The time is 1939 and Selznick has already begun filming Gone With the Wind, but needs a new script. There's only one writer up to the task - the legendary Ben Hecht. The only problem is that Hecht has never read the book and there's only one week to re-write the script. Selznick locks himself, Hecht and director Victor Fleming (pulled off the set of The Wizard of Oz, which he is also directing) in his office to get the job done.
Flynt Foster, a Franklin-based actor seen recently in the world premiere of Southern Fried Funeral, stars as Michael Caldwell, a shy, aspiring writer from the Midwest who comes to New York in search of fame and fortune. His life becomes a series of hilarious encounters with the unpredictable residents of his dilapidated apartment house including a commercial actor who specializes in portraying inanimate objects, a Russian ballerina on the lam from the KGB, and a wisecracking actress. To maintain his own sanity, Michael retreats to his fantasies, only to find that the world of his imagination is even more nerve-racking than the reality surrounding him.
It's 1939 and producer David O. Selznick (played by Derek Whittaker) finds himself under the gun: He only has seven days to fashion a shooting script for his epic film version of Margaret Mitchell's worldwide bestseller. Virtually every writer of note (including Ernest Hemingway and F. Scott Fitzgerald) has submitted a treatment of the novel only to have Selznick - whose reputation as a controlling perfectionist remains intact in this play - reject every one of them
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The time is 1939 and Selznick has already begun filming Gone With the Wind, but needs a new script. There's only one writer up to the task - the legendary Ben Hecht. The only problem is that Hecht has never read the book and there's only one week to re-write the script. Selznick locks himself, Hecht and director Victor Fleming (pulled off the set of The Wizard of Oz, which he is also directing) in his office to get the job done.
Since returning to the world of theatre via BroadwayWorld.com about a month ago, after an almost seven year absence, I've had the invaluable opportunity of reconnecting with a number of old acquaintances and renewing long-dormant friendships and relationships with people connected to the theatre scene in Nashville and throughout Tennesseee.
Take one of east Nashville's hottest hot spots, mix in a couple hundred theatre enthusiasts, add a dollop of Vegas-style entertainment and a whole slew of gaming tables and you have the second annual fundraiser for Street Theatre Company: It's Vegas, Baby! Held Thursday, August 13, at Limelight, 201 Woodland Street, just across from LP Field, the event attracted a large sampling of Nashville's theatre community and socialites.
You have to hand it to the creative minds at Boiler Room Theatre: year after year they mount seasons filled with ambitious offerings, they attract some of the most talented actors, directors and theatre technicians to be found and, most compellingly, they draw loyal, involved audiences
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