Manhattan Theatre Club’s Broadway premiere of the Pulitzer Prize-winning How I Learned to Drive will extend for two additional weeks of performances. The production will now play through Sunday, June 12 at MTC’s Samuel J. Friedman Theatre (261 West 47th Street). The show is produced with Daryl Roth and Cody Lassen in association with the Vineyard Theatre.
The Late Late Show with James Corden will feature a performance from the North American touring company of Hadestown airing Tuesday night, May 17, 2022, on CBS and streaming on Paramount+. Check local listings for air times.
Read our critic's review. HADESTOWN, the too-hot musical by Anais Mitchell directed by Rachel Chavkin, is a scorcher. Masterfully sung, elegantly staged and with a sensibility so romantic it could physically knock you over, the national tour of the 2019 Tony Award-winning musical parks at the Ahmanson through the end of May.
The Tony Awards Administration Committee has been meeting all year to discuss the eligibility of the 2021-22 Broadway productions all leading up to Monday's big announcement... the Tony nominations. Need a recap before the nominations announcement? Below, we've rounded up all rulings from all four meeting. Apart from these specific decisions, all other eligibility rulings were consistent with opening night billing.
The Tony Awards Administration Committee met today to confirm the eligibility status of fifteen Broadway productions for the 2021-2022 season. This was the third and final time the Tony Awards Administration Committee met to decide the eligibility for the 75th Annual Tony Awards.
The Los Angeles engagement of “Hadestown” is playing at the Center Theatre Group / Ahmanson Theatre. Find out who is in the cast, how to get tickets and more.
Manhattan Theatre Club's Broadway premiere of the Pulitzer Prize-winning How I Learned to Drive opens tonight, Tuesday, April 19, at the Samuel J. Friedman Theatre. A series of talks have been announced for How I Learned to Drive as a part of the company's Beyond the Stage program.
See the first photos from Manhattan Theatre Club's Broadway premiere of the long-awaited Pulitzer Prize-winning How I Learned to Drive opening, Tuesday, April 19, at the Samuel J. Friedman Theatre (261 West 47th Street).
Just last night, New York Theatre Workshop celebrated its NYTW 2022 Gala, honoring Artistic Director James C. Nicola, who will depart NYTW after 34 years on June 30, 2022.
Hadestown has released the news that André De Shields, Broadway's original Hermes, is set to depart from the award winning production on May 29th. His replacement has not yet been announced.
Signature Theatre has extended the New York premiere of Dominique Morisseau’s Confederates, directed by Stori Ayers to April 24. The production, running in The Alice Griffin Jewel Box Theatre at The Pershing Square Signature Center (480 W. 42nd Street, New York), opened March 27.
The Los Angeles engagement of “Hadestown” is coming to the Center Theatre Group / Ahmanson Theatre April 26 through May 29, 2022. The winner of eight 2019 Tony Awards® including Best New Musical and the 2020 Grammy® Award for Best Musical Theater Album will open April 27, 2022.
Theatre is a form of storytelling. Sometimes a show tells a new story, and other times it takes a familiar one and gives it a new spin. 'Hadestown,' which opened on March 22 at Des Moines Performing Arts, does the latter in its retelling of the Greek story of Orpheus and Eurydice. The question going into this show is if it is a successful retelling. Based on attending opening night and the flood of responses I've seen on social media, not only is it successful, it's a production that you won't want to miss.
When the world premiere production of Swept Away, with music and lyrics by The Avett Brothers, concluded its third extension at Berkeley Rep on Sunday, March 13, fans had traveled to see the show from every state in the nation, as well as from eight different countries around the world.
Chicago loves Oscar Levant! Six performances have been added of the world premiere of Good Night, Oscar by Pulitzer Prize-winning playwright Doug Wright (War Paint, I Am My Own Wife), directed by Lisa Peterson.