Stephen Wadsworth News

Today, Sundance Institute's Theatre Program announces the nineteen artists who represent the creative teams that will convene to develop new work at the annual Lab at the Sundance Mountain Resort in Utah July 8-28.

Today, Sundance Institute's Theatre Program announces the nineteen artists who represent the creative teams that will convene to develop new work at the annual Lab at the Sundance Mountain Resort in Utah July 8-28.  

BASE Hologram, the leading producer of holographic based live entertainment, in partnership with LA Opera through its LA Opera Off Grand program, presents a special one-night-only event featuring renowned opera sensation Maria Callas.

Opera Columbus and ProMusica Chamber Orchestra are partnering to co-produce and co-commission a new chamber opera titled The Flood - a story of loss, human tragedy and redemption set in Columbus. The work represents the first collaboration between the two arts organizations, as well as ProMusica's 67th commissioned work and Opera Columbus' first commission of a new mainstage opera in nearly 20 years.

Hamlet Machine, an adaptation of Shakespeare's Hamlet and Henrikh Muller's Hamletmachine by Ani Vardanyan, will officially start performance Off-Broadway on October 24th, 2018 at Theatre Row (410 W 42nd St.)

Hamlet Machine, an adaptation of Shakespeare's Hamlet and Henrikh Muller's Hamletmachine by Ani Vardanyan, will officially start performance Off-Broadway on October 24th, 2018 at Theatre Row (410 W 42nd St.)

Juilliard's Ellen and James S. Marcus Institute for Vocal Arts, under the leadership of Artistic Director Brian Zeger, opens its opera season with Britten's The Turn of the Screw, featuring Juilliard singers and the Juilliard Orchestra, conducted by Steven Osgood and directed by John Giampietro, on Wednesday, November 14 and Friday, November 16, 2018, at 7:30pm, and Sunday, November 18, 2018, at 2pm in Juilliard's Peter Jay Sharp Theater.

PATH New Music Theater, the upstart artist collective of composers, musicians, choreographers, and visual artists, proudly announces their debut work for the stage, Simulacrum, co-presented by the 3LD Art & Technology Center on June 8th, 9th, and 10th. A radically ambitious combination of opera, dance, and stunning visual technology, the work combines music of the five composers of PATH and one guest composer with three singers, six dancers, vivid projections, and interactive wearable technology. Based on the captivating Marianna Staroselsky original play Loved for Parts, the opera examines the fraught relationship between man and machine.

PATH New Music Theater, the upstart artist collective of composers, musicians, choreographers, and visual artists, proudly announces their debut work for the stage, Simulacrum, co-presented by the 3LD Art & Technology Center on June 8th, 9th, and 10th. A radically ambitious combination of opera, dance, and stunning visual technology, the work combines music of the five composers of PATH and one guest composer with three singers, six dancers, vivid projections, and interactive wearable technology. Based on the captivating Marianna Staroselsky original play Loved for Parts, the opera examines the fraught relationship between man and machine.

A more revealing, soul-searching expression of the life of Astor Piazzolla-the father of Nuevo Tango-is at the heart of a revamped production of "That's Not Tango - Astor Piazzolla, A Life In Music," returning for an extended run at New York's SubCulture on June 8, 9 & 10th and for multiple performances in July. The director is Stephen Wadsworth, named one of the most influential stage directors of the 21st century by American Theatre.

McCarter Theatre Center is proud to be a recipient of an Art Works grant of $30,000 to support the McCarter LAB, a year-round creative incubator that provides key support to writers at all stages of their careers, cultivating meaningful artistic relationships and original works for McCarter's main stages and future co-productions.

The Juilliard School pulled out all the stops for Stephen Wadsworth's production of HIPPOLYTE ET ARICIE (1733) by Jean-Philippe Rameau this week. Gorgeously designed by Charlie Corcoran with marvelous costumes by Sarah Cubbage, Juilliard has the resources to do it right, with professional level performers from their Historical Performance, Marcus Institute for Vocal Arts and Dance departments plus the Juilliard415 early music ensemble under Stephen Stubbs.

Juilliard's Ellen and James S. Marcus Institute for Vocal Arts presents Jean-Philippe Rameau's opera, Hippolyte et Aricie, conducted by Stephen Stubbs and directed by Stephen Wadsworth with choreographed by Zack Winokur. The opera features singers from Juilliard's Marcus Institute for Vocal Arts, Juilliard Historical Performance's period-instrument ensemble Juilliard415, and dancers from Juilliard's Dance Division. 

The company that makes great theater for everyone is at it again. Taffety Punk Theatre Company's mission is, and always will be, to put out a good product while making it affordable for everyone. Tickets are $15 and there are also “pay what you can” performances. The current production, well worth the ticket price and then some, is a knockout version of Moliere's tale of the great lover Don Juan. It stars the superb DC actress Tonya Beckman in what, so far, is the role of her career.

Artists Repertory Theatre is proud to present the World Premiere of The Thanksgiving Play by Larissa FastHorse (Sicangu Lakota) from April 1 through 29, on the Morrison Stage. The play is directed by Luan Schooler, Artists Rep's Director of New Play Development & Dramaturgy. The Thanksgiving Play is the second commission of the theatre's Table|Room|Stage new play development program to receive its World Premiere at Artists Rep.

Juilliard's Ellen and James S. Marcus Institute for Vocal Arts presents Jean-Philippe Rameau's opera, Hippolyte et Aricie, conducted by Stephen Stubbs and directed by Stephen Wadsworth with choreographed by Zack Winokur. The opera features singers from Juilliard's Marcus Institute for Vocal Arts, Juilliard Historical Performance's period-instrument ensemble Juilliard415, and dancers from Juilliard's Dance Division. 

Artists Repertory Theatre is proud to present the World Premiere of The Thanksgiving Play by Larissa FastHorse (Sicangu Lakota) from April 1 through 29, on the Morrison Stage. The play is directed by Luan Schooler, Artists Rep's Director of New Play Development & Dramaturgy. The Thanksgiving Play is the second commission of the theatre's Table|Room|Stage new play development program to receive its World Premiere at Artists Rep.

Juilliard today announced that Obie-award winning director Evan Yionoulis, currently professor in the practice of acting and directing at Yale School of Drama and a resident director at Yale Repertory Theatre, will become the school's Richard Rodgers Director of Drama at Juilliardstarting with the 2018-19 academic and performance season. The Juilliard Drama Division, celebrating its 50th anniversary this season, offers a program that encompasses one of this country's most respected conservatory educations for actors as well as highly successful pre-professional mentoring for playwrights.

When I first heard soprano Hyesang Park and tenor Kang Wang--two of the bright young singers featured in last weekend's Juilliard and the Met's Lindemann Young Artist Program concert--they were leads in a charming production of Bellini's LA SONNAMBULA at the school. On Friday evening, they were two of the stellar performers in “An Evening of Verdi”--extended excerpts from four operas with the Juilliard Orchestra doing a fluid job under Maestro Evan Rogister, who was also particularly attentive to the needs of the singers.