Today Jacob’s Pillow has announced plans to host a multi-platform virtual and on-site Festival in 2021, undertake substantial renovations to the Ted Shawn Theatre, and complete Vision ’22, a five-year strategic plan established in 2017.
The Statement of Historical Significance on Streatham Hill Theatre has been produced by Aedas Arts Team, a world leading architecture and design practice for The Friends of Streatham Hill Theatre. It has been completed with support from 440 crowdfunders, the Mayor of London, Lambeth Council and the Theatres Trust.
The Royal Opera House will continue its #OurHouseToYourHouse programme, featuring online broadcasts, musical masterclasses and cultural highlights that can be accessed by audiences around the world.
The Society for Theatre Research has revealed the judges for the Theatre Book Prize 2021.
The Royal Academy of Dance (RAD) has partnered with the V&A to co-curate a free to enter display to mark the iconic dance education organisation's centenary.
1910 saw George V ascend to the throne, the trial and execution of Dr Crippen, the publication of EM Forster's Howard's End and the birth of Alice Marks, later Alicia Markova, the country's first prima ballerina. It also witnessed the establishment of the Dancing Times, the first independent magazine devoted solely to dance.
Available on Blu-ray for the First Time in North America, this Golden Globe nominee for 'Best Documentary Film' features prima ballerinas Margot Fonteyn, Carla Fracci, Lynn Seymour and Deanne Bergsma; BD bonus features includes interviews with Terese Capucilli, Skylar Brandt and a 16-Page booklet.
The New York Public Library of the Performing Arts has acquired the archive of Martha Graham, one of the most significant and influential voices of the modern dance movement.
Be swept away by Tchaikovsky's luminous music score, Ben Stevenson's magnificent choreography and Kristian Fredrikson's ethereal costumes, as Queensland Ballet opens Swan Lake at Arts Centre Melbourne's State Theatre on April 17, returning the timeless love story of romance, tragedy and heartbreak to the stage.
Covent Garden's iconic Royal Opera House is home to both The Royal Opera and The Royal Ballet. A theatre has been on the site since 1732, but since 1858 the current building has served as a central cultural site for London. During World War II, it was used as a dance hall, but then the decision was made to make it as home for both ballet and opera, opening in its current form in 1946. The beautiful venue has played host to opera legends such as Joan Sutherland and Maria Callas and also ballet greats such as Margot Fonteyn. Here is everything you need to know if you are travelling there.
Karen Kain, Artistic Director of The National Ballet of Canada, today announced that Greta Hodgkinson's final performances as Principal Dancer will be in Marguerite and Armand, onstage February 29 - March 7. #MargueriteandArmandNBC
Jacob's Pillow, in partnership with the Association of Performing Arts Professionals (APAP) and the New England Foundation for the Arts (NEFA), invites early career dance presenters to apply for an immersive professional development experience at Jacob's Pillow, August 5-8, 2020. The third annual Forum, reinstated in July 2018 in response to field-wide interest, is developed in collaboration with key partners from across the U.S. and designed to be a catalytic opportunity for early career dance presenters.
Oakland University, one of Michigan's leading educational institutions, has announced that JOANNE DANTO is the recipient of an Honorary Doctor of Arts for her contributions to the dance community as an internationally celebrated ballet dancer and educator, and her commitment to philanthropy in raising funds to support non-profit organizations in Michigan, and other parts of the United States.
The Royal Opera House is on a mission to show that ballet and opera are accessible to everyone. As part of their live cinema season, last night saw Tchaikovsky's beautiful interpretation of fairytale, The Sleeping Beauty, broadcast live across the world.
Martha Graham Dance Company's Studio Series continues with CunningGraham, a Merce Cunningham and Martha Graham technique comparison and discussion featuring Graham 2 and Cunningham Workshop participants, on Tuesday and Wednesday, February 4–5, at 7pm, at the Martha Graham Studio Theater.
Valerie Taylor-Barnes, celebrated ballerina of the Royal Ballet and champion of young artists, passed away peacefully of natural causes on November 18, 2019 at the age of 88. She was preceded in death nearly ten years to the day by her beloved husband, Clive Barnes.
American Ballet Theatre, America's National Ballet Company®, will give two performances of Kenneth MacMillan's Romeo and Juliet, with The Cleveland Orchestra, at the 2020 Abu Dhabi Festival on April 3 and 4 at Abu Dhabi's Emirates Palace Auditorium.
The School at Jacob's Pillow, a world-renowned center for artistic growth and excellence, announces 2020 professional advancement programs in Contemporary Ballet, Street & Club Dances, Contemporary, and Musical Theatre Dance; and professional development programs in Choreography and Dance Photography. Situated in the heart of Jacob's Pillow Dance Festival, the longest-running dance festival in the United States, The School has been instrumental in furthering the careers of dance artists for over 80 years and offers innovative programs each year with its roster of renowned and sought-after choreographers and dance leaders who serve as faculty. Dancers selected to attend The School at Jacob's Pillow join one of the most influential international dance networks in the field.
The Cambridge Arts Theatre Trust is excited to announce that it has secured a National Lottery Heritage Fund grant of £100,000 to support the cataloguing of the Theatre's historic archive. The project, made possible by money raised by National Lottery players, is titled 'Behind the Scenes: Saving and Sharing the Heritage of Cambridge Arts Theatre' and will unite and safeguard over 80 years of the Theatre's history.
Jeanmarie (Simpson) Bishop, Founding Artistic Director of Arizona Theatre Matters, refers to incoming Co-Artistic Director Wendy Warwick White as 'the ultimate renaissance woman.'
