On 18 June 2023, the Hungarian State Opera celebrates the greatest Hungarian soprano of the 20th century on the occasion of her birthday with performances by her former and current students, as well as the winners of the Eva Marton International Singing Competition.
Immediately following the June 4 opening performance of Richard Strauss and Hugo von Hofmannsthal’s fairy-tale opera Die Frau ohne Schatten, soprano Nina Stemme, who performed the role of the Dyer’s Wife in the opera, was presented with the San Francisco Opera Medal.
For the final concert of the 2022-23 Hal and Jeanette Segerstrom Family Foundation Classical Series, Music Director Carl St.Clair transforms the Renée and Henry Segerstrom Concert Hall's stunning acoustics into a “Cathedral of Sound” (June 15-17) in a program that spans five centuries and celebrates spirituality.
La Orquesta Sinfónica Nacional (OSN) del Instituto Nacional de Bellas Artes y Literatura (Inbal) conmemoró el 30 aniversario luctuoso del compositor mexicano Blas Galindo y el 210 aniversario del natalicio y 140 aniversario luctuoso del alemán Richard Wagner en la Sala Principal del Palacio de Bellas Artes.
The Rhode Island Philharmonic Orchestra & Music School presents opera superstar Renée Fleming in a Gala weekend of events that are designed to entertain and educate audiences and raise funds for the organization's education and community programs.
The Museo Italo Americano celebrates the 100th anniversary of San Francisco Opera with a new exhibition: BRAVO—Celebrating San Francisco Opera, Its Italian Roots and Legacy. Presented in partnership with San Francisco Opera and Museum of Performance + Design, the exhibition runs through October 22, 2023 at the Museo Italo Americano located at Fort Mason Center in San Francisco.
San Francisco’s internationally acclaimed Merola Opera Program kicks off its 2023 Summer Festival with Metamorphosis: Recovery, Renewal, and Rebirth, an uplifting vocal and piano concert featuring a rich array of songs that explore the many facets of transformation.
The Harlem Chamber Players will mark its 15th Anniversary and Black Music Month with a musical extravaganza Harlem Songfest II, celebrating Black opera singers and the music of Black composers, including women, on Friday, June 9, at 7 p.m. at Miller Theatre at Columbia University.
A “fantastic” program in the truest sense of the word marks the end of our Tonhalle concerts this season. In 1897 Richard Strauss created a musical monument to the tragi-comic story about Don Quixote and his peasant squire Sancho Panza. The solo cello is allowed to mime the “knight of the sad figure” with virtuosity, for which Johannes Moser returns to the St.Gallen Symphony Orchestra.
The Music Institute of Chicago celebrates the 35th anniversary season of its Chicago Duo Piano Festival featuring four concerts and two master classes July 7–16 at Nichols Concert Hall, 1490 Chicago Avenue, Evanston.
San Francisco Opera Presents Strauss and Hofmannsthal's 'Die Frau ohne San Francisco Opera presents Richard Strauss and Hugo von Hofmannsthal's fairy-tale opera Die Frau ohne Schatten (The Woman Without a Shadow) from June 4–28 at the War Memorial Opera House.
Aiming to become a leading chamber ensemble representing Hong Kong on the global stage, Musicus Soloists Hong Kong (MSHK) will make their overseas debut in April 2023. Three 'Bauhaus @Hong Kong' concerts take these emerging artists to meet international audiences in unique venues in Weimar and Berlin, Germany, and explore the significant influence of German music and architecture.
The 2023–24 Boston Symphony Orchestra season, October 5–May 4, has been programmed to offer the BSO’s most devoted audiences and newcomers alike an exciting and wide-ranging spectrum of musical styles and periods.
Every day, Elektra recalls her murdered father and devises plans for blood-soaked revenge. She lives under the same roof as her father’s killers – her mother and her lover. Elektra’s thirst for revenge is all-consuming and runs counter to her sister’s dream of a life in harmony with marriage and children.
It took Richard Strauss only about 100 minutes apiece (with no breaks) to tell the lurid tale of SALOME and the tragedy of ELEKTRA. So why on earth did he and librettist Hugo von Hofmannsthal need almost five hours (including two intermissions) to tell the personal stories of an “aging” (she was really in her 30s) noblewoman, a couple of teenagers in love and a repulsive sexual predator?
The Colburn School's Ziering-Conlon Initiative for Recovered Voices, a unique Colburn resource that encourages greater awareness and more frequent performances of music by composers whose careers and lives were destroyed by the Nazi regime, brings important repertory back to life through four upcoming performances that feature the works of Erich Wolfgang Korngold, Arnold Schoenberg, Franz Schreker, Alexander von Zemlinsky, and Herbert Zipper.