of new online projects joining its Brave New World Season, featuring actors including Rachel Pickup, Ian Hallard, Issy van Randwyck, Rob Mountford and Jack Klaff alongside new graduates.
Stars of stage and screen including Olivia Colman, Helena Bonham Carter, David Suchet, Dame Penelope Keith, Timothy West, Jamael Westman, Tobias Menzies, Aimee Lou Wood, Grace Saif, Dame Penelope Wilton, and Julie Hesmondhalgh have joined forces to perform Shakespeare's 154 sonnets for Jermyn Street Theatre, a 70-seat studio in London's West End.
Just after reaching its initial £10,000 target in a public fundraising campaign, Jermyn Street Theatre was severely flooded on Wednesday 8 April.
The closures of major shows, events and venues, in response to the Covid-19 outbreak, has left many people in the theatre industry suddenly without work or a project to develop. So, what are artists, creatives and theatre staff doing during the shutdown?
William Shakespeare's swansong lands on Jermyn Street Theatre's tiny stage in fetching fashion. Traditionally a grand spectacle, Tom Littler transforms The Tempest into boutique theatre at its finest. Shakespearean veteran Michael Pennington leads as Prospero, and the result is a myth-imbued and aesthetically exquisite show.
Celebrating its 10th anniversary with a ceremony held in the iconic Grand Hall of Battersea Arts Centre on Sunday 8 March 2020, the Off West End Awards once again celebrated the best of independent, fringe and alternative theatres across London.
This March, one of the leading Shakespearean actors of his generation, Michael Pennington, is to play Prospero for the first time in Jermyn Street Theatre's staging of Shakespeare's final work The Tempest.
Intrigue, passion, rejection, deception, and incurable illnesses populate Shakespeare's All's Well That Ends Well. One of his most famous problem plays, it essentialy sees Helena chasing after her beloved Bertram in pursuit of love. Director Tom Littler scales down the narrative and assembles a cast of six to present an exceptionally instinctive and nostalgic production. He places the action in a cryptic era, using music as a vehicle and memories as the main narration instrument.
A couple peer into an estate agent's window; two sports fans have a heart-to-heart in the loo; a daughter has questions about her mother's love life; and as a father helps his son tie his football boots, he realises they are growing apart. If you keep your eyes and ears open, there are a million tiny plays happening every day.
A couple peer into an estate agent's window; two sports fans have a heart-to-heart in the loo; a daughter has questions about her mother's love life; and as a father helps his son tie his football boots, he realises they are growing apart. If you keep your eyes and ears open, there are a million tiny plays happening every day.
For the first time in its twenty-five year history Jermyn Street Theatre is able to announce a full year of programming. Artistic Director Tom Littler, today reveals the full 2020 Season, with an array of work that ranges from world premieres to rare revivals, theatre legends to new talent and literary classics to new writing.
Casting has been announced for The Ice Cream Boys, a gripping exploration of politics and power by acclaimed playwright Gail Louw. Andrew Frances (Fences - Bath Theatre Royal, Not Going Out - BBC1) takes the role of Jacob Zuma, Jack Klaff (The Cherry Orchard - Arcola Theatre, Insignificance a?" Donmar Warehouse, For Your Eyes Only a?" Eon Productions, Star Wars a?" Lucas Films) plays Ronnie Kasrils and recent New York Conservatory for Dramatic Arts graduate Bu Kunene plays Thandi Dube and other characters. The production is directed by Vik Sivalingam.
Somerset Maugham's For Services Rendered opens Jermyn Street Theatre's new season, which celebrates the establishment's 25th anniversary since its opening and is aptly called the Memories Season. The First World War has left behind an England scarred by its own hegemony; a place where its own heroes aren't cared for and who are dying among debts and anguish.
This autumn, the acclaimed Jermyn Street Theatre and the award-winning Guildford Shakespeare Company join forces to present Shakespeare's rarely performed bittersweet comedy All's Well That Ends Well. This will be Guildford Shakespeare Company's first London transfer.
Diane Fletcher and Rachel Pickup, will lead the cast in Tom Littler's production of Somerset Maugham's For Services Rendered, the opening play of Jermyn Street Theatre's Memories Season. Diane Fletcher, who plays Charlotte Ardsley, is best known for creating the role of Elizabeth Urquhart opposite Ian Richardson in the BBC series House of Cards. Her career includes leading roles at The National Theatre, The RSC, The Royal Court and on the West End stage as well as numerous television and film appearances. Rachel Pickup will play Eva. Her career encompasses roles in the West End, the RSC, On Broadway and Off Broadway, leading roles on film and television as well as many regional theatres throughout the UK and in the US. Her stage highlights include: The Merchant of Venice at The Globe Theatre and Stephen Unwin's production of Miss Julie at The Rose Theatre Kingston for which she was nominated for the Best Actress Critics' Circle Award.
Exploring the themes of desire, frustration and hope, Somerset Maugham's sharply observed 1932 Chekhovian masterpiece, For Services Rendered launches Jermyn Street Theatre's Memories Season this September. This is the play's first London revival since it was seen at the Old Vic in 1993, and the National Theatre in 1979.
Tom Littler's latest venture is a glorious four-version take on Oscar Wilde's masterpiece The Picture of Dorian Gray, adapted by Lucy Shaw. They examine the original text and extrapolate its myth, stripping it down to its core and leaving the soul of the story bare for everyone to see. Shaw becomes one with Wilde, using the elegance of his seminal material to write a poetic play that might as well have come from the man himself, while Littler orchestrates the script with elegant passion.
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