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Review: A GENTLEMAN'S GUIDE TO LOVE AND MURDER at The Weekend Theater in Little Rock

Murder with a touch of manners have arrived in delightfully dapper fashion at The Weekend Theater, where A Gentleman’s Guide to Love and Murder—running through May 3—proves that sometimes climbing the social ladder requires a little… creative problem solving. Under the direction of David Weatherly, this production leans fully into the musical’s razor-sharp wit and farcical charm, delivering an evening that is as clever as it is wickedly entertaining.

THE THREE MEXICAN TENORS To Be Presented By Pacific Symphony

Pacific Symphony will present THE THREE MEXICAN TENORS, featuring Principal Pops Conductor Enrico Lopez-Yañez alongside his father Jorge Lopez-Yañez and Mariachi Garibaldi de Jaime Cuéllar at Renée and Henry Segerstrom Concert Hall.

Review: PRIVATE LIVES at The Arctic Playhouse

Arctic Playhouse’s remarkably stylish, extraordinarily well-acted production of Noël Coward’s 1930 farce, ‘Private Lives,’ pokes fun at the idea of marriage as little more than a social construct while speculating whether a toxic relationship is conceivably better than one without any passion whatsoever.

Rodrigo Gomez: From the Big Top to World Wide Stages

Few performers are born into the circus—and even fewer transform that legacy into mastery on one of the most dangerous apparatuses in live performance. Rodrigo Gomez is one of them. His journey growing up under the big top to performing on international stages is a story of discipline, risk, and a relentless pursuit of precision.

Review: LUCREZIA BORGIA at Opera Royal De Wallonie Liège

Some evenings remind you why opera exists. LUCREZIA BORGIA at Opéra Royal de Wallonie-Liège did exactly that, in a space that feels fully aligned with what opera stands for, vocal mastery, ritual, and a visual world built to carry myth sized emotion.

Cape Town Opera Will Perform CARMEN At Artscape This Autumn

Cape Town Opera will present a new production of Bizet's CARMEN at the Artscape Opera House, featuring CTO House Soloist Nonhlanhla Yende in the title role alongside tenor Lukhanyo Moyake and the Cape Town Philharmonic Orchestra.

Review: THAT'S SO HIGH SCHOOL at The Analog At The Hutton Hotel

High School. A period of confusion, heartbreak, and important life lessons. Even if our high school days weren’t the best days of our lives (I say as I raise my hand), we often look back on them and see how far we’ve come. For better or for worse.

Review: TINA - THE TINA TURNER MUSICAL at Theater 11, Zurich

The international hit musical Tina – The Tina Turner Musical has landed in Switzerland as part of its recent UK and Ireland tour. In the city where Tina Turner spent her final years, the show gains a striking sense of immediacy. Seamlessly adapted for touring, the production proves it can more than hold its own on the road, delivering gripping storytelling, iconic visuals, and emotionally charged songs. These are performed—on alternating nights—by two outstanding, dramatically astute performers who bring formidable vocal power to this relentlessly demanding role.

Review: ASSASSINS at Carlisle Theatre Players On High

The acting in this production of Assassins is phenomenal, giving the audience the unsettling experience of relating to these characters as they plot and execute their assassination attempts. Assassins is a musical that will speak to many today.

Review: MARY POPPINS at Fargo Davies

Director Rebecca Saari and the cast and crew from Fargo Davies bring one of the most beloved stories of all time to life in Mary Poppins. This theatrical adaptation of the classic stories by P. L. Travers and the beloved Mary Poppins produced by Walt Disney premiered in London’s West End in 2004 before moving to Broadway in 2006. The show features music and lyrics by Richard M. Sherman and Robert B. Sherman, along with new songs by George Stiles and Anthony Drewe.

Review: THE WEDDING SINGER at Warner Theatre

On Friday, April 17th, I had the pleasure of seeing a phenomenal show at the Warner (specifically the Nancy Marine Studio Theatre) in Torrington, CT, THE WEDDING SINGER, based on the 1998 movie that is set in 1985. The book for this stage adaptation of the film written by Chris Herlihy is written by Chad Beguelin and Chris Herlihy, with music by Matthew Sklar and lyrics by Chad Beguelin. Director and choreographer Travis Kendrick-Castanho combines his strong directing talents with those of the associate Emily Rafala and the musical director Nate McCuin to help bring out the best in this first-rate cast! Without exception, every lead and ensemble cast member absolutely excels in his or her role or roles!

Review: PELLÉAS AND MÉLISANDE at Koerner Hall

Opera Atelier’s 2025-2026 production of Claude Debussy’s Pelléas and Mélisande is a departure from the company’s production modus operandi that will leave a lasting impression on audiences and signal a new era of innovation for Opera Atelier.

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