San Francisco Opera's Italian Roots Celebrated in New Museo Italo Americano Exhibition
by Stephi Wild
- May 25, 2023
The Museo Italo Americano celebrates the 100th anniversary of San Francisco Opera with a new exhibition: BRAVO—Celebrating San Francisco Opera, Its Italian Roots and Legacy. Presented in partnership with San Francisco Opera and Museum of Performance + Design, the exhibition runs through October 22, 2023 at the Museo Italo Americano located at Fort Mason Center in San Francisco.
Merola Opera Program kicks off its 2023 Summer Festival With METAMORPHOSIS
by Stephi Wild
- May 25, 2023
San Francisco’s internationally acclaimed Merola Opera Program kicks off its 2023 Summer Festival with Metamorphosis: Recovery, Renewal, and Rebirth, an uplifting vocal and piano concert featuring a rich array of songs that explore the many facets of transformation.
The Harlem Chamber Players to Present HARLEM SONGFEST II in June
by Chloe Rabinowitz
- May 23, 2023
The Harlem Chamber Players will mark its 15th Anniversary and Black Music Month with a musical extravaganza Harlem Songfest II, celebrating Black opera singers and the music of Black composers, including women, on Friday, June 9, at 7 p.m. at Miller Theatre at Columbia University.
IBERIA Comes to Theatre St.Gallen This Week
by Stephi Wild
- May 8, 2023
A “fantastic” program in the truest sense of the word marks the end of our Tonhalle concerts this season. In 1897 Richard Strauss created a musical monument to the tragi-comic story about Don Quixote and his peasant squire Sancho Panza. The solo cello is allowed to mime the “knight of the sad figure” with virtuosity, for which Johannes Moser returns to the St.Gallen Symphony Orchestra.
Duo Piano Fest Features Award-Winning Artists
by Stephi Wild
- May 5, 2023
The Music Institute of Chicago celebrates the 35th anniversary season of its Chicago Duo Piano Festival featuring four concerts and two master classes July 7–16 at Nichols Concert Hall, 1490 Chicago Avenue, Evanston.
Trey Lee Leads Musicus Soloists Hong Kong In Their Germany and International Debut This April
by Stephi Wild
- Apr 17, 2023
Aiming to become a leading chamber ensemble representing Hong Kong on the global stage, Musicus Soloists Hong Kong (MSHK) will make their overseas debut in April 2023. Three 'Bauhaus @Hong Kong' concerts take these emerging artists to meet international audiences in unique venues in Weimar and Berlin, Germany, and explore the significant influence of German music and architecture.
ELEKTRA is Now Playing at Det KGL. Teater
by Stephi Wild
- Apr 3, 2023
Every day, Elektra recalls her murdered father and devises plans for blood-soaked revenge. She lives under the same roof as her father’s killers – her mother and her lover. Elektra’s thirst for revenge is all-consuming and runs counter to her sister’s dream of a life in harmony with marriage and children.
Review: Wonderful Music, Marvelous Performances in Met's Season Debut of ROSENKAVALIER
by Richard Sasanow
- Apr 1, 2023
It took Richard Strauss only about 100 minutes apiece (with no breaks) to tell the lurid tale of SALOME and the tragedy of ELEKTRA. So why on earth did he and librettist Hugo von Hofmannsthal need almost five hours (including two intermissions) to tell the personal stories of an “aging” (she was really in her 30s) noblewoman, a couple of teenagers in love and a repulsive sexual predator?
VIDEO: Susan Graham On How She Got Her Start
by Alan Henry
- Mar 29, 2023
Legendary mezzo-soprano and LAO Young Artist Artist Director Susan Graham is back on the DCP stage in her role debut as Geneviève in 'Pelléas and Mélisande.' We sat down with her to ask about her inspiring start in opera, her role as a mentor, and the advice she has for the up-and-coming generation of singers.
Review: Botstein and ASO Bring Strauss's Seldom-Heard DAPHNE to Carnegie Hall
by Richard Sasanow
- Mar 25, 2023
It’s hard to compete with yourself — especially the ‘you’ that was at the height of your powers. I think that’s part of the problem with the place that Richard Strauss’s DAPHNE holds in the composer’s canon. Often referred to as a second- (or even third-) tier work, it has much to offer and enjoy, as the performance by the American Symphony Orchestra under Leon Botstein at Carnegie Hall the other night proved quite well.
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