Tim Connell Returns To Pangea This December With …AND SO IT GOES
by A.A. Cristi
- Nov 30, 2022
Actor-singer-storyteller Tim Connell returns to Pangea for a third time this year with ...and so it goes... on Thursday, December 8 and Saturday, December 17, both at 7 PM. He is joined by his longtime collaborator, a Musical Director James Followell. The show is directed by Steven Petrillo.
Review Roundup: KPOP Opens on Broadway!
by Blair Ingenthron
- Nov 27, 2022
Critics have weighed in on KPOP, starring K-pop superstar Luna as MwE, directed by Teddy Bergman, with a book by Jason Kim, and music and lyrics by Max Vernon. KPOP officially opened on Sunday, November 27th at the Circle in the Square Theatre.
Arthur Darvill, Anoushka Lucas, and More Will Reprise Roles in West End Transfer of OKLAHOMA!
by Stephi Wild
- Nov 23, 2022
Reprising their roles from the run at the Young Vic are Raphael Bushay (Mike), Arthur Darvill (Curly McLain), James Patrick Davis (Will Parker), Stavros Demetraki (Ali Hakim), Greg Hicks (Andrew Carnes), Rebekah Hinds (Gertie Cummings), Anoushka Lucas (Laurey Williams), Marie-Astrid Mence (Lead Dancer), Liza Sadovy (Aunt Eller) and Patrick Vaill (Jud Fry).
Review: SUSAN MACK Delivers an Introspective Evening in YESTERDAYS at Birdland
by Ricky Pope
- Nov 15, 2022
We all love to reminisce. A trip down memory lane is highly satisfying. In fact, for those of us who are devotees of The American Songbook, reminiscing is sort of our gig. Susan Mack has made it the theme of her evening, SUSAN MACK: YESTERDAYS, which opened yesterday at Birdland. And Ms. Mack is, indeed a singer worth remembering. She has a voice as full-bodied as honey, with impeccable pitch and delicious taste in music. She put together a program of classy, often rueful tunes about days gone by, both hers and ours. As she points out, the beauty of calling a show YESTERDAYS is that you can sing anything written before today.
Review: HADESTOWN at Blumenthal Performing Arts
by Perry Tannenbaum
- Nov 10, 2022
In a uniquely simpatico collaboration, composer-lyricist Anäis Mitchell and developer-director Rachel Chavkin have retold the Orpheus-Eurydice myth in a musical form that is slick and glitzy, with primal and profound truths lurking amid the razzle-dazzle.
Susan Mack Debuts YESTERDAYS at Birdland Next Month
by Stephi Wild
- Oct 17, 2022
Following her recent sold-out performances, Susan Mack returns to Birdland to debut Yesterdays, a new show with a diverse, uplifting and timeless set of Standards. These songs of yesterday transcend the era in which they were created; their messages and the emotions they elicit are still powerful, relatable, and relevant today.
Tour Announced For The Premiere of WODEHOUSE IN WONDERLAND
by Stephi Wild
- Oct 5, 2022
Cahoots Theatre Company Ltd in association with Jamie Clark Theatre presents the UK premiere of William Humble's play Wodehouse in Wonderland, starring Robert Daws and directed by Robin Herford, on a UK Tour which opens at Malvern Theatres on 26 January 2023.
Listen: Christine Ebersole's New Album AFTER THE BALL Out Now
by Chloe Rabinowitz
- Sep 30, 2022
After the Ball, a new album from two-time Tony Award winner Christine Ebersole has been released in physical and digital formats! Listen to the album here! The recording finds Ebersole at the start of a brave new chapter, reflecting on life, love and family now that the last of her three adopted children has flown the nest.
Joan Vázquez Returns To London With FEELING GOOD
by Stephi Wild
- Sep 27, 2022
After his sold-out performances of Something's Coming: a Sondheim tribute and his successful Paquito Forever, Joan Vázquez is back at Crazy Coqs with FEELING GOOD, a Rat-Pack evening and a crooner vibe, with tunes from his latest album by Cole Porter, Rodgers & Hart, Irving Berlin, Jerome Kern and Leslie Bricusse, specially arranged for the occasion by the Feeling Good Trio.
Review: Phillip Officer is Back Where He Belongs in LET ME SING AND I'M HAPPY at Birdland
by Ricky Pope
- Sep 27, 2022
Phillip Officer was a prevalent name in NYC cabarets in the 1990s and early 2000s. He made a name for himself on Broadway in the cast of the original SIDE SHOW. And his cabaret evenings were always highly regarded by critics and audiences alike. But as he explained this evening, in 2008 he packed everything he owned into several large bags and not quite knowing why boarded a plane to Las Vegas, a place he had never been, with the intent of starting a new life. His baggage was lost along the way. How’s that for a metaphor?
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