Review: COME FROM AWAY at Ford's Theatre
Come From Away at Ford’s Theatre recounts one such echo on that fateful day in Newfoundland, Canada – the northeast tip of North America.
Scott Suchman News
Review: GERSHWIN, BERNSTEIN & AMERICAN MOSAIC with the NSO, Gianandrea Noseda Conductor and Renée Fleming at Wolf Trap
One of the best way to celebrate America’s 250th birthday took place at Wolf Trap this past Saturday evening.
Feature: Three Actors, Three Productions of the Same Show, Same Historic Theatre
With the 250th birthday of our nation approaching this July 4th, Ford’s Theatre’s current attraction, the musical that tells the how the Declaration of Independence came to be, 1776 is indeed the best choice for this historic theatre to be presenting for the occasion.
Review: THE LITTLE PRINCE Presented by Washington National Opera At Kennedy Center
Traditionally when you think of what an opera is, visions of four hour long extravaganzas with beautiful singing but with stilted or no acting at all come to mind.
Interview: Theatre Life with Rachel Portman
Today’s subject Academy and Emmy Award winning composer Rachel Portman has a career that includes scoring for over100 films, television and a stage musical of Little House on the Prairie.
Feature: A Symphonic Holiday Tradition Returns
There are many holiday viewing traditions here in the DMV covering all genres of entertainment.
Review: THE MARRIAGE OF FIGARO at Kennedy Center
There are terrible things going on in the world and specifically at the Kennedy Center, where the staff’s been decimated, attendance is way down, booked engagements have withdrawn, and others have been cancelled in a few weeks to make way for activities related to the World Cup or maybe eventual
Interview: Theatre Life with Carolee Carmello
Today’s subject Carolee Carmello is a performer of epic proportions to be sure.
Review: AMERICAN RHAPSODY at Kennedy Center
An evening of the myriad modes of music that constitute the American Experience was celebrated at the Kennedy Center’s production of American Rhapsody.
Review: THE (R)EVOLUTION OF STEVE JOBS at Kennedy Center
It’s not so strange, really, that there’s a serious opera about Apple co-founder Steve Jobs.
Interview: SISTER ACT: BEHIND THE HABIT with Craig A. Horness
Today is the last installment of out weeklong series Sister Act: Behind The Habit.
Interview: SISTER ACT: BEHIND THE HABIT with Sherri L. Edelen
Today is the third installment of out weeklong series Sister Act: Behind The Habit.
Interview: SISTER ACT: BEHIND THE HABIT with Joe Mallon
Today in our weeklong series Sister Act: Behind The Habit, you are going to meet another one of the performers to makes the show come alive eight performances a week.
Interview: SISTER ACT: BEHIND THE HABIT with Nia Savoy-Dock
Today we begin a week long series of interviews with some of the artists that are bringing Ford’s Theatre’s production of Sister Act to life.
Review: SISTER ACT at Ford's Theatre
What did our critic think of SISTER ACT at Ford's Theatre?
Review: JUNGLE BOOK at The Kennedy Center
Washington National Opera takes on Jungle Book for its holiday opera.
Lerner & Loewe's CAMELOT to be Presented at Barrington Stage Company
Barrington Stage Company's 025 season will feature a new production of Alan Jay Lerner and Frederick Loewe’s classic musical Camelot.
Interview: Theatre Life with Erin Driscoll And Christian "CJ" Gardiner
As the holiday season gets ready to kick into full force, Ford’s Theatre once again will be presenting their always excellent production of A Christmas Carol.
Review: MACBETH at Kennedy Center
Malevolence, greed, the thirst for power and the never-ending quest for revenge dominate the Washington National Opera production of composer Giuseppe Verdi’s Macbeth.
Interview: Theatre Life with Soloman Howard
Today’s subject Soloman Howard is currently living his theatre life onstage at Kennedy Center in the role of Banquo for Washington National Opera’s (WNO) production of Macbeth.
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