Lonny Chapman News

The Group Rep presents a pay-per-view staged production from the Lonny Chapman Theatre of TUESDAYS WITH MORRIE, written by Jeffrey Hatcher and Mitch Albom, from the book by Mitch Albom directed by L. Flint Esquerra, starring Larry Eisenberg and TJ McNeill, co-produced by Lloyd Pedersen and Gina Yates.

Today (August 14) in live streaming: Stephanie J. Block visits Backstage Live, the Marie's Crisis Weekend Warm-Up returns, and so much more!

The Group Rep presents a pay-per-view staged production from the Lonny Chapman Theatre of TUESDAYS WITH MORRIE, written by Jeffrey Hatcher and Mitch Albom, from the book by Mitch Albom directed by L. Flint Esquerra, co-produced by Lloyd Pedersen and Gina Yates.   

The Hot List is back and better than ever! Whether youa??re staying at home or venturing out for a socially distanced experience, you wona??t have to look far to find that art and entertainment lives on. Check out these great options today: Boston Court Pasadenaa??s AT HOME WITH AMANDA MCBROOM and the beginning of their exciting new Book Club, Idris Goodwina??s BARS AND MEASURES; Rooftop Movies at the Montalbán featuring LA LA LAND, ONCE UPON A TIME IN HOLLYWOOD, and BLACKKKLANSMAN; South Coast Repertorya??s Online Community Fiesta, MASA; a screening of Ephraim Asilia??s THE DIASPORA SUITE at REDCAT; and a special Talk-back with Mitch Albom and the cast of The Group Repa??s TUESDAYS WITH MORRIE.

This Spotlight focuses on Phil Olson who makes his home in Los Angeles after being born and raised in Edina, Minnesota. He has won over 30 playwriting and theatre awards with his 16 published plays that have had over 400 productions in seven countries around the world, with ten of his plays published by Samuel French/Concord Theatricals. This past Christmas, his new play, a?oeA Twisted Christmas Carol,a?? had its world premieres in eight cities, concurrently, across the U.S. including a production by Group Rep at the Lonny Chapman Theatre in NoHo. But what's he up to now with such a vast theatrical quarantine in place?

With the current theatre world on hiatus, I have created a Spotlight Series on Broadway World Los Angeles which features interviews with some of the many talented artists who make our Los Angeles theatre community so exciting and vibrant thanks to their ongoing contribution to keeping the arts alive in the City of the Angels. And like all of us, how are they dealing with the abrupt end of productions in which they were involved? This Spotlight focuses on Michael Mullen, an award-winning and always busy costume designer, writer and actor who often steps onstage in a variety of roles, both male and female.

We are first introduced to a young girl, a very assertive, opinionated young girl, definitely with a strong sense of identity, and self worth. She is heard speaking, which we come to find out is us hearing her inner thoughts and feelings, through her a?oeMind's Eye,a?? her vocally taped diary, into a recorder. The time is 1968. We first view her as she runs, into, outside ~ an elderly man who has fallen in their garden, helping him up and, concerned, guides him inside her home, where she spends much of her sheltered life. Patty, played quite brilliantly by Peyton Kirkner, is both honest and earnest in her connection with her new and only friend, Calhoon (played wonderfully and with much heart by Lloyd Pedersen). They were instant friends; and even though Patty is legally blind they easily shared conversation. The actors totally conveyed that feeling, so it was all the more heart-wrenching when her mom, Lola Henderson, played determinedly by Maria Kress, who, understandably, is ultra protective, comes home and just couldn't fathom this new connection ~ having been the caretaker-mom all of Patty's life, this was a concern she had not yet encountered. Flash forward, and back and forth, throughout the rest of the play, this played out and developed one of the underlying themes while at the same time we were fast-forwarded to Patty (aka now renamed by herself, Trish) as a school teacher in 1981.

The Group Rep presents a free staged reading of the musical A Beating Heart, inspired by Oscar Wilde's The Picture of Dorian Gray with book by Thomas Sheehan and Claire Barré, lyrics by Thomas Sheehan, music and additional lyrics by EJ Reyes, directed by Jules Aaron. March 3 and March 4 at the Lonny Chapman Theatre in North Hollywood, California.

The Group Rep will present the revival of Doug Haverty's award winning play IN MY MIND'S EYE, directed by Bruce Kimmel, and produced for the Group Rep by Bita Arefnia. The play will run February 7 through March 15 at the Lonny Chapman Theatre in North Hollywood, California.

It's the most wonderful time of the year, especially for the Group Rep at the Lonny Chapman Theatre, which for 40 years has provided holiday cheer for children-in-need.

Actor/playwright Doug Haverty will become Group Rep's new artistic director in January 2020. In our conversation he tells our readers in great detail about the upcoming season and talks in depth about his vision for the theater. How long have you been a member of Group Rep? DH: I started in 1983, so 36 years.

