Steppenwolf Theatre Company, the nation's premier ensemble theater company, will continue its 48th season with the Chicago premiere of Larissa FastHorse's The Thanksgiving Play, a biting comedy about everything right, wrong and woke in America, directed by Jess McLeod.
Get the latest news on the cast announcement for Steppenwolf Theatre's world premiere of A Home What Howls (or The House What Was Ravine) running from February 7 to March 2, 2024 in the Ensemble Theater.
Steppenwolf Theatre Company welcomes renowned directors Phylicia Rashad and Jess McLeod to their highly anticipated 2023/24 season. Get the latest updates and insights into the exciting additions to this acclaimed theater company's lineup.
Steppenwolf Theatre Company is continuing its 47th season with the world premiere of ensemble member Kate Arrington’s unconventional love story Another Marriage, directed by ensemble member Terry Kinney. See photos from inside opening night.
Steppenwolf Theatre Company has announced its 2023/24 Season, featuring three world premieres and three Chicago premieres. See full programming and learn how to purchase tickets!
Playwrights Horizons (Adam Greenfield, Artistic Director; Leslie Marcus, Managing Director) has extended the New York premiere of Bruce Norris's provocative, critically lauded play Downstate, directed by Pam MacKinnon, a second and final time, to January 7, 2023.
See photos of the New York premiere of Bruce Norris’s provocative, critically lauded play Downstate, directed by Pam MacKinnon, now extended at Playwrights Horizons to December 22.
Playwrights Horizons will present the New York premiere of Bruce Norris’s Downstate, directed by Pam MacKinnon, October 28–December 11 (opening November 15). This provocative work surrounds a registered address in downstate Illinois, where four men convicted of sex crimes share a group home, living out their days post-incarceration.
Playwrights Horizons will present the New York premiere of Bruce Norris’s Downstate, directed by Pam MacKinnon, October 28–December 11 (opening November 15). This provocative work surrounds a registered address in downstate Illinois, where four men convicted of sex crimes share a group home, living out their days post-incarceration.
Today Steppenwolf Theatre Company unveiled its path to welcoming audiences back to the theater—and not the same one they left but a stunning new 50,000 sq. ft. theater building and education center on Halsted Street.
Steppenwolf Theatre Company announced its 2020/21 Reset Season today featuring a truncated four play lineup (originally six plays) with flexible dates to allow for greater agility in the time of COVID-19, accompanied with a robust slate of original virtual programming.
Steppenwolf Theatre Company Artistic Director Anna D. Shapiro and the Steppenwolf ensemble announced the 2020/21 Season today. As the storied ensemble theatre company embarks on its 45th season, a lineup of thrilling plays will be featured in its current home at 1650 N Halsted with the final production of the season premiering in the new state-of-the-art theatre building at 1646 N Halsted in August 2021.
Steppenwolf Theatre Company announced complete casting for two productions today: The Most Spectacularly Lamentable Trial of Miz Martha Washington by James Ijames, directed by Whitney White (April 2 a?" May 17, 2020); and Catch as Catch Can by Mia Chung, which also announced ensemble member Amy Morton as director (June 4 a?" July 26, 2020).
The Chicago premiere of Clare Barron's DANCE NATION, now at Steppenwolf with direction and choreography from Lee Sunday Evans (who also helmed the original production at Playwrights Horizons), is alternately wild, messy, and confusinga?"much like the experience of early adolescence for the play's characters.
Steppenwolf Theatre Company presents the Chicago premiere production of Pulitzer Prize Finalist Dance Nation by Clare Barron, directed and choreographed by Lee Sunday Evans.
Steppenwolf Theatre Company presents the Chicago premiere production of Pulitzer Prize Finalist Dance Nation by Clare Barron, directed and choreographed by Lee Sunday Evans.