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Review: GOLDILOCKS AND THE THREE BEARS, New Wolsey Theatre

Review: GOLDILOCKS AND THE THREE BEARS, New Wolsey Theatre

by Molly Richardson — December 5, 2022

Goldilocks and the Three Bears is one of the lesser known titles in the pantomime collection, but it has seemed to find a recent resurgence; and the New Wolsey Theatre, Ipswich and Director Peter Rowe are known to enjoy dusting off the less-obvious names and giving it a rock’n’roll twist.

Performance Space New York Announces Spring 2023 Season of its HEALING SERIES

Performance Space New York Announces Spring 2023 Season of its HEALING SERIES

by Chloe Rabinowitz — December 1, 2022

Performance Space New York has announced the Spring 2023 season of its Healing Series, the second part of its year-long reflection on the political potency of healing and the role performance plays in it, in the midst of what feels like a momentous shift in art-making to foreground modes and pr

Brittani Samuel Wins Inaugural Edward Medina Prize

Brittani Samuel Wins Inaugural Edward Medina Prize

by Stephi Wild — November 3, 2022

The American Theatre Critics Association (ATCA) has named critic and journalist Brittani Samuel to receive the inaugural Edward Medina Prize for Excellence in Cultural Criticism at its November 2022 conference in New York.

Electric Zoo 3.0 Announces Complete Lineup

Electric Zoo 3.0 Announces Complete Lineup

by Michael Major — April 4, 2022

New York’s premiere electronic music festival, Electric Zoo is excited to announce their powerhouse lineup, curated with help from the fans, featuring DJ Snake, Armin Van Buuren, VNSSA, Martin Garrix, Pauline Herr, Black Carl!, John Summit + many more who will join the festival on Labor Day weeken

Photos: First Look at James McDermott's THE BIRDS AND THE BEES

Photos: First Look at James McDermott's THE BIRDS AND THE BEES

by Chloe Rabinowitz — March 29, 2022

The New Wolsey Theatre in Ipswich will be partnering with Norwich Theatre, Theatre Royal Bury St Edmunds and John Stalker Productions for the tour, which will mark the first professional UK production of any version of Mark Crawford’s play as well as the first co-production between the thr


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