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Review: THE LAST FIVE YEARS at Hudson Theatres Backstage

Chalomot's debut production may not be flawless, but it marks a meaningful first for a new theater company willing to take risks, invest in artists, and bring emotionally-driven theater to smaller spaces.

Review: AN AMBITIOUS STAGING OF DREAMWORKS PRINCE OF EGYPT ARRIVES at St Petersburg City Theatre

DreamWorks The Prince of Egypt is a stage musical with a book by Phillip LaZebnik and music/lyrics by the great Stephen Schwartz. A retelling of the Book of Exodus, based on the 1998 DreamWorks Animation film of the same name. The story follows Moses on his journey from being the Prince of Egypt, being cast out altogether, and then ultimately fulfilling his true destiny of leading the Children of Israel out of Egypt.

Review: Raleigh Little Theatre's 1776

1776 tells the true story of how the United States of America was born. We follow John Adams as he attempts to convince members of the Second Continental Congress to vote for American independence from the shackles of the British monarchy.

Student Blog: Script Analysis -- Tip of the Iceberg

As a theatre major, I obviously have to read a lot of plays for classes. This article will discuss a few of them from an analytical lens, and I’ll add my comments about the messaging and tactics (with as few spoilers as possible).

I LOVED, I LOST, I MADE SPAGHETTI at Players Circle Theater

Players Circle Theater invites audiences to grab a seat to a hilariously heartfelt and deliciously theatrical experience with I Loved, I Lost, I Made Spaghetti, running April 14 through May 3—a perfect recipe for one of the most unique and memorable date nights in Southwest Florida.

Review: THE WIZ at Marcus Performing Arts Center

Hilariously and smartly reimagined with the help of comedian Amber Ruffin, The Wiz debuts as an all-new tour but still carries a score filled with soul, gospel, rock, and 70s funk.

Review: The Turn of the Screw, Royal Ballet And Opera

A new production by Natalie Abrahami and Michael Levine, The Turn of the Screw at the Royal Opera House haunts with eerie staging, finely judged performances, and Benjamin Britten’s still-chilling score.

Review: GLITTER AND GRIT at Music Box Lounge Hot Springs

At the intimate and ever-vibrant Music Box Lounge in Hot Springs, GLITTER & GRIT proved to be far more than a cabaret; it was a fearless deep dive into the messy, magnificent complexity of being human.

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