Today's subject Euan Morton has been seen in the DC area in a variety of plays and musicals. You might remember him portrayal of Anatoly in Chess at Signature Theatre or his Helen Hayes Award winning performance as Leo Frank in Parade at Ford's Theatre or Launce in The Two Gentlemen of Verona at Shakespeare Theatre Company.
Washington National Opera concludes its 2017-2018 season with the company premiere of Leonard Bernstein's biting satire Candide, running now through May 26, 2018, in the Kennedy Center Opera House. Check out photos of the production below!
Candide's little delights can't quite atone for the production's original sins: injecting far too much self-importance and taking itself far too seriously.
When you hear the first few notes of the rollicking overture, you know Bernstein is genuflecting hard to Johann Strauss. Yet this is a story in which the principal characters are bayoneted, hanged, maimed, raped, prostituted, ravaged by disease, and enslaved, among other things, a story which, thematically, takes the characters and us right to the edge of the Nietzschean abyss and gives us a good long sobering look into it - not the sort of thing Strauss or Gilbert and Sullivan ever did.
Sometimes, classics are dangerous production choices. But sometimes they're reminders of why we love a story in the first place. Washington National Opera's 'Barber of Seville' is most decidedly the latter.
Rehearsals are in full swing for The 5th Avenue Theatre's production of Kiss Me, Kate, which begins performances next Friday, April 6.
Giuseppe Verdi's epic opera is being staged for the first time in two decades at WNO and features a sterling cast in a grand production.
Heather Raffo's play is challenging, but ultimately rewarding.
It's a powerful work and one of the strongest offerings to date in the ongoing Women's Voices Theater Festival. Under Adam Immerwahr's impeccable direction, a supremely talented cast brings out the best of the exceptional script.
Led by the sensational Michael Urie, Director Michael Kahn has given us a Hamlet for our times.
The Atlanta Opera continues its 2017-18 season with Donizetti's The Daughter of the Regiment, known for its romance, comedy, and vocal acrobatics. Andriana Chuchman will make her Atlanta debut as Marie, the adopted daughter of the French 21st regiment. Santiago Ballerini, an alum of The Atlanta Opera Studio artist, returns to Atlanta as Tonio. Mezzo-soprano Stephanie Blythe makes her role debut as The Marquise of Berkenfeld. This production marks the debut of The Daughter of the Regiment at the Cobb Energy Centre, and the first presentation in Atlanta since 1985.
Today's subject Felicia Curry is currently living her theatre life at Arena Stage playing the role of Sweet Thing inNina Simone: Four Women. The production runs through December 24 in Arena Stage's Kreeger Theater.
Today's subject Jennifer Moeller is currently living her theatre life as the costume designer for Twelfth Night at Shakespeare Theatre Company (STC). The production runs through December 20th at STC's Sydney Harman Hall space.
The Shakespeare Theatre Company's TWELFTH NIGHT is a fresh look at a familiar story a bit darker with less over-the-top mirth. It is well worth revisiting Shakespeare's comedy for a new take on the familiar story.
So one expects nothing more than laughs when an original show called 'The Second City Presents: Nothing to Lose (But Our Chains)' takes up residence at Woolly Mammoth.
Today's subject Evan Casey is currently living his theatre life onstage at Signature Theatre, his DC theatrical home base in An Act of God. The production runs through November 26.
Today's subject Kimberly Gilbert is currently living her theatre life onstage at one of her local theatrical homes. She portrays the slightly deranged, tux shirt-wearing arsonist Billie Irons in The Arsonists at Woolly Mammoth Theatre Company. The production plays through October 14th.
Ford's Theatre Society announced full casting and the design team for Arthur Miller's "Death of a Salesman," directed by Stephen Rayne.
Verdi's sumptuous epic AIDA graces the Kennedy Center for the first time in more than 25 years, and it is a knock-out. The three hour visual and auditory spectacle helmed by director Francesca Zambello and conductor Evan Rogister with original sketches and concept design by famed visual artist RETNA and choreography by one of contemporary dance's leading voices Jessica Lang is not to be missed. In her director's note, Francesca Zambello speaks to AIDA's appeal with opera lovers as part of the very "fabric of our beings", but you surely don't have to be a lover of opera to fall in love with this ensemble and creative team.
Ford's Theatre Society announced full casting and the design team for Arthur Miller's "Death of a Salesman," directed by Stephen Rayne.
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