A riotous script and a veteran cast who know their way around comedy highlight a bravura production of 'The Man Who Came To Dinner,' Moss Hart and George S. Kaufman's classic 1939 play about a sidelined theater critic, forced to be wheelchair bound in a house in small town Ohio. Jim Beaver, Barry Pearl, and Kay Cole starr in this outrageously funny revival.

The Group Rep's world premiere production of A Twisted Christmas Carol, written by Phil Olson, directed by Doug Engalla, produced by Alyson York, a Texas style spoof of Charles Dickens' “A Christmas Carol,” played to a sold out crowd at opening night. The play runs December 15, 2019 through January 12, 2020, Upstairs at the Lonny Chapman Theatre in North Hollywood, California.

A Twisted Christmas Carol marks Doug Engalla's eighth production as Director at The Group Rep. Doug has worked with Phil Olson since 1997 on a number of productions, including five World Premieres in the Don't Hug Me series (most recently, as director of Don't Hug Me, We're Family in 2018), as well as the 2016 World Premiere of A Nice Family Christmas (featuring Tony Award-nominated actor, Marcia Rodd) at The Group Rep. A Twisted Christmas Carol is Doug's sixth World Premiere as Director with Phil Olson. Doug's cast of Phil Olson's A Nice Family Gathering - also in 2016 at The Group Rep - earned a Best Ensemble, Small Theatre nomination from the NAACP Theatre Awards. Doug's previous directing project at the Group Rep was for Neil Simon's Rumors in 2018. He is preparing to open A Twisted Christmas Carol this Sunday December 15. You have such a great rapp

The Group Rep presents Moss Hart and George S. Kaufman's beloved farce THE MAN WHO CAME TO DINNER, directed by Bruce Kimmel, produced by Doug Haverty. The comedy classic takes place a few weeks before Christmas in small town USA, after a famously outlandish NYC radio personality is invited to dine at the house of the well-to-do local factory owner. But this sharp-tongued celebrity slips on a patch of ice outside the front door and injures his hip. Confined to the house for a month, he drives his hosts mad by insulting them, monopolizing their world, wreaking havoc with romantic antics and receiving a constant stream of bizarre guests, including performers, scientists, penguins and even paroled convicts. As Christmas Day approaches mayhem ensues and fate delivers a comeuppance. 

This interview is directed to playwright Phil Olson, so tremendously popular for his Don't Hug Me series of musicals. His new play A Twisted Christmas is about to open Upstairs at GrouRep on December 14. Tell our readers about your A Twisted Christmas Carol. When you say that it is the Dickens tale Texas style, what exactly do you mean? Is there a lot of the humor of Don't Hug Me and its characters in this piece? A Twisted Christmas Carol is a Texas spoof of Charles Dickens' classic story, a?oeA Christmas Carol.a??

The Group Rep presents Moss Hart and George S. Kaufman's beloved farce THE MAN WHO CAME TO DINNER, directed by Bruce Kimmel, produced by Doug Haverty. The comedy classic takes place a few weeks before Christmas in small town USA, after a famouslya??outlandish NYC radio personality is invited to dine at the house of the well-to-do local factory owner. Buta??this sharp-tongued celebrity slips on a patch of ice outside the front door and injures his hip. Confineda??to the house for a month, he drives his hosts mad by insulting them,a??monopolizing their world, wreaking havoc with romantic antics anda??receiving a constant stream ofa??bizarre guests, including performers,a??scientists, penguins and even paroled convicts.a??As Christmas Day approachesa??mayhem ensues and fate delivers aa??comeuppance.a??

Actor/director/author Bruce Kimmel is best known to audiences for his tremendous work with Kritzerland, his own company that produces updated albums of classic musicals as well as recordings of new ones like his A Carol Christmas, produced last year at Group Rep and currently nominated for several BroadwayWorld Awards. Kimmel is about to open The Man Who Came to Dinner at Group Rep on December 6. In our convesation he talks about his fondness for the play and gives us his vision for a successful production of it. How do you envision The Man Who Came to Dinner onstage? BK: Fast. Funny. I love the play, have played Banjo twice, so it's really fun to come back to it as a director. The comedy is as funny as it's always been and it's also great to be able to bring whatever we can bring to it. But, for me, pace is key - the play can run long, but I'm making sure that doesn't happen here. Why do you think it has endured all these years even though it's a period piece with the mention of many, many names people today do not recognize? BK: The central situation is so relatable - someone takes over your house and your life, and disrupts everything, but, in the end, ends up being helpful to people. Add to that, the assortment of crazies who populate Sheridan Whiteside's wo

Kay Cole and Barry Pearl join the cast of the Group Rep's production of Moss Hart and George S. Kaufman's beloved farce THE MAN WHO CAME TO DINNER, directed by Bruce Kimmel and produced by Doug Haverty.   The play runs December 6, 2019 through January 12, 2020 at the Lonny Chapman Theatre in North Hollywood, California.