Winners Announced For The 2022 BroadwayWorld Long Island Awards
by BWW Awards
- Jan 11, 2023
The winners have been announced for the 2022 BroadwayWorld Long Island Awards, honoring the best in regional productions, touring shows, and more which had their first performance between October 1, 2021 through September 30, 2022.
Review: ONLY AN OCTAVE APART, Wilton's Music Hall
by Franco Milazzo
- Oct 3, 2022
“Keep it pretty, keep it shallow, keep it moving.” As well as being words that American cabaret singer Justin Vivian Bond (pronoun v) lives by, they go some way to sum up Only An Octave Apart, this eye-catching and pacy two-hander with Grammy-winning countertenor Anthony Roth Costanzo.
ONLY AN OCTAVE APART Will Make London Premiere at Wilton's Music Hall
by Stephi Wild
- Jul 5, 2022
Justin Vivian Bond and Anthony Roth Costanzo’s critically-acclaimed Only An Octave Apart, a theatrically musical evening coalescing wildly divergent genres and voices, is crossing the pond this Fall for a month-long premiere London engagement at Wilton’s Music Hall.
BWW Review: Joyce DiDonato's EDEN is a Little Less than Paradise at Carnegie Hall
by Richard Sasanow
- Apr 25, 2022
Joyce DiDonato’s recitals-as-events--where she introduces her personal philosophies as well as her art into the evening--have their ups and downs. Sometimes they are marvelous. Saturday night at Carnegie Hall, the concert, directed by Marie Lambert-Le Bihan with lighting by John Torres, that also served as part of her publicity tour for her new recording, EDEN (Erato), seemed less than the sum of its parts.
Mezzo-soprano Joyce DiDonato to Perform at Carnegie Hall
by Marissa Tomeo
- Apr 7, 2022
Mezzo-soprano Joyce DiDonato brings her latest innovative project to Stern Auditorium / Perelman Stage on Saturday, April 23 at 8:00 p.m. Titled EDEN, the program explores our individual connection to nature and its impact on our world and features Ms. DiDonato’s frequent collaborators Maxim Emelyanychev leading Italian chamber orchestra Il Pomo d’Oro. Fusing music, movement, and theater, the program includes works spanning from the 17th to the 21st century by Handel, Gluck, Wagner, Mahler, Ives, and Copland, as well as the New York premiere of Academy Award-winning composer Rachel Portman’s The First Morning of the World, commissioned specifically for this project.
VIDEO: Claudia Rankine Talks HELP at The Shed
by Stephi Wild
- Mar 24, 2022
After closing during previews two years ago due to the pandemic, this March The Shed presents the world premiere of Help, a new play by acclaimed author and poet Claudia Rankine (Just Us, Citizen: An American Lyric), directed by Obie Award–winner Taibi Magar (Twilight: Los Angeles, 1992, Signature Theater; Is God Is, Soho Rep).
Photos: First Look at the World Premiere of HELP at The Shed
by Chloe Rabinowitz
- Mar 15, 2022
After closing during previews two years ago due to the pandemic, this March The Shed will present the world premiere of Help, a new play by acclaimed author and poet Claudia Rankine (Just Us, Citizen: An American Lyric), directed by Obie Award–winner Taibi Magar (Twilight: Los Angeles, 1992, Signature Theater; Is God Is, Soho Rep).
Claudia Rankine's HELP Comes to The Shed in March
by Stephi Wild
- Mar 1, 2022
After closing during previews two years ago due to the pandemic, this March The Shed presents the world premiere of Help, a new play by acclaimed author and poet Claudia Rankine (Just Us, Citizen: An American Lyric), directed by Obie Award–winner Taibi Magar (Twilight: Los Angeles, 1992, Signature Theater; Is God Is, Soho Rep). Help stars April Matthis (Toni Stone, Roundabout Theatre; Fairview, Soho Rep).
REDCAT Announces Winter/Spring 2022 Season
by Chloe Rabinowitz
- Dec 21, 2021
Ringing in a hopeful 2022, Roy and Edna Disney/CalArts Theater, CalArts' downtown center for contemporary arts, will kick off a full year of live performance and art. Through performances, screenings, and exhibitions, REDCAT will once again welcome in-person audiences—as well as online audiences around the world—from January through June 2022.
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