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Review Roundup: STEREOPHONIC National Tour

Stereophonic, the 2024 Tony Award winner for Best Play, is now on its first National Tour. Read the reviews for the tour as they come in, and learn more about the show, here!

Review: OTHELLO, Starring David Harewood and Toby Jones

Director Tom Morris has been busy running the Bristol Old Vic, but now returns to the capital to start a five year partnership with Chris Harper Productions to direct Shakespeare plays for the West End. His Othello looks impressive, is well acted, thoughtful and glossy, but lacking in sufficient darkness.

Dates Set For PRIDE at the National Theatre

Dates have been announced for Pride at the National Theatre, a brand-new musical based on the award-winning film, reuniting director Matthew Warchus and writer Stephen Beresford.

Meet the Cast of OEDIPUS, Now Playing on Broadway

The Olivier Award-winning Oedipus, an adaptation created and directed by Robert Icke, will begin performances on Broadway on Thursday, October 30, 2025. Meet the cast of Oedipus here!

Eva Noblezada and Reeve Carney Are Married

Broadway favorites Eva Noblezada and Reeve Carney have tied the knot! The couple, who is currently appearing together in Cabaret at the Kit Kat Club in the West End, wed earlier this week. BroadwayWorld sends our congratulations to the happy couple who just got married!

Tony Winner Daniel Radcliffe Will Star in EVERY BRILLIANT THING on Broadway

Daniel Radcliffe is heading back to Broadway in 2026. The Tony winner will star in the Broadway transfer of Duncan Macmillan's Every Brilliant Thing, directed by Jeremy Herrin and Macmillan. Performances will begin on February 21 at the Hudson Theatre, with an opening set for March 12.

Guest Blog: Writer and Actor Nancy Farino On The Challenges of For New Writers and Her Debut Play, FATHERLAND

My advice would be to don’t stop working on that thing. Whatever that writing project is. Feel free to become frustrated and put it away for a few weeks but keep it ticking away. I believe it’s immeasurably important for emerging writers - it is these spaces that shape the play, where mistakes can happen and solutions be found, without the pressure of a deadline or a looming opening night or financial stress. (On that note, we open 31 October at The Hampstead Theatre, please come?!)

Guest Blog: 'It Feels Like a Moment of Taking Power Back': Deaf Writer Eloise Pennycott on Politics, Dystopia and Metatheatre in Her Play BARRIER(S)

As a deaf twenty-year-old whose main aim is to find the happy in every corner of life, I often struggle to engage with politics – especially those concerning disability rights. When I was a young teen I was much more actively engaged, speaking in parliament, contributing to campaigns, very much considering a career in that direction. I tired of that quite quickly, but have since found my political spark reignited, using theatre writing as an outlet instead. My love story Barrier(s) is the latest outcome, and I am very excited to see it off on tour.

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