The National Theatre's new filmed version of Romeo & Juliet for television is coming soon! The play was originally to have played to theatre audiences in the NT's Olivier auditorium from Summer 2020.
The National Theatre has today announced it is creating a new filmed version of Romeo & Juliet for television, temporarily transforming the vast stage spaces of its Lyttelton theatre into a film studio to capture Shakespeare's timeless play for a new generation of audiences.
The new multimedia production company Bennu Creative House Limited formed in May 2020 by Celise Hicks, Shelley Maxwell, Michelle McGivern, and Clement Ishmael, is opening its doors to build innovative artistic concepts encompassing content across film, television, theatre, and digital media.
In these days of lockdown, the barber's shop and hairdressers have become a focal point; recent social media photos are proving that haircuts are not something we should undertake ourselves. For many, these places are not just somewhere to get a trim, but to socialise, debate, moan and joke.
Filmed in January 2018, this never-before-seen screening of Inua Ellam's delightful Barber Shop Chronicles is the latest offering from the National Theatre's wonderful At Home series and is a bittersweet reminder of the social interaction and gossip that takes place when we go for a haircut.
The National Theatre has announced additional online programming, including A Streetcar Named Desire, Barber Shop Chronicles, Coriolanus (starring Tom Hiddleston), and more!
London's Almeida Theatre has put together a fantastic playlist of monologues from its past productions to keep us entertained at home, including Andrew Scott performing the famous 'To be, or not to be' soliloquy from Shakespeare's Hamlet. Robert Icke directed Scott in the title role at the Almeida, to great acclaim, in 2017.
The Vote 2019 looks at what happens in Britain on election night through the eyes of those at the polling station. Once every 5 yearsa?" although, in recent times, increasingly more! - we assert our rights as citizens to uphold or replace our government. As we engage with democracy, we do it in the most unremarkable and understated ways- in local parish churches, primary schools and community centres across the country. James Graham set out to illuminate a?oethe diverse, diligent and often hilarious individualsa?? who turn the a?oeunglamorousa?? settings of polling stations into a?oeplaces where history is made.a?? Labelled a?oea glorious night at the polling stationa?? (Observer) and a?oebrilliant apta?? (Telegraph),the original Donmar production was broadcast live on More4 in 2015 and nominated for a BAFTA
Is this a great time to tell stories, shedding light in dark times? Or is it an impossible task? That's the loose premise of Annie Baker's wilfully elusive new piece, featuring the brainstorming session from hell a?' or possibly about hell, or in hell. Immaculately directed by Baker herself and designer Chloe Lamford, it's monstrously clever: a philosophical Fright Night.
Their phones switched off, a group of people sit around a table telling, categorising and theorising stories. This is a world that is both familiar and fantastical. Their real purpose is never quite clear, but they continue on, searching for the monstrous. Part satire, part sacred rite, The Antipodesasks what value stories have for a world in crisis.
Voting continues for the 2019 BroadwayWorld UK Awards, brought to you by TodayTix! Nominations were reader-submitted and now our readers get to vote for their favourites. Check out the current standings and cast your vote.
Today, the shortlist is announced for the 2019 BroadwayWorld UK Awards, celebrating the best long-running West End productions and best new productions from around the country. CLICK HERE TO VOTE!
Following acclaimed runs of The Flick and John, Pulitzer Prize-winner Annie Baker returns to the National Theatre with her latest extraordinary play, The Antipodes.
London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From Annie Baker's latest to Ealing comedy and a royal reunion, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews, interviews and features!
Anne Washburn (The Twilight Zone, Mr Burns) returns to the Almeida with a sinister and sensational new play, Shipwreck, directed by Almeida Artistic Director Rupert Goold. The show, described as 'A History Play About 2017,' is a criticism of the Trump era. Let's see what the critics are saying...
'Isn't that the problem with political theater, too much directness?' queries one of Anne Washburn's characters in her new play - which, in meta fashion, and over a leisurely three hours, not only addresses Trump head on, but also painstakingly analyses our responses to the President and the present moment, including the role of the arts.
Anne Washburn (The Twilight Zone, Mr Burns) returns to the Almeida with a sinister and sensational new play, Shipwreck, directed by Almeida Artistic Director Rupert Goold.