Lookingglass Theatre Company will present the world premiere of UNTITLED VAMPIRE PLAY. The production blends romance, horror, and comedy. Performances will take place in Chicago.
Lookingglass Theatre Company has revealed the plays and creative teams for its inaugural new works festival: GglassFest. Learn more about the festival and see how to attend!
Lookingglass Theatre Company will present its fifth annual Sunset 1919: A Ritual on Sunday, July 27, 2025, at 7:00 p.m. at the Eugene Williams Memorial Marker, located 1/4 mile north of 31st Street Beach.
Lookingglass Theatre Company will present the return of the fifth annual Sunset 1919: A Ritual. Learn more about the event and see how to attend upcoming events here!
Chicago's Tony-Award winning Lookingglass Theatre Company has revealed its 2025 - 2026 season taking place in The Joan and Paul Theatre at Water Tower Water Works. Learn more!
Lookingglass Theatre Company has announced its 2025–2026 season, featuring two world premieres by Company Members Matthew C. Yee and Kevin Douglas, the return of the acclaimed Lookingglass Young Ensemble, and the continuation of the powerful annual ritual Sunset 1919.
Chicago’s Tony-Award winning Lookingglass Theatre Company has shared new summer programming tied to Iraq, But Funny. See full programming here and learn how to attend!
The Cape Playhouse will conclude its 98th summer season THE 39 STEPS, directed by Kimberly Senior. It is an unforgettable production with four actors playing 150 roles that continues a long-standing tradition of ending the summer season with a murder mystery. Check out photos here!
The Cape Playhouse will continue its 98th summer season with the Tony nominated musical WAITRESS, with book by Jessie Nelson and original music and lyrics by six-time Grammy nominee Sara Bareilles.
Lookingglass Alice is adapted and directed by founding member of Lookingglass Theatre Company, David Catlin. Lindsey Noel Whiting, a Lookingglass Alice cast member herself, hosts the PBS program, and the cast includes Molly Hernandez as Alice, along with Kareem Bandealy, Samuel Taylor, Michel Rodriguez Cintra and Daniel Johnson.
It’s only fitting that for his swan song at Goodman Theatre Artistic Director Robert Falls has adapted and directed Anton Chekhov’s THE CHERRY ORCHARD, a play that’s also very much a swan song. With this staging, Falls has completed the cycle of directing all four of Chekov’s full-length plays for the Goodman stage. Fall’s take on THE CHERRY ORCHARD is surprisingly comedic and strips the play of the more obscure Russian references (though it’s still a period piece), which also demonstrates an artful understanding of the text and how 2023 audiences are best primed to receive it. THE CHERRY ORCHARD’s central character, estate owner Lyubov Ranevskaya, desperately clings to her glamorized version of the past even as the world around her moves inexorably forward. It’s a farewell, indeed, and a lesson in learning when to hold on and when to let go.
Lookingglass Theatre Company has announced its 35th Season! A partnership with one of this city’s leading Black theatre companies. A homegrown holiday hearth-warmer. Two original CHI-made works each featuring unconventional central characters. A twirl around five extraordinary homespun districts, and more.
Ten Chimneys Foundation has announced renowned actor Tyne Daly will serve as the Master Teacher for the 2022 Lunt-Fontanne Fellowship Program, a national program to serve the future of American theater.
Lookingglass Theatre Company’s signature LOOKINGGLASS ALICE has returned to Water Tower Water Works—and it’s just as whimsical and delightful as I remember it when I first saw the production back in high school. Director David Catlin’s charming and inventive adaptation combines storytelling elements from Lewis Carroll’s ALICE’S ADVENTURES IN WONDERLAND and THROUGH THE LOOKINGGLASS. The production’s partnership with The Actors Gymnasium has also cemented Lookingglass Theatre Company’s unique combination of literary adaptation and impressive aerial artistry. LOOKINGGLASS ALICE not only calls for a talented company of actors but also places considerable physical demands upon its ensemble.