Experimental drummer and innovative live performer JBXDR has released his new single 'Soul Fool ft The Josh Craig' on 27 September via Springstoff. This follows previous single 'Pocketcall' which premiered via Data Transmission. JBXDR has already seen support from Resident Advisor, Clash Magazine, Son Of Marketing, Elicit Magazine and Broadway World, as well as radio support from Amazing Radio. He has worked alongside notable producers such as Andy Baldwin (Hidden Orchestra, Belle & Sebastian), Jeremy Loucas (Spacepilot), Diana Krall (Order Of Canada) and Terry Lynn Carrington (Giovanni Tommaso Quintet). JBXDR has showcased his talent of the stages of Fringe and The Great Escape in Brighton, UK, as well as a string of German festivals including Reeperbahn Festival, Übel und Gefährlich, Hakken, Badehaus, Plötzlich am Meer, At.tension #7, LALA Festival, and Habitat Festival. He was selected by software music sequencer Ableton Live to be featured in collaboration with Mattokind for several live videos and a documentary presented on their site.
San Francisco Opera announces a cast change for Mozart's The Marriage of Figaro (Le Nozze di Figaro), opening on October 11. American soprano Nicole Heaston will make her Company debut in the role of Countess Almaviva, replacing Irish soprano Jennifer Davis who has withdrawn due to illness. Ms. Davis, who was due to make her American opera debut with this role, expects to make a full recovery but a lingering virus and persistent cough have prevented her from participating fully in rehearsals and therefore she has determined it best to withdraw from the production and recuperate at home.
Lyric Opera of Kansas City today announced a rare opportunity to see a master at work when world-renowned soprano Carol Vaness teaches a Master Class with the Lyric Opera Resident and Apprentice Artists on Sat., Oct. 5 at 4 p.m. in Lyric Opera's Michael and Ginger Frost Production Arts Building (712 E. 18th St., Kansas City, MO 64108). Currently a vocal instructor at Indiana University and Aspen Music Festival, Vaness will lead each singer through a selected aria, stopping and correcting as needed, to help hone the singer's vocal technique and dramatic interpretation. A brief reception will follow the vocal work session.
Brooklyn's Kaitlin Kaufman and Maine's Amanda Huotari will present a double-feature of their award-winning American-themed one-woman physical comedy shows at The Tank on October 11-14.
Five fascinating, evolving plays will receive readings by some of South Florida's finest actors from January 10-12, when The Dramaworkshop hosts Palm Beach Dramaworks' second annual New Year/New Plays Festival. A huge hit during its inaugural season, the Festival provides playwrights with the invaluable opportunity to hear their words performed in front of a live audience, which is instrumental to the development and growth of a play. Audiences not only share in the excitement of seeing something brand new, but have the chance to offer feedback to the playwrights.
In the 50th anniversary year of the first lunar landing, the Royal College of Music is taking audiences to the moon and back with Haydn's comic opera Il mondo della luna. Directed by William Relton, Haydn's opera buffa offers both the delight of a comic plot and some of the composer's finest writing: a grand romantic aria, evocative flight song and elegant lunar ballet.
A riveting West Coast premiere loosely inspired by Ibsen's A Doll's House from acclaimed playwright (and Old Globe/USD Shiley M.F.A. Program graduate) Heather Raffo.
Bare Opera and The Vanderbilt Republic team up once more to present W.A. Mozart's classic Don Giovanni, starring SUCHAN KIM as Don Giovanni, LAURA LEÓN in the role of Donna Anna, LIANA GUBERMAN as Donna Elvira, BRACE NEGRON as Leporello, PAVEL SULYANDZIGA as Don Ottavio, SARAH HAYASHI as Zerlina, and PAUL AN as Il Commendatore.
The Wallis Annenberg Center for the Performing Arts presents renowned German clarinetist David Orlowsky and Italy's famed Quartetto di Cremona in a spellbinding Klezmer journey on Saturday, October 12, 2019, at 7:30 pm in the Bram Goldsmith Theater at The Wallis.
Elizabeth is convinced her husband Robert is at death's door, and she's determined to get the whole brood together for a final family holiday, quickly, before his bird has flown. Of course, all three kids and their spouses have their own lives, agendas and emergencies, but a few obstacles won't stop Elizabeth. Some people will do anything to defend their nest in the world premiere of Last Swallows, a modern family dramatic comedy by Cailin Harrison. Kiff Scholl directs Pandelia's Canary Yellow Company's production, opening on September 21 with a run through October 20 at the The Other Space @The Actors Company in West Hollywood. One lower-priced preview takes place on September 20.
The Wallis Annenberg Center for the Performing Arts presents renowned German clarinetist David Orlowsky and Italy's famed Quartetto di Cremona in a spellbinding Klezmer journey on Saturday, October 12, 2019, at 7:30 pm in the Bram Goldsmith Theater at The Wallis.
Lyric Opera of Chicago continues the 2019/20 season with a revival of its original, provocative Don Giovanni, marking the return of Tony Award-winning Goodman Theatre Artistic Director Robert Falls. Set in 1920s Spain, Falls' 'jazz age' Don Giovanni is riveting and bold and won enthusiastic acclaim when it opened Lyric's 60th anniversary season in 2014.
Presented by Eric Abraham and Ken Forrester Vineyards, the 2020 Fugard Bioscope World Arts Cinema Season features a record 48 titles to be screened as part of its ninth successful year.
When stage director Lindy Hume last worked at Seattle Opera, her powerful Rigoletto sparked important #MeToo conversations with a story intended to be devoid of hope. Next up, she's bringing something completely different to McCaw Halla?"a sparkling fairytale that families will fall in love with.
Last January, Joseph Keckler seemed to burst forth, fully blown, like Athena from the head of Zeus, at New York's Prototype Festival (though his emergence was, in fact, no such thing, having already been a staple of the Downtown scene for several years). This month, Philadelphia's got him, at the Opera Philadelphia O19, running from September 20-28, with LET ME DIE. It's a genre-bending performance piece for the baritone, whose voice ascends to tenorial heights, that peppers famous operatic death scenes (with some singing collaborators) with video from Lianne Arnold, his own music and signature comedic je ne sais quoi.