The Chocolate Factory Theater will host Karinne Keithley Syers' new production, YOUR GHOST BODY, starting February 2026. This innovative performance explores themes of presence and absence through a unique theatrical experience.
The Chocolate Factory Theater has unveiled its 2025/2026 season of performances featuring CATCH 79 and more. Learn more about the season and see how to purchase tickets.
The 17th annual Bring A Weasel and A Pint of Your Own Blood Festival will take place this year at the recently reopened Life World in September. Learn more here!
Meghan Finn, artistic director of THE TANK, was honored with a $200k David Prize for her transformative impact as a New York Visionary. Learn more about her contributions and the significance of this award.
The 16th annual Bring A Weasel and A Pint of Your Own Blood Festival, created by experimental theater legend Mac Wellman, will take place this year at the BAM Fisher (Fishman Space) on September 13th - September 15th, 2024.
The Tank will present KARA & EMMA & BARBARA & MIRANDA, a new dramedy by Ariel Stess. Directed by Meghan Finn, the play explores the intersecting lives of four women in New Mexico. Learn how to purchase tickets.
2024 NYC Indie Theatre Film Festival has revealed the full lineup featuring feature-length films, short films, and more. See the lineup and learn how to purchase tickets.
Target Margin Theater has announced details for The Hidden Secret, the Obie award-winning company's 2023-2024 season. Learn more about the season here!
The Tank (Meghan Finn, Artistic Director; Johnny G. Lloyd, Director of Artistic Development; Molly FitzMaurice, Managing Producer) has announced their Spring 2024 Core Productions for their 20th Anniversary season. Learn more here!
Brooklyn College MFA Playwriting Program's Bring a Weasel and a Pint of Your Own Blood returns for its 15th year at The Brick Theater on Friday, June 9th and Saturday, June 10th, 2023 at 8pm.
Revolutionary punk-rock sensation Hedwig and the Angry Inch is coming to Olney Theatre Center this winter (November 26, 2021 to January 2, 2022) starring Mason Alexander Park, who earned a Helen Hayes Award for Best Leading Performer in a Musical for their role as the Emcee in Olney’s 2019 production of Cabaret.
Helen Hayes Award-winning performer Mason Alexander Park (they/them/theirs) returns to Olney Theatre Center in November to play the title role in Olney's production of the internationally acclaimed rock musical Hedwig and the Angry Inch.
The festival, which launched February 1 and will run through June 30, 2021, features a diverse range of works that use the medium of mail in a broad range of ways.
A collective of 13 theater groups and artists from across the globe will join forces for POST THEATRICAL, a festival of works that use mail as a theatrical medium. The festival, which launches in February and will run through June, 2021, features a diverse range of works that use the medium of mail in a broad range of ways.
The Flea Theater hosted a Mac Wellman Symposium: THE ART OF STACKING THE DECK October 4-6, 2019. The three-day symposium was a rare opportunity for Wellman enthusiasts to gather to share stories and dig deep into the mysteries of Wellman's writing.
Works & Process, the performing arts series at the Guggenheim, presents a Works & Process dance and costume commission by Reid Bartelme and Harriet Jung with new choreography by Christopher Williams and Netta Yerulshamy in collaboration with NYU's Institute for the Study of the Ancient World's exhibition, Hymn to Apollo: The Ancient World and the Ballets Russes, on Sunday and Monday, April 28 and 29, 2019 at 7:30pm
New York Live Arts (Live Arts) to present the New York premiere of Netta Yerushalmy's Paramodernities, March 14-17, 2019, having commissioned the work as part of the Live Feed Residency Program. The complete six-part encyclopedic series is a multidisciplinary work that weaves theory and performance into a four-hour-long hybrid event. Yerushalmy and a cast of 20 dancers and scholars, ranging in age from 20 to 68, perform deconstructed installments of Nijinsky's “Sacre” (1913), Graham's “Night Journey” (1947), Ailey's “Revelations” (1960), a mix of Cunningham works “Rainforest,” “Sounddance”, “Points in Space”, “Beach Birds”, and “Ocean” (1968-1990), dance numbers from the 1969 Fosse's film “Sweet Charity”, and a response to Balanchine's “Agon” (1957) that includes none of the original choreography.