The Theatre Support Fund+, the team behind 'The Show Must Go On!' campaign and Take Two Theatricals present, THE SHOW MUST GO ON! LIVE AT THE PALACE THEATRE for four performances on 13, 14 & 15 November 2020 at the Palace Theatre, London.
The London Palladium has hosted the world's biggest stars over the course of its history. Today, like all theatres across the UK, it is dark. On Thursday, September 17, Magic Radio will bring together over 70 leading figures from across musical theatre at the venue, united for the first time, to shine a spotlight on theatre at a time when its very existence is under threat.
Mike Bartletta??s tragicomedy Albion returned to the Almeida stage in early 2020 and is now captured on film for the BBC. Set across the four seasons in a country garden, it teases out the disintegration of dreams and family alongside the upcoming spectre of the UKa??s exit from the European Union.
We had a chat with lighting designer Neil Austin and playwright Chinonyerem Odimba to discuss the groundbreaking work done by Freelancers Make Theatre Work, an organisation that advocates for the rights of freelance workers in theatre. We learned their thoughts about the current artistic climate in the UK, where they see the industry going, and what so desperately needs to change.
The overworked and underfunded NHS is on our minds more than ever before. As part of its free digital streaming series in partnership with The Guardian, Hampstead Theatre has made available Nina Raine's stirring medical drama Tiger Country on its website. It is available to stream until Sunday 26 April.
Company has announced a standing room ticket policy for the new production's engagement. It was also announced that Company will host a one-time-only lottery this Saturday, March 7 where all 24 standing room locations for that evening's performance at the Bernard B. Jacobs Theatre (242 West 45th Street) will be offered free to lottery winners.
Harry Potter and the Cursed Child has established a new standard for blockbuster plays in Australia, drawing more than 325,000 attendees through the doors of the Princess Theatre in a run now entering its second year.
Every Wednesday, March 4 a?" April 1 The exclusive West Coast production of Harry Potter and the Cursed Child will celebrate Magical Mischief in the Wizarding Worlda?"five special performances in San Francisco where fans discover ways to play with magic and revel in the mischief when it goes wrong.
Public booking opens for Disney's Frozen on 6 March at 10am. The production will reopen the newly refurbished Theatre Royal Drury Lane, on 11 November, with previews from 30 October 2020; and is currently booking until 28 March. With music and lyrics by Kristen Anderson-Lopez and Robert Lopez, and book by Jennifer Lee, Frozen a?' directed by Michael Grandage - opens for groups and schools booking on 24 February 2020.
In Nagasaki, a captivating geisha marries an American naval lieutenant. Her love for him is tested repeatedly a?' as her family disowns her, as he leaves Japan while promising to return eventually, and when his true intentions are finally revealed, with tragic consequences.
Having premiered at the Almeida in 2017 to critical acclaim, Mike Bartlett's play Albion returns home with a spellbinding revival directed by Rupert Goold. Rightly billed as a play for our times, Albion appears to have grown in its resonance as a deliciously layered commentary on Britain's thorny relationship to its identity and history.
The box office opens today at 10:00 AM for the highly anticipated production of Company at the Bernard B. Jacobs Theatre (242 West 45th Street). Tickets are also available at www.companymusical.com, www.telecharge.com, or by calling 800 447 7400.
The Tony Award-winning Broadway production of Harry Potter and the Cursed Child will celebrate the Hogwarts houses with four special performances dedicated to each house. Gryffindor, Slytherin, Hufflepuff and Ravenclaw houses are the four living and learning communities for Hogwarts students, named after the wizarding school's four founders.
On paper, Le Corsaire emphatically should not work. Based very loosely on the poem Le Corsair, written by Lord Byron, the plot is flimsy and the score is a mash-up of work by ten different composers. However, this revival of Anna-Marie Holmes' 2013 production for English National Ballet actually works on every level and is a wonderful evening of escapism and virtuoso dancing.