Shawn Knight News

Shawn Knight's stunning and transformative performance as the 600-pound protagonist in Samuel D. Hunter's The Whale - now onstage in a new production from Verge Theater Company to launch its third season - elevates the script beyond its stage-bound limitations, guaranteeing two hours of reflection and thought while the story is told onstage and engendering far more time given over to the consideration of the script's themes once the show's final curtain has fallen.

GOOD MORNING, THEATERATI! It's Tuesday, June 6, 2017 - and we know what you're thinking: Where the hell was my favorite early morning theater news and gossip yesterday? Unfortunately, due to circumstances beyond our control, we were unable to raise ourselves up from the bed and make our way to our desk in order to start writing. After a particularly challenging weekend, we were a bit under the weather and, truth be told, exhausted. We offer our abject apologies and request your indulgences, although we were just as disappointed as we hope you were because we were unable to live life dramatically with any sense of style on Monday.

GOOD MORNING, THEATERATI: Welcome to Friday, June 2, 2017! The weekend is upon us (thank you, very much) and we cannot conceive of a better way to live life dramatically than by catching a first night performance of a show? It's opening night for several new shows and we send out warm wishes of "break a leg"...

GOOD MORNING, THEATERATI! It's Thursday, June 1, 2017 - or, as we like to call it #TheaterThursday, 'June is busting out all over…' as a song from Carousel reminds us, and there's no better way to kick off a new month than by planning our theater outings for the weekend! Tomorrow night at Cumberland County Playhouse, the company, cast and crew unveil the 2017 model of Smoke on the Mountain, which marks the 24th year of the musical playing in Crossville. Weslie Webster directs and her cast includes Daniel W. Black and Lauren Marshall as Sanders family father and mother Burl and Vera.

GOOD MORNING, THEATERATI! According to the non-clock thing hanging on the wall - what's it called? Oh, yeah, a calendar (yeah, like we'd ever allow a calendar to hang on any wall under our control - today is May 31, 2017! It's another day to allow yourself to live life dramatically and to gain ownership of your own schedule for the rest of the week so you can be certain to get to the theater. Yesterday, in our never-ending quest to enlist all of you to write our daily column for us, we posted TODAY'S QUERY on Facebook, asking our gentle readers to weigh in or whether or not 'dressing for the theater' is de rigueur or is it more of a 'come as you are' nature. Little did we know that such a question could engender such passionate responses and we daresay rather passionate defenses of the wear-whatever-the-hell-you-want school of thought.

GOOD MORNING, THEATERATI! Welcome to Thursday, May 18, 2017…It's #TheatreThursday! which begs the question: How do you propose to live life dramatically? And, while we're on the subject, what shows are on your agenda this weekend? Let us know what you plan to see and what led you to make your choice! We'll pass the word along to the powers-that-be!

GOOD MORNING, THEATERATI! It's Thursday, May 11, 2017 (aka #TheatreThursday, y'all!) and we're just dying to ask the musical question: What shows will you be seeing this weekend? We hope you'll live life dramatically and make it to at least one production - but multiples are even better!

GOOD MORNING, THEATERATI! It's Monday, May 8, and it looks to be a beautiful spring day in Nashville (so live life dramatically), prompting us to ask the musical question: Do reviews matter anymore?

GOOD MORNING, THEATERATI! And a gracious good morning to Kate Adams Kramer, our very first Theaterati cover girl! Today we are pondering the theatrical question of 'Kevin Spacey...Tony Awards host...what the hell?' Perhaps you might opine about that bit of news and share your impressions with us: we promise not to tell a soul!

Opening day is here: Everybody's favorite bedtime book is magically transformed into an imaginative, unforgettable theatrical experience as Goodnight Moon takes the stage at Nashville Children's Theatre April 13 through May 14.

Spring is here! Why doesn't my heart go dancing? Well, Mr. Lorenz Hart, personally, we are too damn busy with creating the magic of live theater: We're directing a show (Daddy's Dyin'…Who's Got the Will? opens next week - April 20 - at The Larry Keeton Theatre in Donelson, thank you very much) and trying to make it out to see as much theater in Nashville as possible before old age takes its toll - it's tough out there for a theater critic!

Gracie McGraw, Molly Balsam and Jenna Pryor opened Act Two of the awards show with a medley of Hamilton-inspired songs.

A capacity crowd filled The Keeton to witness the no-holds-barred evening, hosted by Julia Marie Nettles, Jenna Pryor, Austin Jeffrey Smith and Taylor Tracey. Arron Holman worked the crowd during the evening to provide insight for the coming theatrical season in Nashville.

Studio Tenn and Tennessee Performing Arts Center's joint venture to produce Andrew Lloyd Webber's Evita in Nashville resulted in the production claiming the top prize as "Outstanding Musical of The Year" at Sunday's Midwinter's First Night event at The Larry Keeton Theatre. Nashville Repertory Theatre's production of Nate Eppler's original play Good Monsters took the title of "Outstanding Play of The Year" in the annual ceremony that dates back to its origins in 1989.

First Night's Top Ten of 2017 - critic Jeffrey Ellis' annual review of the best in Tennessee theater - were revealed tonight during a live Facebook broadcast at 7:30 p.m. (CST), with Actor's Bridge Ensemble and Studio Tenn/TPAC leading the nods in this year's listing of categories.

Nashville Children's Theatre (NCT) takes audiences on a swashbuckling, sea-fairing treasure hunt with Treasure Island, Scot Copeland's dramatization of Robert Louis Stevenson's epic coming-of-age tale, opening January 19 and running through February 5.

An affectionate throwback to the early tradition of American Theatre for Young Audiences, NCT's production of Cinderella is heavily influenced by the British 'Panto' tradition of fairy tales. Much as Charles Dickens' A Christmas Carol is presented at holiday time on stages throughout America, there are dozens of 'Panto' treatments of Cinderella presented as a family Christmas treat on stages throughout England annually.

How does one go about describing Blair Allison? She's funny, irrepressible, charming, talented and kooky…beautiful, personable and clever - just to name a few of the Murfreesboro native's most obvious attributes. She's also determined and ambitious, focused and committed and a graduate of Belmont University's widely respected theater program, headed by 2010 First Night Honoree Paul Gatrell.

It's another one of those perplexing and invigorating weekends in Nashville theater as some of the season's most anticipated shows open - and theater-goers find themselves sometimes making a "Sophie's Choice" decision in some cases when the options somehow seem overwhelming. And as confounding as that can be for audiences, it once again shows that the theater scene in these parts remains as vital and as artistically challenging as ever…

Shows are opening (Carolyn German unveils her latest, Go From Here, and Nashville Ballet revives Carmina Burana, both this weekend), shows are closing (your last chance to catch The Taffetas at Chaffin's Barn Dinner Theatre before they go the way of The Plaids is this weekend) and The Miss Firecracker Contest is back onstage at Donelson's Larry Keeton Theatre for the second of three weekends. Obviously, the 2016 theater season continues to reveal itself at a breakneck pace, giving audiences a veritable buffet of offerings from which to choose.