Kevin Burdette News

a??a??a??a??a??a??a?? The Atlanta Opera announces the formation of the Atlanta Opera Company Players, featuring twelve world-class singers, all resident in Atlanta and the southeast, who will collaborate with the company's leadership team to reimagine its 2020a?'21 season.

Although Winston-Salem, North Carolina, is called the City of the Arts, you may be surprised that it's small, regional opera house, Piedmont Opera, as become a hot opera ticket across the nation.

Today (June 5) in live streaming: Jon Reynolds teaches a dance workshop, Joe's Pub presents CLASSIC WHITNEY: ALIVE!, and so much more!

The Met has announced the Weeks 10 and 11 schedules for its Nightly Met Opera Streams, a free series of encore Live in HD presentations streamed on the company website during the coronavirus closure. 

If you are still unable to get to the barber, Opera Philadelphia can at least bring a Barber to you! Week 3 of the company's Digital Festival O features a broadcast of Rossini's comic masterpiece The Barber of Seville, premiering on Friday, May 15, at 8:00 p.m. on YouTube and operaphila.org. Following Friday's digital opening night, the 2014 production will stream on-demand through Monday, June 29.

Over the past five years, Opera Philadelphia has presented no fewer than nine world premieres, scoring multiple awards and winning international audience and critical recognition. Now that the 2019-20 season has been cut short by the need for social distancing, the company is extending its season online with Digital Festival O.

San Diego Opera's 2019-2020 main stage season comes to a close with Gioachino Rossini's classic comedy The Barber of Seville which opens on Saturday, April 25, 2020 at the San Diego Civic Theatre for four performances. Additional performances are April 28, May 1, and 3 (matinee), 2020.

San Diego Opera's 2019-2020 main stage season comes to a close with Gioachino Rossini's classic comedy The Barber of Seville which opens on Saturday, April 25, 2020 at the San Diego Civic Theatre for four performances.

Austin Opera today announces its 2019-2020 Season of programming at the Long Center, which includes Verdi's Rigoletto; the company premiere of Joby Talbot and Gene Scheer's Everest, the tale of one of the worst years in the famous mountain's history; and Puccini's final opera, Turandot.

Opera Philadelphia's recent revival of Puccini's romantic blockbuster had audiences and critics captivated. Now, opera lovers who missed its return at the Academy of Music, or can't wait to see it again, will have one more chance to see this beloved masterpiece on Saturday, September 14, at 7:00 p.m., as part of Opera Philadelphia's 9th annual Opera on the Mall at Independence National Historical Park.

The Santa Fe Opera's General Director Robert K. Meya today announced repertory and casting for the company's exciting 64th Season in 2020. On the panel joining Meya for the announcement were the President of the Board of Directors Susan G. Marineau, Andrea Fellows Walters, Director of Community Engagement, and Cori Ellison, the company's first, recently appointed Dramaturg.

In front of projections of impressionist art and a set reminiscent of a still life painting, a simple story of romance, loss, poverty, and creation plays out. Opera Philadelphia's re-imagining of La Boheme takes the classic tale to a new level.

Utah Opera Artistic Director Christopher McBeth has announced the programming, initial casting, and creative teams for the company's 2019-20 season, which comprises four opera productions at the newly renovated Janet Quinney Lawson Capitol Theatre. Featuring improved seating and sightlines on the orchestra level, the theatre reopens after a six-month closure for the company's season-opening production of Verdi's La traviata in October 2019. The season continues with composer Kevin Puts and librettist Mark Campbell's Silent Night in January 2020, Rossini's The Barber of Seville in March 2020, and Massenet's Tha s in May 2020. Silent Night is presented as part of Utah Opera's American Opera Initiative, through which the company champions and commissions American contributions to the art form. Both Silent Night and Tha s are Utah Opera premieres.

American Symphony Orchestra concludes its 2018-19 season on a high note by offering an exceedingly rare performance of Bohuslav Martin 's opera Julietta at Carnegie Hall on Friday, March 22.

Artistic Director Christopher McBeth today announced the programming, initial casting, and creative teams for Utah Opera's 2019-20 season, sponsored by the George S. and Dolores Dor Eccles Foundation. In its upcoming season, Utah Opera produces four operas at the Janet Quinney Lawson Capitol Theatre: Verdi's La traviata in October 2019, Kevin Puts and Mark Campbell's Silent Night in January 2020, Rossini's The Barber of Seville in March 2020, and Massenet's Tha s in May 2020. Both Silent Night and Tha s are company premieres. Season subscriptions are on sale now by calling (801) 533-6683 or visiting utahopera.org. Single-opera tickets go on sale to the general public on June 14, 2019 through Utah Opera and ArtTix outlets.

Austin Opera today announces its 2019-2020 Season of programming at the Long Center, which includes Verdi's Rigoletto; the company premiere of Joby Talbot and Gene Scheer's Everest, the tale of one of the worst years in the famous mountain's history; and Puccini's final opera, Turandot.

This winter, The Atlanta Opera presents the company premiere of Jake Heggie and Terrence McNally's Dead Man Walking in an original production "of the very highest level" (Opera News) from General & Artistic Director Tomer Zvulun. Georgia native Jamie Barton - winner of the Beverly Sills Artist Award, Richard Tucker Award, and BBC Cardiff Singer of the World Competition - makes her eagerly anticipated role debut as Sister Helen Prejean, and Michael Mayes reprises the iconic portrayal of condemned murderer Joseph De Rocher that the composer himself has called "definitive," anchoring an all-star cast that also features Maria Zifchak, Wayne Tigges, Kevin Burdette, and Jay Hunter Morris. Marking the second presentation in Atlanta's mainstage season, the opera will be mounted in four performances led by Kentucky Opera principal conductor Joseph Mechavich at the Cobb Energy Performing Arts Centre (Feb 2-10).

ARIADNE is an opera that shows the beauty of great voices and this cast had plenty to offer. Amanda Echalaz, whose voice has significant heft to it, sang Ariadne with beautiful rose velvet tones. She was a bit of a witch in the prologue, but in the opera, her voice rolled out over the audience like waves in the ocean. Offering pathos at the beginning, Echalaz's use of a tapestry of vocal color made her transition to Bacchus's lover credible

Tickets go on sale today for the Met's Emmy® and Peabody Award-winning Live in HD series' 2017-18 season, which begins on October 7 with the company's new production of Bellini's Norma.