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Review: CAT ON A HOT TIN ROOF at Gaslight-Baker Theatre

Choosing to perform a Tennessee (Thomas Lanier) Williams (1911-1983) play means genuinely committing to some of theater’s most salient aspects: in this case, a plot that must capture and then hold the audience in unfolding layers of tragedy, characters that are complex and often display less-than-desirable human characteristics, believable delivery of modified language to portray a specific region or temperament, performance of disconcerting and sometimes virulent spectacle on a human scale, and production design that rises to the needs of the story. 

Straight No Chaser Releases Dates for 2024 Fall Tour

RIAA-certified Gold a cappella group Straight No Chaser, known for their holiday favorites and re-imagination of iconic songs throughout the decades, has revealed the “Top Shelf” tour, their 2024 fall run. Tickets for the “Top Shelf” tour go on-sale this Friday at 10 AM local time.

Review: THE LION TELLS HIS TALE at Broadway Performance Hall

History is often rewritten in a way that is easier to digest, leading to hundreds of years of misinformation and erasure of the struggles of marginalized and persecuted groups. Artfully directed by Steve Sneed, Intiman Theatre has officially opened the world premiere of The Lion Tells His Tale, the first staged production of Delbert Richardson’s nationally recognized and multi-award-winning traveling museum, The “Unspoken” Truths.

NOW THAT'S WHAT I CALL BROADWAY! Will Celebrate 30 Years of Musical Theatre History At 54 Below

54 BELOW, Broadway's Supper Club, presents Now That's What I Call Broadway, the newest edition of the hit series celebrating Broadway's favorite musical theater moments and performances. Now That's What I Call Broadway! at 54 Below brings you everyone's favorite hits from Tony Award- winning shows of the past 30 years performed by Broadway veterans and Manhattan's rising stars.

Review: MATADOR - THE MUSICAL at One & Only Musicals

At skulle koge 24 afsnit af danskernes yndlings tv-serie, 'Matador', ned til to en halv times musical virker som noget nær en umulig opgave. Det ender desværre mest som et forjaget forsøg med enkelte lyspunkter. 

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