Michelle Terry News

You wait so long for a Macbeth then like the buses, four major productions come along at once. The Barbican is staging the Royal Shakespeare Company's offering while the roundly panned National Theatre's effort is out on tour and the National Youth Theatre's version is playing in the West End.

London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From new musicals to Shakespeare, Pinter and Magic Mike, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld reviews, interviews and features!

Edward Bennett returns to the Royal Shakespeare Company for his third season, appearing in Polly Findlay's Macbeth. As the production comes to London, Bennett gives us an insight into Findlay's rehearsal room, discusses how Macduff is similar to previous roles he's played here, and also shares his own superstitions surrounding the Scottish Play and theatre...

Shakespeare's Globe has announced casting for the Winter Season 2018, its plans for a year-long cycle of history plays from February 2019, and Globe Associates, to include Sean Holmes, who is to become Associate Artistic Director.

Shakespeare's Globe is delighted to announce the launch today of Such Stuff, a brand new podcast. Such Stuff is hosted by Artistic Director, Michelle Terry, producer Imogen Greenberg and Head of Higher Education and Research, Dr. Farah Karim-Cooper.

Charity Wakefield, currently appearing in Morgan Lloyd Malcolm's all-female Emilia, is the first woman to play William Shakespeare on the Globe stage.

Michelle Terry's first season at the Globe continues apace, with what some will have marked out as a highlight since its announcement back in January. Mark Rylance returns to the Globe stage, once again directed by Claire van Kampen, starring as Iago alongside American actor Andre Holland in the title role. This is another strand in Terry's Emilia arc, which will culminate in Morgan Lloyd Malcolm's new play about Shakespeare's 'Dark Lady', Emilia Bassano.

More2Screen has announced that the Shakespeare's Globe production of the much-loved late romance The Winter's Tale will be broadcast live to over 400 cinemas across the UK, Ireland and selected European territories on Thursday 4 October 2018.

Reunited following successful runs of The Lorax, the director-composer team of Max Webster and Charlie Fink bring a new version of the Shakespeare classic to the picturesque (and rather appropriate) setting of Regent's Park Open Air Theatre. This well-loved comedy is in demand this year, with it being this year's Shakespeare in the Squares play of choice, and a production also making up part of Michelle Terry's inaugural season at Shakespeare's Globe - coincidentally, the last Shakespeare play performed at this theatre saw Terry starring in Henry V. This particular piece is ideal seasonal fare, however, with love, laughter and hijinks overflowing in the Forest of Arden.

Earlier this week news broke that Glenda Jackson, fresh from her triumphant, Tony-winning run in Three Tall Women, will next don the crown as Shakespeare's tragic monarch King Lear. Broadway is making much ado about something and understandably so. New York stages haven't seen much gender-swapped or gender-blind casting of Shakespeare, but take a peek across the pond to find a revolution of sorts in the interpretation of the Bard's work.

Shakespeare's Globe has announced its Winter Season for 2018/19 in the Sam Wanamaker Playhouse. Featuring two pairings of plays by William Shakespeare and his celebrated counterpart, Christopher Marlowe, this call and response season opens on 7 November 2018. Throughout the season we are also inviting today's artists to examine, rework and elaborate on these 400-year-old provocations with new work written in response to Shakespeare and Marlowe.

As Michelle Terry embarks on her first season as Artistic Director, More2Screen has been appointed by Shakespeare's Globe to broadcast a new production of The Winter's Tale live by satellite to cinemas across the UK, Ireland and selected European territories on Thursday 4 October 2018. This signals the Globe's commitment to ensuring live broadcasts of their productions are available to the widest possible audience across the UK, followed by a worldwide recorded roll-out in 2019.

Third in line in Michelle Terry's first season as Artistic Director of Shakespeare's Globe is The Two Noble Kinsmen. Directed by Barrie Rutter, the Shakespeare-Fletcher collaboration becomes a lighthearted and wonderfully ironic piece of theatre.

Michelle Terry's first season as Artistic Director of the Globe will be carefully scrutinised. Emma Rice's contentious exit raised important questions about the venue's purpose, its balancing of tradition and innovation, new and returning audiences, and about how we engage with Shakespeare in the 21st century.

Shakespeare's Globe presents Hamlet and As You Like It, the opening shows of Michelle Terry's first season as Artistic Director.

Shakespeare's Globe presents Hamlet and As You Like It, the opening shows of Michelle Terry's first season as Artistic Director.

Is Shakespeare still relevant? Given I am one of four directors of a Shakespeare-focused theatre company, I am bound to answer "yes". But for all of the box office success (one in every 10 theatre tickets sold, according to a 2014 report), Shakespeare is still viewed by many as elitist.

London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From meaty revivals to the open-air theatres opening their doors, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld reviews, interviews and features!

Shakespeare's Globe announces full casting for its 2018 tour, directed by Brendan O'Hea. From 7 May, a company of eight actors will embark on a national and international tour of Twelfth Night, The Taming of the Shrew and The Merchant of Venice, beginning and ending at The Globe. In the spirit of Shakespearean tradition, the company will allow the audience to decide which of the three plays they would like to see, with a voting mechanism to be determined over the course of rehearsals.

Donmar Associate Robert Hastie returns for this timely revival from one of our greatest living playwrights, following his previous productions My Night with Reg and Splendour.