Barrington Stage Company began preview performances last night of its one man show, Harry Clarke, starring Mark H. Dold. Barrington Stage is one of two theaters in the country to have been given the greenlight by Actors' Equity to begin performances in the wake of the pandemic.
Barrington Stage is one of two theaters in the country to have been given the greenlight by Actors' Equity to begin performances in the wake of the pandemic, and its first show, Harry Clarke, took its first bow yesterday- making it the first Equity-approved curtain call in months.
Barrington Stage Company is only one of two theater companies in the entire country that has been given the greenlight by Actors' Equity Association to begin staging performances in the wake of the COVID-19 pandemic.
As announced on July 6, Barrington Stage Company was one of the first two theatres with Equity-approved plans to resume socially-distanced performance this summer. Now, according to the New York Times, BSC's Harry Clarke, which was set to begin performances indoors next week, will now perform outdoors in accordance with rules from the stage of Massachusetts which prohibit indoor theatre.
Barrington Stage Company will be changing two of the season's productions in order to better meet social distancing protocols that are necessary at this time.
It's Not That We Don't Exist the podcast is about to hit 100 episodes, but before that milestone, we are pleased to present a brand new mini-series entitled 'Changing the Landscape: Examining Race in Theatrical Design.'
Due to the ongoing COVID-19 pandemic, Barrington Stage Company has postponed the previously announced 2020 season until 2021. They have, however, come up with an a?oealternate seasona?? that honors live theatre and allows for gathering safely. BSC has devised a plan which follows Social Distancing guidelines to ensure the safety of audience members, employees, and performers alike.
Like so many facets of our society brought to a halt by the coronavirus pandemic, the theatre industry currently finds itself at this terrifying impasse. Despite steep reservations and an unclear understanding of what constitutes risk for employees and audiences alike, many arts institutions have begun weighing their options when it comes to how and when to resume operations.
Building on over 40 years of producing powerful contemporary theatre, Studio Theatre is pleased to announce its largest class ever of commissioned artists to Studio R&D, its incubator to support the creation of new work. Studio will award grants to 10 artists-playwrights, directors, and multidisciplinary creators-investing in its future while supporting theatre-makers and expanding the idea of what it means to be a generative artist. For the first time, Studio R&D commissions are being awarded to support the creation of audio plays, as Studio explores alternate modes of theatrical storytelling in response to the present moment.
Williamstown Theatre Festival and Audible announced today that the 2020 Williamstown Theatre Festival summer season will be produced on Audible, the world's largest producer and provider of original spoken-word entertainment and audiobooks.
Several Downtown legends are congregating at the alt-cabaret hotspot Pangea in Marcha?? Among the headliners taking risks and breaking ground are Penny Arcade with her new show, a?oeNotes from the Undergrounda?? (March 4 & 18); David Cale, with new show a?oeSandraa?? (March 8), and Charles Busch being himself in a new act (March 26).
Vineyard Theatre Artistic Directors Douglas Aibel and Sarah Stern announce dates for Dana H. by Lucas Hnath, adapted from interviews with Dana Higginbotham conducted by Steve Cosson, and directed by Les Waters. Previews will begin on February 11 (previously February 7) at Vineyard Theatre (108 East 15th Street) with Deirdre O'Connell reprising the title role for the New York premiere direct from engagements at Center Theatre Group and The Goodman Theatre. Opening night for Dana H. is set for February 25.
Paper Mill Playhouse (Mark S. Hoebee-Producing Artistic Director, Michael Stotts- Managing Director), recipient of the Regional Theatre Tony Award, begins the new year with the world premiere Unmasked: The Music of Andrew Lloyd Webber with music by Andrew Lloyd Webber and written with Richard Curtis. Unmasked: The Music of Andrew Lloyd Webber begins performances Thursday, January 30, 2020, and will continue through Sunday, March 1, 2020 at Paper Mill Playhouse (22 Brookside Drive, Millburn, NJ). JPMorgan Chase & Co. is the major sponsor of Unmasked: The Music of Andrew Lloyd Webber. Paper Mill Playhouse's 2019-2020 season is proudly sponsored by Investors Bank. Opening Night is Sunday evening, February 9, 2020 at 7:00pm.
Sundance Institute's Theatre Program will support three ambitious new works for the stage, and their four women creators, at this year's two-week Theatre Lab at the Massachusetts Museum of Contemporary Art (MASS MoCA). The Lab, which runs from November 10 to November 24th, will feature the concentrated and abundant time and resources, including individual casting from a dedicated acting company and daily rehearsals, that has long been a signature of Sundance's Labs.
Artistic Directors Douglas Aibel and Sarah Stern announce that Charly Evon Simpson is the recipient of the 2019-20 Paula Vogel Playwriting Award. Ms. Simpson will be presented with the award at The Vineyard's annual Emerging Artists Luncheon on Monday, November 25 from noon-2:30pm at the National Arts Club (15 Gramercy Park South) in Manhattan.
Vineyard Theatre Artistic Directors Douglas Aibel and Sarah Stern announce extension for Is This A Room, conceived and directed by Tina Satter from the FBI transcript of Reality Winner's interrogation for leaking evidence of Russian interference in U.S elections. A New York Times Critic's Pick, Is This A Room now plays the Vineyard Theatre (108 East 15th Street) through November 24. *Editor's Note: Is This A Room should contain a capital a?oeAa??