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Kaylee Rose, Michael Ray, Taylor Hicks & Twinnie to Join MAY WE ALL: A NEW COUNTRY MUSICAL

Mark your calendar as MAY WE ALL: A NEW COUNTRY MUSICAL Producer Brian Kelley will take the stage during opening night of the show on June 15, as he steps into the rotating role of “Bailey Stone”. A second round of guest artists has also been revealed today (5/18) including Kaylee Rose, Michael Ray, Taylor Hicks, and Twinnie.

Wake Up With BWW 4/14: Neil Patrick Harris Joins Encores! INTO THE WOODS, and More!

Today's top stories include a casting change for the upcoming City Center Encores! production of Into The Woods. Neil Patrick Harris will be replacing the previously announced Christian Borle in the role of The Baker. Plus, read the reviews for To My Girls at Second Stage and Harmony at National Yiddish Theatre Folksbiene!

Photo Flash: Quick Silver Theater Company (QSTC) Celebrates Pearl Cleage With Reading Of ANGRY, RAUCOUS AND SHAMELESSLY GORGEOUS

Quick Silver Theater Company (QSTC) presented a staged reading of Pearl Cleage's latest play Angry, Raucous and Shamelessly Gorgeous, featuring Crystal Fox (A Fall from Grace, 'Big Little Lies,' Burden opposite Forrest Whittaker, 'The Haves and Have Nots') as Anna Campbell, Tony nominee and QSTC company member Pascale Armand (Eclipsed) as Precious Pete Watson, Tony nominee Brenda Braxton (Smokey Joe's Café) as Kate Hughes and Two-time Audelco Award winner Marjorie L. Johnson (Coleman Domingo's-Dot) as Betty Samson at the National Black Theatre, 2031 125th Street & National Black Theatre Way (5th Avenue) 10035 on February 20.

GOOD MORNING, THEATERATI for June 6, 2017

GOOD MORNING, THEATERATI! It's Tuesday, June 6, 2017 - and we know what you're thinking: Where the hell was my favorite early morning theater news and gossip yesterday? Unfortunately, due to circumstances beyond our control, we were unable to raise ourselves up from the bed and make our way to our desk in order to start writing. After a particularly challenging weekend, we were a bit under the weather and, truth be told, exhausted. We offer our abject apologies and request your indulgences, although we were just as disappointed as we hope you were because we were unable to live life dramatically with any sense of style on Monday.

BWW Review: BUMT's Rollicking 9 to 5: THE MUSICAL Gives Dolly Her Due

Just in case you are unaware, heed this advice: There is perhaps no better place on earth to catch some future Broadway stars (and, no doubt, some Tony Award winners-to-be) than in Nashville. If there is any other more fertile breeding ground for musical theater stars than what you may find among the assemblage of burgeoning talents at Belmont University - particularly among the students enrolled in the school's musical theatre program, now celebrating its 19th season - we implore you to supply directions for our edification.

FRIDAY 5 (+1): The Stars of Belmont University Musical Theatre's 9 to 5: THE MUSICAL

Today, in our latest Friday 5 (+1), we introduce you to a group of Belmont University Musical Theatre leading ladies - Katie Bays, Emily Anne Ludwig, Lizzy Hinton, Cassie Donegan, Mary Kate Hughes and Katie Grogg - and their leading man, the Franklin Hart Jr. of this particular revival, Graham Trout! Remember their names, gentle readers, they are sure to impress you now over on Belmont Boulevard just as much as they are destined to dazzle critics and audiences (in theaters along other notable streets) alike in the years to come…

EVITA, GOOD MONSTERS Claim Top Honors at Midwinter's First Night

Studio Tenn and Tennessee Performing Arts Center's joint venture to produce Andrew Lloyd Webber's Evita in Nashville resulted in the production claiming the top prize as "Outstanding Musical of The Year" at Sunday's Midwinter's First Night event at The Larry Keeton Theatre. Nashville Repertory Theatre's production of Nate Eppler's original play Good Monsters took the title of "Outstanding Play of The Year" in the annual ceremony that dates back to its origins in 1989.

BWW Review: Street Theatre Company's ASSASSINS Assuredly Intrigues Audiences

Stephen Sondheim's Assassins - his musical treatment of the history of presidential assassinations in America - remains one of the most compelling and intriguing works to be found in the musical theater canon, focusing on a veritable rogue's gallery of historic figures whose infamy lives on decades after their horrific actions first gained them the notoriety they so often pursued in their disparate, yet somehow weirdly connected, lives.

BWW Review: Street Theatre Company's DOGFIGHT

It's 1967 and a young Marine, returning from a life-changing experience in Vietnam, is on a bus bound for San Francisco, the site of his last hurrah in 1963: a momentous night before he shipped out for Okinawa in the company of friends and cohorts with whom he'd created a bond he thought would last forever. That initial scene in Dogfight – the hit off-Broadway musical with music and lyrics by Benj Pasek and Justin Paul and a book by Peter Duchan, based upon a little-known movie of the same name that starred River Phoenix and Lili Taylor – serves as a gateway to the story of Eddie Birdlace and his fellow Marines and a winsome, idealistic young woman who left her imprint on his heart despite his best efforts to forget her.

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