The Stage Directors and Choreographers Foundation (SDCF), the not-for-profit foundation affiliated with Stage Directors and Choreographers Society, presented the third annual SDCF Awards including the Gordon Davidson Award, Zelda Fichandler Award, Joe A. Callaway Awards, and Breakout Award. The event took place on Tuesday, November 12, 2019 at the Laurie Beechman Theatre.
Parent Artist Advocacy League for the Performing Arts (PAAL) is partnering with The Public Theater in New York City to present the first national summit on parent support in the performing arts. Lead facilitators from various theatre companies, organizations, and professions will engage in semi-open facilitation with summit participants on a range of topics including: cost-effective financial benefits to childcare stipends, budgeting for childcare, hiring laws, compliance, family leave, and more. The PAAL Summit will provide performing arts leaders with an intimate and safe space for active discussion, resource exchange, and concept generation. The PAAL National Handbook on Caregiver Support will guide the sessions, including the handbook's research into needs and solutions for both administrative and creative roles, original case studiesa?"including the Radical Parent-Inclusion (RPI) Project, which was co-led by PAAL and The Playwrights Realm, and data from the PAAL National Childcare Grant program on how affordable stipends for childcare can make a sustainable impact.
Rory Byrne and Lumka Coleman are in their final semester of Atlantic's Full-Time conservatory, a program that equips students with the tools to found their own theater company. Time to unpack and explore the company's up-coming inaugural play The House of Bernarda Alba by Federico Garcìa Lorca in a new adaptation by Emily Mann directed by Bluebird Ensemble member, Romain Mereau.
Parent Artist Advocacy League for the Performing Arts (PAAL) is partnering with The Public Theater in New York City to present the first national summit on parent support in the performing arts. Lead facilitators from various theatre companies, organizations, and professions will engage in semi-open facilitation with summit participants on a range of topics including: cost-effective financial benefits to childcare stipends, budgeting for childcare, hiring laws, compliance, family leave, and more. The PAAL Summit will provide performing arts leaders with an intimate and safe space for active discussion, resource exchange, and concept generation. The PAAL National Handbook on Caregiver Support will guide the sessions, including the handbook's research into needs and solutions for both administrative and creative roles, original case studies-including the Radical Parent-Inclusion (RPI) Project, which was co-led by PAAL and The Playwrights Realm, and data from the PAAL National Childcare Grant program on how affordable stipends for childcare can make a sustainable impact.
The Stage Directors and Choreographers Foundation (SDCF), the not-for-profit foundation affiliated with Stage Directors and Choreographers Society, presents the third annual SDCF Awards including the Gordon Davidson Award, Zelda Fichandler Award, Joe A. Callaway Awards, and Breakout Award.
Tony and Oscar-winning Joel Grey will be hosting the 49th annual Theater Hall of Fame for Lifetime Achievement in the American Theater induction ceremony Monday, November 18 at the Gershwin Theatre.
'At my age, I can say what I want,' Bessie Delany says in HAVING OUR SAY: THE DELANEY SISTERS' FIRST 100 YEARS. And truly, who's to argue with a woman who's lived more than a century? North Carolina Theatre's latest show tells the story of sisters, Sadie and Bessie Delany, two African-American women who were trailblazers in their careers and communities. Directed by Tia James, the play invites the audience into the sisters' home as they recount stories from their lives and explores themes of family, faith, and what it means to be a black woman in America.
Parent Artist Advocacy League for the Performing Arts is thrilled to announce the first supporter of the first-of-their kind national, all-gender, all-discipline PAAL Childcare Grants to support a Mother Artist of Color Grant. It is with deep gratitude PAAL recognizes the cast of Junk at Arena Stage who is our first named sponsor for our childcare grant program. Below is a statement from the cast:
Parent Artist Advocacy League for the Performing Arts has announced the first supporter of the first-of-their kind national, all-gender, all-discipline PAAL Childcare Grants to support a Mother Artist of Color Grant. It is with deep gratitude PAAL recognizes the cast of Junk at Arena Stage who is our first named sponsor for our childcare grant program. Below is a statement from the cast:
North Carolina Theatre, the region's premiere nonprofit professional theatre, announced casting for its November production of Having Our Say: The Delany Sisters' First 100 Years, playing November 8-17 at Duke Energy Center for the Performing Arts in downtown Raleigh. Raised in Raleigh, trailblazing African-American activists, sisters and best friends Sadie and Bessie Delany - both over 100 years old - take audiences on an inspiring and entertaining journey as they recount the stories of their lives, from growing up on what is now the campus of Saint Augustine's University in Raleigh as the daughters of a former slave, to integrating a New York suburb during the Harlem Renaissance, and beyond.
Tennessee Williams' controversial story of deceit, desire and doing what it takes to survive comes to the Sydney stage with the Australian premiere of Pierre Laville and Emily Mann's adaption of BABY DOLL.
Forget green monsters and macabre plundering of graveyards, this production, whose script was adapted from the novel by director David Catlin, is as much about beauty and creation as it is about the abyss of death and loss.
McCarter Theatre Center announces a generous gift of $500,000 from McCarter supporter and arts philanthropist Betty Wold Johnson, in honor of Emily Mann's thirty years as Artistic Director and Resident Playwright. The gift will be used to support the ongoing artistic excellence for which McCarter became known during Mann's tenure.
The only African American lead producers on Broadway for the last 13 years they and their company Front Row Productions have blazed a trail of a?oefirsts,a?? Stephen C. Byrd and Alia Jones-Harvey have brought a unique brand of diversity to Broadway and London's West End by mounting new productions featuring non-traditional casting and diverse voices to the stage. Established in 2006, the Olivier Award Winning and Tony-nominated Producers strive to employ diverse talent, creative teams and management for all of their productions.
At its first meeting of the 2019/2020 season, McCarter Theatre Center welcomed seven new members to its Board of Trustees. These leading community volunteers join an existing team of trustees who are outstanding arts advocates. All support McCarter's mission of creating world-class theater and presenting the finest performing artists for the engagement, education, and entertainment of the community.
Gloria Steinem turns 85 this year, and she's still working as a feminist activist. As embodied in this regional premiere by the great Charity Jones, she's as humble as she is savvy. This production dives into her long life, consistently dedicated to issues of women's rights, but full of personal evolution and discovery. Dozens of supporting roles are taken up by a strong ensemble of six additional women, dedicated to explicating Steinem's life in both the personal and public arenas. The play unrolls in brisk, forthright, direct address to the audience.
Ensemble Theatre will stage the Australian Premiere of a brand new adaptation of Tennessee Williams BABY DOLL, a play sizzling with desire, lust, jealousy and betrayal.
Agatha Christie's Murder On The Orient Express is now available for licensing to both professional and amateur theatres in the United States and Canada through Samuel French, a Concord Theatricals company.
Mary McDonnell, with celebrity star-power of her own, is a perfect Gloria Steinem, in 'GLORIA: A LIFE' at McCarter. McDonnell navigates the play's quick scenes and moments of vulnerability with dexterity and glides easily into the public persona of Gloria we are most familiar with - confident, clear, brave, and unifying in her inclusion of different experiences of inequity.
An eerie evening of ghost stories crackles to life as Mary Shelley spins her tale of love, horror, power, and unholy experimentation. This visceral new adaptation from Lookingglass Theatre Company brings together inventive staging, acrobatics, and a unique in-the-round experience to McCarter's Matthews Stage.
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