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Review: A STREETCAR NAMED DESIRE at Backyard Renaissance

Backyard Renaissance’s “A Streetcar Named Desire” isn’t just a drama; it’s a ghost story. Director Rob Lutfy leans into the spectral energy of Tennessee Williams’ New Orleans, conjuring a version of the classic that feels both timeless and supernatural. With ghostly music, poetic visuals, and achingly poignant performances, this production transforms Blanche DuBois’ descent into madness into something mythic.

EDINBURGH 2025: THE SPY WHO WENT TO REHAB Q&A

The UK debut of Gregg Ostrin's critically acclaimed play. Quintessential British super spy, Simon Cross, wakes to find himself in rehab for drinking, gambling, womanising and anger management issues. As the embodiment of obsolescent toxic masculinity can he possibly navigate his way through the sessions with his fellow, extremely self-aware, recovering addicts to find enlightenment? Could this be his toughest mission yet?

Review: IVORIES, Old Red Lion Theatre

It’s a truth universally acknowledged that bisexuals are often underserved when it comes to theatre and media. Poltergeist thriller Ivories valiantly sweeps in at the close of Pride Month, but it over-promises and under-delivers. Beyond the messy and exceedingly protracted set-up, lies a great story that will delight all queer fans of the genre. After all, an eerie old house, a dying grandmother, and a bunch of secrets bound for the grave are the bones of any good spooky summer horror.

EVITA, RENT, GREASE and More Lead Boston's Hot Summer 2025 Theater Picks

Because of its great cultural and intellectual influence, Boston has been known as the Athens of America for centuries. That sobriquet is as true today as ever thanks to the area’s vibrant theater scene featuring pre-Broadway productions and national tours, Tony Award-winning regional theaters, and a host of other theater companies presenting everything from Shakespeare to classic and contemporary plays, musicals and concerts.

Review: THE GLASS MENAGERIE Makes New Memories at Gloucester Stage

Tennessee Williams found fame with 1944’s “The Glass Menagerie,” which is considered to be one of the gifted playwright’s most notable works along with “A Streetcar Named Desire, “Cat on a Hot Tin Roof” and “Sweet Bird of Youth.” That status is being affirmed once again by the magnificent production of the drama now at Gloucester Stage through June 28.

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