Jennifer Richmond News

Winner of the TONY "TRIPLE CROWN" for BEST MUSICAL, BEST SCORE and BEST BOOK, AVENUE Q is part flesh, part felt and packed with heart. AVENUE Q tells the story of Princeton, a bright-eyed college grad who moves to NYC with big dreams and a tiny bank account. The only apartment he can afford is way out on Avenue Q, where everyone's looking for the same things he is: a decent job, a stable relationship, and a 'purpose.' Eventually, Princeton learns to embrace the ups and downs of city life and realizes that 'the real world' isn't so bad, after all!

In recognition of The Barn's 45 years of bringing the magic of live theater to the stage, we continue our special series of Onstage at The Barn: Memories from The First 45 Years, with actress Amanda Card McCoy, who made her Barn debut in the acclaimed comedy Boeing Boeing, which was followed closely by her performance in Nate Eppler's Modern Love. Today, Amanda shares her memories of working at The Barn to the ones that we've been sharing of late to celebrate the 45th anniversary…

Outrageously funny, wonderfully engaging and, at times, even heartfelt and sentimental, Avenue Q serves up a full buffet for the discerning theater-goer lucky enough to find himself in the audience of Street Theatre Company's production of the multiple Tony Award-winning musical, directed with flash and sass by Martha Wilkinson and featuring a cast of amazingly adept actors-turned-puppeteers who bring the show to life.

Winner of the TONY "TRIPLE CROWN" for BEST MUSICAL, BEST SCORE and BEST BOOK, AVENUE Q is part flesh, part felt and packed with heart. AVENUE Q tells the story of Princeton, a bright-eyed college grad who moves to NYC with big dreams and a tiny bank account. The only apartment he can afford is way out on Avenue Q, where everyone's looking for the same things he is: a decent job, a stable relationship, and a 'purpose.' Eventually, Princeton learns to embrace the ups and downs of city life and realizes that 'the real world' isn't so bad, after all!

In recognition of The Barn's 45 years of bringing the magic of live theater to the stage, we continue our special series of Onstage at The Barn: Memories from The First 45 Years, with actress Joanna Hackman, who recently made her debut at the Barn in the hit comedy Boeing Boeing, and who will be leaving Nashville shortly to give the West Coast a shot at her (and those of her husband Daniel Hackman) talents…

Winner of the TONY "TRIPLE CROWN" for BEST MUSICAL, BEST SCORE and BEST BOOK, AVENUE Q is part flesh, part felt and packed with heart. AVENUE Q tells the story of Princeton, a bright-eyed college grad who moves to NYC with big dreams and a tiny bank account. The only apartment he can afford is way out on Avenue Q, where everyone's looking for the same things he is: a decent job, a stable relationship, and a 'purpose.' Eventually, Princeton learns to embrace the ups and downs of city life and realizes that 'the real world' isn't so bad, after all!

Try as they might, director Martha Wilkinson and her talented ensemble of actors just can't breathe enough life into a thin, tepid script to make it work onstage for audiences eager to be entertained. Virginia Cate and Duke Ernsberger's Elvis Has Left The Building is pleasant enough, with a promising premise, yet it falls flat despite the best efforts of the cast and crew putting forth the new production at Chaffin's Barn Dinner Theatre.

Eppler's obvious affection for the genre is apparent from the play's very first moments-Caldwell gives a high-spirited reading of his role, delivering Eppler's tongue-twisting dialogue with high caliber self-assurance, while Gore makes the first of his hilarious appearances in the play-and he once again displays his deft hand at creating believable dialogue that's sharply witty and wondrously clever. The ease with which his characters rattle off the repartee he has written is largely because of his gift of gab, but it also points to the sure-handed direction of the piece by Martha Wilkinson (no stranger herself to the wonderful words cobbled together by Eppler), and the performances of the five-member cast who give life to the scriptbound characters.

Nate Eppler, the two-time First Night Award winning playwright of Southern Fried Funeral (with Dietz Osborne) and Long Way Down, will unveil his latest stage comedy with the premiere of Modern Love, running January 12-February 12 at Chaffin's Barn Dinner Theatre.

Named as First Night's Outstanding Musical of 2011 was Lipscomb University Theatre's production of Hairspray, directed and choreographed by Justin Boccitto. ACT 1's production of American Buffalo, directed by Ryan Williams, claimed top honors as First Night's Oustanding Play of 2011, and the national touring company's Memphis, the Musical, which played Andrew Jackson Hall at the Tennessee Performing Arts Center, was named as First Night's Outstanding Touring Production of 2011, besting productions of Spring Awakening, In The Heights, Wicked and Les Miserables.

With a capacity crowd of 200 people on hand at The Keeton Theatre, First Night founder and executive producer Jeffrey Ellis, who covers theater, opera and dance throughout Tennessee for BroadwayWorld.com, unveiled his choices via First Night's Top 11 of 2011, while the winners of the BroadwayWorld.com Nashville and Tennessee Theatre Awards were announced by co-hosts Britt Byrd, Jamie Free, Katherine Sandoval Taylor and Lar'Juanette Williams.

Playwright Nate Eppler, Mas Nashville's FIVE, the Boiler Room Theatre, Lipscomb University's Hairspray, ACT 1's American Buffalo and the national touring company of Memphis, the Musical were the top winners at Sunday night's Midwinter's First Night at Nashville's Keeton Theatre, which also featured the presentation of the BroadwayWorld.com Nashville and Tennessee theatre awards.

Nate Eppler, the two-time First Night Award winning playwright of Southern Fried Funeral (with Dietz Osborne) and Long Way Down, will unveil his latest stage comedy with the premiere of Modern Love, running January 12-February 12 at Chaffin's Barn Dinner Theatre.

Truth be told, seeing Martha Wilkinson in a black pageboy wig while she delivers a wonderfully droll comic character performance might be worth the price of a ticket to Chaffin's Barn Dinner Theatre's revival of Boeing-Boeing, the Marc Camoletti farce (adapted by Beverly Cross) under the direction of Charles Burr that is running throughout the month of December. But Wilkinson's superb performance notwithstanding, there's much more to love about the show.

Janie and John Chaffin and company have decked the halls and baked the cookies, so Chaffin's Barn Dinner Theatre, the venerable Nashville theatre celebrating its 45th year of bringing the best of Broadway to Music City USA, ushers in yet another holiday season with three shows offered for audiences of all ages.

Long Way Down, Nashville playwright Nate Eppler's critically acclaimed new work which premiered locally earlier this year, has been named a semi-finalist for the 2012 Harold and Mimi Steinberg/American Theatre Critics Association New Play Award.

Voting is now under way for the second BroadwayWorld.com Nashville Theatre Awards and, for the first time, theater companies outside Nashville will be recognized with the BroadwayWorld.com Tennessee Theatre Awards.

First presented in 2010 by the Bethlehem Players (of Franklin's Bethlehem United Methodist Church), Southern Fried Funeral, now onstage through November 26 at Chaffin's Barn Dinner Theatre (where Osborne and Eppler staged their First Night Award-winning Rear Widow last year), is aging gracefully, taking on the patina normally reserved for the sterling silver serving pieces in that breakfront in the dining room. Lustrous and heartfelt - yet uproariously funny in a way that only Southerners can be - the story told in Southern Fried Funeral is authentic and genuine, farfetched and unbelievable.

Southern Fried Funeral, the latest collaboration from playwrights Dietz Osborne and Nate Eppler, opens at Chaffin's Barn Dinner Theatre on October 22, running through November 26 at the venerable Nashville dinner theater.