Gluck's Orfeo ed Euridice, an operatic fable about the power of music, returns to the Metropolitan Opera for the first time since 2011 for seven performances beginning October 20, 2019.
Charming nobleman. Serial womanizer. Sexual predator. Don Giovanni is all these and more. As the list of people out to get him grows longer, eventually his misdeeds catch up with him.
San Francisco Opera presents Wolfgang Amadeus Mozart's The Marriage of Figaro (Le Nozze di Figaro) in a new production by director Michael Cavanagh at the War Memorial Opera House, October 11–November 1. The production marks the beginning of a multi-year project to weave together Mozart and librettist Lorenzo Da Ponte's three operas—Le Nozze di Figaro, Così fan tutte and Don Giovanni—as a trilogy set within an American manor house during three time periods. Conductor Henrik Nánási leads the San Francisco Opera Orchestra and an international cast in this enduring comic masterpiece.
Don Giovanni is bad to the bone and utterly unrepentant. He takes what he wants and lives only for his own pleasure in his encounters with fiery Donna Elvira, tormented Donna Anna, and impressionable Zerlina, among countless others. He manipulates and abuses his frustrated servant Leporello, Anna's fiancé Don Ottavio, and Zerlina's brand-new husband Masetto, and murders Anna's father. Mozart's tale of lust and revenge is set to some of the composer's most thrilling and dramatic music.
Don Giovanni is bad to the bone and utterly unrepentant. He takes what he wants and lives only for his own pleasure in his encounters with fiery Donna Elvira, tormented Donna Anna, and impressionable Zerlina, among countless others. He manipulates and abuses his frustrated servant Leporello, Anna's fiancé Don Ottavio, and Zerlina's brand-new husband Masetto, and murders Anna's father. Mozart's tale of lust and revenge is set to some of the composer's most thrilling and dramatic music.
Over the past eight weeks, The Circle Series has brought the theatre community together on Monday evenings to explore developing works and celebrate the classics in a new way. Concluding their first slate of staged readings, producers Circle in the Square Theatre School (Paul Libin, President; Susan Frankel, COO), Pigasus Institute, and Rachel Shuey will present three readings of developing works in October that each explore an historical figure in their own way. The readings are held at Broadway's Circle in the Square and are open to the public. Admission is a suggested donation of $20 for adults and $10 for students and seniors, with all proceeds benefiting Circle in the Square Theatre School.
Lucia Lucas made history as the first transgender woman to sing as part of the English National Opera. Lucas played Public Opinion in Orpheus in the Underworld at the English National Opera on October 5th at the London Coliseum.
Eccentric Theater Company presents Music of the Night: A Halloween Celebration. This event will be a costumed Halloween gala featuring the spookiest, most disturbing, creepiest music from musical theater and opera. Featuring songs from The Addams Family, Cry Baby, Don Giovanni, Faust, Fiddler on the Roof, Hansel and Gretel, Into The Woods, Little Shop of Horrors, Macbeth, The Medium, Mefistofele, The Phantom of the Opera, Salome, Il Trovatore, and more!
Opera Atelier's 2019/20 Season opens with their ground-breaking period production of Don Giovanni from October 31a?"November 9, 2019 at the Ed Mirvish Theatre. This is the first time Opera Atelier's acclaimed production has been remounted for Toronto audiences since its 2011 premiere. Don Giovanni features Douglas Williams as Don Giovanni, Colin Ainsworth as Don Ottavio, Gustav Andreassen as the Commendatore, Mireille Asselin as Zerlina, Stephen Hegedus as Leporello, Carla Huhtanen as Donna Elvira, Olivier Laquerre as Masetto, and Meghan Lindsay as Donna Anna.
San Francisco Opera presents Wolfgang Amadeus Mozart's The Marriage of Figaro (Le Nozze di Figaro) in a new production by director Michael Cavanagh at the War Memorial Opera House, October 11a?"November 1. The production marks the beginning of a multi-year project to weave together Mozart and librettist Lorenzo Da Ponte's three operasa?"Le Nozze di Figaro, Così fan tutte and Don Giovannia?"as a trilogy set within an American manor house during three time periods. Conductor Henrik Nánási leads the San Francisco Opera Orchestra and an international cast in this enduring comic masterpiece.
Da Camera of Houston launches its 2019a?"2020 series of intimate concerts at the Menil Collection with Italian Themes, a two-night performance by Quartetto di Cremona on Monday, Oct. 21 at 7:30 p.m. and Tuesday, Oct. 22 at 7:30 p.m.
NOURA, by Heather Raffo AT tHE oLD gLOBE is an emotionally complex play exploring what happens when you leave your country but not your culture or sense of identity. How do you find the balance between who you are now and what you have left behind?
One of the nation's most adventurous opera companies, Odyssey Opera, continues its Tudor-inspired season with the fully-staged production of Maria, Regina d'Inghilterra (1843) by Giovanni Pacini. Mary Tudor, Queen of England is an Italian opera in three acts, from a libretto by Leopoldo Tarantini, which is based on the play Marie Tudor by Victor Hugo. This largely overlooked yet remarkable work is an interesting example of mid-19th century opera. Gil Rose conducts the Bel Canto masterwork with Amy Shoremount-Obra as Queen Mary and rising star Alisa Jordheim as Clotilde Talbot.
From October 28, Mozart's exciting opera Don Giovanni will enchant audiences in movie theaters around the US. This wonderful fast-moving tragi-comedy about a master seducer features enchantingly complex characters, gripping drama and glorious melodies, from Don Giovanni's exuberant 'Champagne Aria' to Don Ottavio's tender expression of love 'Dalla sua pace'.
One of the nation's most adventurous opera companies, Odyssey Opera, continues its Tudor-inspired season with the fully-staged production of Maria, Regina d'Inghilterra (1843) by Giovanni Pacini. Mary Tudor, Queen of England is an Italian opera in three acts, from a libretto by Leopoldo Tarantini, which is based on the play Marie Tudor by Victor Hugo. This largely overlooked yet remarkable work is an interesting example of mid-19th century opera. Gil Rose conducts the Bel Canto masterwork with Amy Shoremount-Obra as Queen Mary and rising star Alisa Jordheim as Clotilde Talbot.
Buffalo's Irish Classical Theatre Company has chosen to open their 2019-20 season with a rarity, 'TIS PITY SHE'S A WHORE by John Ford. First seen in 1633, the question arises as to whether this Jacobean drama still deserves to be produced. Happily, this often shocking play has enough intrigue to keep the audience engaged. By it's final moments, the elements of incest, murder, poisoning, and deception lead to a drama of epic proportions that grips the viewer.