San Francisco Opera will present Richard Strauss' ELEKTRA, led by Music Director Eun Sun Kim, in Keith Warner's contemporary museum staging featuring a cast including Elena Pankratova and Elza van den Heever.
San Francisco Opera has announced its Summer 2026 lineup. The season includes Elektra, The Barber of Seville, and special events. Performances will take place across San Francisco and the Bay Area.
San Francisco Opera’s 2025–26 season, the tenth under the leadership of Tad and Dianne Taube General Director Matthew Shilvock, kicks off in September. Learn more about the season!
I couldn’t help but wondering whether the scheduling last week of two recent productions at the Vienna State Opera, Claus Guth’s TURANDOT and Cyril Teste’s SALOME, on subsequent nights had anything more than the availability of the stars behind it. After all, both portrayed the title characters as abused women scarred by powerful men—not exactly the business-as-usual for these works by Puccini and Strauss, respectively—in pared-down productions that hearkened to the father of psychoanalysis, Sigmund Freud, as well as to #MeToo.
San Francisco Opera has released production photos of Francis Poulenc’s Dialogues of the Carmelties (Dialogues des Carmélites) at the War Memorial Opera House, running October 15–30. Caroline H. Hume Music Director Eun Sun Kim conducts the San Francisco Opera Orchestra, Chorus and soloists in this powerful, 20th-century masterwork in the acclaimed production by French director Olivier Py. Check out the photos here!
San Francisco Opera's Centennial Season continues with Francis Poulenc's Dialogues of the Carmelties (Dialogues des Carmélites) at the War Memorial Opera House, October 15–30. Caroline H. Hume Music Director Eun Sun Kim conducts the San Francisco Opera Orchestra, Chorus and soloists in this powerful, 20th-century masterwork in the acclaimed production by French director Olivier Py.
Rebecca Nash will sing the title role in tonight’s performance of Strauss's Elektra, replacing Nina Stemme, and Wendy Bryn Harmer will sing Chrysothemis, replacing Lise Davidsen.
Richard Strauss’s ELEKTRA is simply overwhelming--particularly when you have Nina Stemme and, especially, Lise Davidsen, as the title character and her sister Chrysothemis, ably abetted by Greer Grimsley as their brother, Orest, and an incredible supporting cast top to bottom.
Elektra unites today’s leading dramatic sopranos: Nina Stemme, who reprises her acclaimed portrayal of the title role, and Lise Davidsen, making her role debut as Elektra’s sister Chrysothemis and appearing in her third Met production this season, following heralded turns in Strauss’s Ariadne auf Naxos and Wagner’s Die Meistersinger von Nürnberg.
Soprano Nina Stemme brought down the house when she headlined the premiere of visionary director Patrice Chéreau’s 2016 staging of Elektra. Now she returns to Strauss’s unhinged heroine, opposite one of today’s most in-demand artists, soprano Lise Davidsen, as her sister, Chrysothemis. Donald Runnicles is on the podium for one of opera’s most blistering scores, leading a cast that also includes mezzo-soprano Michaela Schuster as Klytämnestra, tenor Stefan Vinke as Aegisth, and bass-baritone Greer Grimsley as Orest.
As only the third American opera company in history to reach this centennial milestone, the Company’s 2022–23 Season will honor San Francisco Opera’s glorious past while inviting the public into an exciting new era of musical excellence under Kim’s music directorship and a renewed commitment to innovation.
Nicole Braunger, the first woman opera director at Staatstheater Karlsruhe, will remain with the theater for three more years, until the summer of 2024. 'I am pleased that the theater management has agreed to my wish to stay at this house,' said Braunger in a tweet. 'For me it is an affair of the heart to stay at this house.'
The Metropolitan Opera announced today that the ongoing health crisis has resulted in the cancellation of the entire 2020-21 season, but the company also announced ambitious artistic plans for its 2021-22 season, which will open with the Met premiere of Terence Blanchard's Fire Shut Up in My Bones.
Theater an der Wien is presenting a new version of Salome that features puppets! The characters of Salome and John the Baptist are both portrayed by puppets.
To commemorate the start of Yannick Nézet-Séguin's new position as the Jeanette Lerman Neubauer Music Director, the Met is releasing an audio compilation of performance highlights on iTunes, as well as a series
Sabine Hogrefe will perform the title role in Strauss's Elektra at tonight's performance, Monday March 12 at 7.30pm, replacing Christine Goerke who is ill.
When Christine Goerke took on the title role in the Met's revival of Richard Strauss's masterwork ELEKTRA--the final work of director Patrice Chereau--she wasn't so much competing with Nina Stemme, who sang the premiere of the production last spring, but with herself. Six months before this version first came to Lincoln Center, Goerke performed the role in concert with the Boston Symphony at Carnegie Hall and blew the roof off. She was a transfixing, sensational presence that you just couldn't keep your eyes off.