Scott Suchman News

Clare Barron's apocalyptic play BABY SCREAMS MIRACLE is, fundamentally, an interesting and exceptionally written exploration of the forces of religion and of nature on one small town American family dealing with its own kind of inner turmoil. A uniformly strong cast under the direction of Artistic Director Howard Shalwitz brings out the best of the already strong script at Woolly Mammoth Theatre Company.

Albee's characters are shockingly volatile. They curse, they drink and they revel in inflecting pain. It's funny, heartbreaking and yes, slightly familiar. Who's Afraid of Virginia Woolf? may have debuted in 1962 but the truth it provokes still feels relevant.

The Dictator's Wife stumbles like a badly engineered coup with the fault lying solely with the opera's librettist Mohammed Hanif.

Featuring Tony Award winner Daisy Eagan with The 5th Avenue Theatre Executive Producer and Artistic Director David Armstrong at the helm, the show will undergo continued revisions in Seattle as it makes its way to a Broadway revival.

Twenty-five years after the Tony Award-winning Broadway musical production of Frances Hodgson Burnett's classic children's story The Secret Garden, the Shakespeare Theatre Company (STC) and the 5th Avenue Theatre in Seattle co-presents the timeless tale - now extended through Jan 8, 2017 - at Sidney Harman Hall (610 F Street NW).

It's that time of year again-and one of the city's grand annual traditions has returned to the stage, with fresh faces to add excitement to an already wonderful celebration of the Yuletide season. Ford's Theatre Society's production of Charles Dickens' A Christmas Carol brightens downtown Washington with its irrepressible good cheer and optimism-at a time when many are in real need of it.

25 years after the Tony Award-winning Broadway musical production of Frances Hodgson Burnett's classic children's story The Secret Garden, the Shakespeare Theatre Company (STC) and the 5th Avenue Theatre in Seattle co-presents the timeless tale from now through December 31 at Sidney Harman Hall (610 F Street NW). The musical is directed by David Armstrong, Artistic Director at The 5th Avenue Theatre, with whom STC is co-producing the production. BroadwayWorld has a first look at the cast in action below!

Despite it's bombastic and highly visible ensemble of cheery papas, THE DAUGHTER OF THE REGIMENT is a showcase for its two stars, Oropesa and Brownlee.

Legend has it there were five encores at the triumphant Viennese premiere of Mozart and da Ponte's Le Nozze di Figaro on May 1, 1786. By the same token, Washington National Opera's new production of the effervescent comic opera deserved just as many ovations. Now playing through Sunday, October 2 in the Kennedy Center Opera House, THE MARRIAGE OF FIGARO with Mozart's bubbly score and de Ponte's delicious libretto sparkles as bright as ever. The cast of first class singing-actors and the prime conducting skills of James Gaffigan are reason enough to take a seat for this masterpiece.

Washington National Opera (WNO) opens its 2016-2017 season with a new-to-Washington staging of Wolfgang Amadeus Mozart's masterpiece of romantic comedy-The Marriage of Figaro, September 22-October 2, 2016, in the Kennedy Center Opera House. One of opera's most enduring and beloved classics, The Marriage of Figaro tells an upstairs/downstairs story of love, lust, seduction, infidelity, and ultimately, forgiveness, all set to some of the most sublime and memorable music ever written.

Love it or hate it, the whodunit farce Shear Madness at the Kennedy Center represented D.C. theater for busloads of high school students for nearly 30 years.

The Washington DC area is truly lucky to get the last leg of the RAGTIME - THE MUSICAL National Tour this toasty weekend. Currently playing at the Wolf Trap Filene Center until Saturday, June 11, RAGTIME's director Marcia Milgrom Dodge has pieced together a powerful show full of emotion, beautiful imagery, and strong voices.

What a time for THE TAMING OF THE SHREW. It's a brave choice given its divisive, misogynistic text, but Shakespeare Theatre Company pulls it off under the bold direction of Ed Sylvanus Iskander. With an all-male cast, and featuring the contemporary pop music of Tony winner Duncan Sheik, this is Shakespeare with a decidedly modern sensibility.

In the third installment of the Washington National Opera's mammoth staging of Richard Wagner's The Ring of the Nibelung at the Kennedy Center, a new Brunnhilde awakens, Fafner's dragon turns out to be more of a monster truck, and the titular star of the work, Siegfried, turns out to be much more of a jerk than you'd ever want him to be.

Ten years of planning and $10 million in production costs couldn't prevent the Washington National Opera from pleasing all the gods in its ambitious staging of all four operas in Richard Wagner's The Ring of the Nibelung.