This year's TONY AWARDS nominations have just been announced by Katharine McPhee and Leslie Odom Jr. and here they are, celebrating the best of the 2017-18 theatre season (and what a season it's been!) The 2018 TONY AWARDS will be broadcast live from Radio City Music Hall in New York City, on Sunday, June 10th on CBS. Our official Tony coverage kicks off - NOW!
Manhattan Theatre Club's American premiere of The Royal Court Theatre's production of The Children begins the final two weeks of its run at MTC's Samuel J. Friedman Theatre (261 West 47th Street). The production will play its final performance Sunday, February 4.
Manhattan Theatre Club's American premiere of The Royal Court Theatre's production of The Children, the new play by Olivier Award winner Lucy Kirkwood (Chimerica), directed by James MacDonald (Top Girls at MTC), opened just last night, December 12, at MTC's Samuel J. Friedman Theatre (261 West 47th Street).
Manhattan Theatre Club's American premiere of The Royal Court Theatre's production of The Children, the new play by Olivier Award winner Lucy Kirkwood (Chimerica), directed by James MacDonald (Top Girls at MTC), opened just last night, December 12, at MTC's Samuel J. Friedman Theatre (261 West 47th Street).
When you consider the number of years that humans have been the dominant species on this planet, it was a comparatively quick burst of industrialization that set up the very real dilemma of progress causing irreversible harm to the environment that could lead to our ultimate demise.
Manhattan Theatre Club's American premiere of The Royal Court Theatre's production of The Children, the new play by Olivier Award winner Lucy Kirkwood (Chimerica), directed by James MacDonald (Top Girls at MTC), opens tonight, December 12, at MTC's Samuel J. Friedman Theatre (261 West 47th Street).
The Manhattan Theatre Club's American premiere of The Royal Court Theatre's production of The Children, opens tonight, Tuesday, December 12, 2017, at MTC's Samuel J. Friedman Theatre (261 West 47th Street).
Manhattan Theatre Club's American premiere of The Royal Court Theatre's production of The Children, the new play by Olivier Award winner Lucy Kirkwood, is now in previews ahead of a Tuesday, December 12th opening night at MTC's Samuel J. Friedman Theatre (261 West 47th Street). BroadwayWorld has a first look at the cast in action below!
Manhattan Theatre Club's American premiere of The Royal Court Theatre's production of The Children, the new play by Olivier Award winner Lucy Kirkwood (Chimerica), directed by James MacDonald (Top Girls at MTC), opens tonight, December 12, at MTC's Samuel J. Friedman Theatre (261 West 47th Street). Scroll down to learn more about the company, plus hear from the stars in the video below!
A friendly reminder that performances begin tomorrow Tuesday, November 28 for the Manhattan Theatre Club's American premiere of The Royal Court Theatre's production of The Children, the new play by Olivier Award winner Lucy Kirkwood (Chimerica), directed by James Macdonald (Top Girls at MTC) starring acclaimed London cast members BAFTA Award winner Francesca Annis (BBC's Cranford ), Olivier Award nominee Ron Cook (Juno and the Paycock at The Donmar), and Olivier Award winner Deborah Findlay (The National Theatre's Stanley).
Direct from an acclaimed run in London, the powerful Royal Court Theatreproduction of Lucy Kirkwood's astonishing new play, The Children, will make its American debut at MTC with the heralded original cast.
Direct from an acclaimed run in London, the powerful Royal Court Theatre production of Lucy Kirkwood's astonishing new play, The Children, will make its American debut at MTC with the heralded original cast.
It's only just out of reach... the Fall theatre season, that is. The 2017 Tony Awards are in the history books, so now it's time to look ahead at the new Broadway season... and fear not- it's a doozy already. With new musicals and plays about to descend on Broadway and amazing revivals of classic plays and musicals ready to entrance a new audience, BroadwayWorld has rounded up everything arriving before the end of the year.
It's only just out of reach... the Fall theatre season, that is. The 2017 Tony Awards are in the history books, so now it's time to look ahead at the new Broadway season... and fear not- it's a doozy already. With new musicals and plays about to descend on Broadway and amazing revivals of classic plays and musicals ready to entrance a new audience, BroadwayWorld has rounded up everything arriving before the end of the year.
It's only just out of reach... the Fall theatre season, that is. The 2017 Tony Awards are in the history books, so now it's time to look ahead at the new Broadway season... and fear not- it's a doozy already. With new musicals and plays about to descend on Broadway and amazing revivals of classic plays and musicals ready to entrance a new audience, BroadwayWorld has rounded up everything arriving before the end of the year.
All-new drama THE SPLIT begins production in the UK next week with Nicola Walker (River, Last Tango in Halifax) leading the acclaimed ensemble cast alongside Meera Syal (Goodness Gracious Me), Stephen Mangan (Episodes), Fiona Button (Lip Service), Deborah Findlay (Leaving), Annabel Scholey (Being Human) and Barry Atsma (Hector and the Search for Happiness).
Lynne Meadow (Artistic Director) and Barry Grove (Executive Producer) have just announced two productions as part ofManhattan Theatre Club's upcoming 2017-2018 season.
When tragedy strikes a community, after the initial shock and the effort to neutralize the situation, there's always a strong desire to return to normalcy.
BAM presents the acclaimed Royal Court Theatre production of Caryl Churchill's Escaped Alone in its US premiere.
A year after its first run, Caryl Churchill's Escaped Alone returns to the Royal Court Theatre. This rather strange play is split between garden chit-chat and apocalyptic horrors, though directly juxtaposing or linking Churchill's two worlds seems naively simplistic. Its dual settings do lead to an odd overall effect; while individual moments shine, the piece as a whole seems stilted.
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