As part of the newly launched Royal Shakespeare Community initiative, artists from the Royal Shakespeare Company, who are currently unable to rehearse or perform, will lend a hand in helping to unlock Shakespeare for thousands of children and young people studying at home.
It's hard to believe that it's been four years since Emma Rice made her debut at Shakespeare's Globe, beginning her brief tenure as artistic director with the Wonders season and her own production of A Midsummer Night's Dream. As a Shakespeare fan (I was one of those rare beings: someone who actually enjoyed studying his plays at school), I'd been meaning to go to the Globe for some time but had never quite got round to it a?' and I'd never seen anything by Emma Rice before. How times change.
Shakespeare's Globe has been preparing a raft of new digital content to continue to engage its audiences with Shakespeare's works.
Following the UK Government's official guidance, Shakespeare's Globe is closed to the public until further notice, ceasing performances, education activities and tours.
The Taming of the Shrew is arguably one of Shakespeare's most controversial comedies. In Maria Gaitandi's production, designer Liam Bunster has helped to transform the Sam Wanamaker Playhouse with raised platforms and ladders, with the cast using them constantly throughout. Although you occasionally lose sight of the performers as they climb onto the various platforms, it makes the production unique from anything else I've seen in the space.
Shakespeare's Globe has announced the summer season 2020 will include Shakespeare's Romeo & Juliet, Much Ado About Nothing, Twelfth Night, Antony & Cleopatra, a two-day event 'Globe 4 Globe: Shakespeare and Climate Emergency', a symposium 'Shakespeare and Race', a Playing Shakespeare with Deutsche Bank production of Macbeth with 20,000 free tickets to school children, the return of family festival 'Telling Tales', and a new dramatisation of Ovid's Metamorphoses by our resident writers.
Shakespeare's Globe has announced full casting for the next two productions opening in the candlelit Sam Wanamaker Playhouse in February: The Taming of the Shrew, directed by Maria Gaitanidi, and Thomas Middleton's Women Beware Women, directed by Amy Hodge.
On a sunny November morning, the Royal Opera House opened its doors for TheatreCraft 2019, the UK's largest free event for those aged 16-30 who want an offstage career in theatre. BroadwayWorld attended the event alongside over 1,300 young people to learn more about the jobs that happen behind the scenes in venues across the country.
The UK theatre industry came together yesterday (Monday 11 November) for the 14th annual TheatreCraft, the largest free offstage theatre careers event for 16 to 30-year-olds. Hosted by the Royal Opera House, over 1,300 young people attended a?" making it the biggest ever TheatreCraft a?" with more than 85 industry professionals running nearly 60 workshops, talks and backstage tours.
The Ambassadors for TheatreCraft 2019 have been announced as Yamin Choudury (Artistic Director of Hackney Empire), Nadia Fall (Artistic Director of Theatre Royal Stratford East) and Michelle Terry (actor and Artistic Director of Shakespeare's Globe).
The Evening Standard's Progress 1000 list has named London's top theatre people. The list includes Bush Theatre artistic director Lynette Linton, actor Andrew Scott, director Marianne Elliott, and more.
The National Youth Theatre (NYT) today announces full casting for its 2019 REP Season which opens this month with the London premiere of Neil Bartlett's adaptation of Great Expectations followed by an Artificial Intelligence-inspired and female-led production of Frankenstein both at Southwark Playhouse (18 October to 30 November). A third production of A Midsummer Night's Dream, will run at the Criterion Theatre (6 December to 17 January 2020) directed by Matt Harrison working in association with Kneehigh. This year's season will also see the NYT REP stage relaxed performances for the first time and features the most number of performances ever in its seven-year history. The 2019 company of 16 actors, aged 18-25, includes newcomers Guy Clark, Ella Dacres, Natalie Dunne, Jordan Ford Silver, Jamie Foulkes, Alice Franziska, Billy Hinchliff, Jadie Hobson, Bede Hodgkinson, Tiwalade Ibirogba Olulode, Julia Kass, Sarah Lusack, Jemima Mayala, Joseph Payne, Sonny Poon Tip, Raj Singh.
Shakespeare's Globe has announced the 201920 Sam Wanamaker Playhouse Season. Centred around She Wolves and Shrews, the season is a celebration and interrogation of women, power, and the role of the feminine in shaping our past, present and future. The candlelit Sam Wanamaker Playhouse will play host to a world-premiere of Ella Hickson's new play Swive [Elizabeth], Shakespeare's Henry VI, Richard III, and The Taming of the Shrew, and Middleton's Women Beware Women. Sandi and Jenifer Toksvig have written a new family show dubbed, Christmas at the (Snow) Globe, and a series of candlelit ghost tales will include a new story from Jeanette Winterson. Other events running throughout the season include half-term storytelling festival, Half Term Tales at the Globe, with the new Children's Laureate Cressida Cowell, and a double bill of Virginia Woolf's A Room of One's Own and Three Guineas, marking the centenary year since the removal of the sex disqualification act. The Globe's flagship project for secondary and post-16 students, Playing Shakespeare with Deutsche Bank, reaches its 14th year with Macbeth.
London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From timely plays to the beginning of open-air theatre season, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews, interviews and features!
Shakespeare's Globe announced the full cast for William Shakespeare's The Merry Wives of Windsor, directed by Elle While, and Ben Jonson's Bartholomew Fair, directed by Blanche McIntyre.
Emilia, written by Morgan Lloyd Malcolm and directed by Nicole Charles comes to the Vaudeville Theatre from 8 March - 15 June 2019, following its run at Shakespeare's Globe in 2018.
It's the 21st century, so we should live in a world where an all-women-of-colour major production of a Shakespeare play like Richard II isn't so remarkable.
Casting is today announced for Emilia, written by Morgan Lloyd Malcolm and directed by Nicole Charles at the Vaudeville Theatre from 8 March - 15 June 2019, following its run at Shakespeare's Globe in 2018.
Shakespeare's Globe is delighted to announce the Summer Season 2019. Celebrating and interrogating our 'sceptred isle' through Shakespeare's history plays, a year-long journey begins with Richard II, opening 22 February in the Sam Wanamaker Playhouse, continuing into the Globe Theatre this summer with Henry IV Parts 1 and 2, and Henry V. The season also includes A Midsummer Night's Dream, The Merry Wives of Windsor, Ben Jonson's Bartholomew Fair, and the return of 2018's As You Like It. Robin Hood tales will form the core of the Read Not Dead series this year, and festivals throughout the summer include Women & Power and Poland is Hamlet. This year's Playing Shakespeare with Deutsche Bank production will be Romeo and Juliet, opening on 28 February, with 20,000 free tickets available to state secondary schools. The Shakespeare's Globe Touring Ensemble will once again present a trio of plays for the audience to choose from: The Comedy of Errors, Pericles, and Twelfth Night.
Following its sell-out run at Shakespeare's Globe, Morgan Lloyd Malcolm's exciting and entertaining new play Emilia, directed by Nicole Charles, bursts into the Vaudeville Theatre for a strictly limited season from 8 March - 15 June 2019.
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