Greater Boston theatre companies and collaborative partners gathered at Boston’s City Hall today, Tuesday, June 25, 2024, to announce major plans for an ambitious two-year, citywide celebration of the Ufot Family Cycle, a cycle of nine plays about three generations of a Nigerian American family by Massachusetts-raised, visionary playwright Mfoniso Udofia.
Explore dance, acting, and improv classes at Bucks County Playhouse. Enhance your skills with expert-led sessions designed for all levels. Join a vibrant community and take your performance to the next level. Learn how to apply.
VJM: Thank you both for giving of your time to answer my questions. I don’t think I’ve ever heard of two Choreographers being hired for the same Broadway show, not even a revival, that I can think of. How did that come about for both of you?
Ellenore Scott: Funny Girl was my Broadway debut as a choreographer. I was so happy when I got a call from Michael Mayer (the director) asking me to work on this revival with him. He knew I was NOT a tap dancer and was aware of the multiple tap routines in the show and asked if I would be down to share the billing with Ayodele Casel. Ayo is an extraordinary artist so I was thrilled to be by her side as she made her Broadway debut as well. Michael first met me initially at Head Over Heels on Broadway where I was an associate choreographer to Spencer Liff. In 2019, he asked if I would choreograph the Off-Broadway revival of Little Shop of Horrors and we opened the show October 17th, 2019. I have loved working with Michael and feel as though he keeps his people close and I’m grateful he thought of me for this historic revival.
Ayodele Casel: I met Michael Mayer in 2016 when he directed a New York City Center Encores! show I performed in. Later that fall he invited me to perform that piece in a Broadway for Hillary fundraiser he was also directing. We'd kept in touch over the years and in 2019, after seeing a show I’d premiered at The Joyce Theater, he asked if I would be interested in providing the Tap choreography for a revival he was working on. Like Ellenore shared, Michael wanted to work with us both to deliver the full choreographic vision of the show. I believe it was a very progressive vision on his part and I’m really thankful that I was able to make my Broadway debut with this team.
Princeton Symphony Orchestra’s Princeton Festival Guild will host its annual Artists’ Roundtable on Tuesday, June 4, at 7pm in the Princeton Public Library’s Community Room.
Center Theatre Group, in collaboration with The Fire This Time Festival and Watts Village Theater Company, will present a second season of Not A Moment, But A Movement, an initiative created to amplify, center, and celebrate Black voices.
Renowned choreographer Lorin Latarro is set to be the keynote speaker at Dance Lab New York's Choreography Symposium, sharing her insights and experiences in the world of dance. Learn more!
Join Broadway star Steffanie Leigh at The Green Room 42 as she shares her humorous and heartfelt journey into motherhood in MATRESCENCE: BECOMING A MOTHER. Learn how to purchase tickets!
Get a first look at South Coast Repertory's world premiere of Galilee, 34 by Eleanor Burgess. Directed by Davis McCallum, the story exploring the disciples in the aftermath of the Crucifixion, runs through May 12, 2024 on the Julianne Argyros Stage.
City Theatre Company has announced the complete lineup for their 50th Anniversary. DNAWORKS' production of The Real James Bond...was Dominican joins the previously announced shows to round out the five show subscription series and will be performed in the Lillie Theatre in January and February 2025.
McCarter Theatre Center has announced its 2024-2025 Dance Series – featuring Ballet Hispánico, SW!NG OUT from superstar choreographer Caleb Teicher, Noli Timere – a new collaboration between Director/Choreographer/Princeton University Professor Rebecca Lazier and sculptor Janet Echelman, Seoul-based Bereishit Dance Company, and Twyla Tharp Dance. Also included as an optional season encore is the highly anticipated return of Pilobolus.
Established by theatrical producer Barbara Whitman in 2021, this award recognizes a woman, trans, or non-binary director who has developed a clear and distinctive artistic voice and demonstrated unique vision in their theatrical work.