Relish Theatre's ACID'S REIGN, a drag climate musical led by Victoria Scone, will run at Forth, Pleasance Courtyard during the Edinburgh Fringe, featuring a live band and eleven original songs.
Pig Iron Theatre Company's Barrymore Award-winning production FRANKLIN'S KEY returns to Plays & Players Theatre in Philadelphia, following teenage siblings who uncover Franklin's hidden weather-controlling technology beneath the city.
EggGen returns with RAT RAT RAT, a site-specific movement and puppetry work staged inside the Old Operating Theatre Museum in London, drawing from histories of animal experimentation and WWII-era Unit 731.
Zach Theater has revealed the cast and creatives for the regional premiere of Sally & Tom, a new play by Pulitzer Prize-winning playwright Suzan-Lori Parks.
Headlong announced the cast for its UK tour of August Wilson's FENCES, directed by Daniel Bailey. Ray Fearon leads as Troy, joined by Madeline Appiah, Michael Ahomka-Lindsay, and Josh Tedeku in the first major revival in over a decade.
National Theatre Live announced the cinema release of THE MISANTHROPE, starring Sandra Oh in her National Theatre debut. Directed by Indhu Rubasingham, the production is adapted by Martin Crimp from Molière's classic satire.
Melbourne Theatre Company announced an all-star cast for its staging of UNCLE VANYA, including Shaun Micallef and Daniel Henshall, both returning to the stage after years away, directed by Anne-Louise Sarks.
TUTA Theatre announced an extension of its sold-out production of CRIME AND PUNISHMENT at its 25-seat Chicago venue, adding six weeks of performances. The original three-person cast will continue throughout the run.
ALL THESE EMPTY MINDS, written and directed by Ryan Curley, will make its world premiere at The Rat Theatre in Dumbo, Brooklyn, following workshops and a private reading at The Players Theatre.
The Gateway Playhouse announced the cast and creative team for its regional premiere of AIN'T TOO PROUD: THE LIFE AND TIMES OF THE TEMPTATIONS, with director DeMone Seraphin leading the Tony Award-winning musical in Bellport, NY.
Opera Theatre of St. Louis does luscious justice to A Streetcar Named Desire—André Previn’s operatic adaptation of the Tennessee Williams classic.
Here’s one play you don’t want to miss! 'David Copperfield' is now on stage at 59e59 Theaters as part of the Brits Off-Broadway 2026 festival of plays.
Costume designer Colleen Grady, who originally built the costume package for Theatre Under The Stars in Houston, returns to bring new detail and innovation to Sacramento Music Circus's production of DISNEY'S FROZEN.
Schaumburg Summer Theatre will present Disney's High School Musical at the Al Larson Prairie Center for the Arts, in a production directed by Melissa Crabtree. Performances will take place in August.
A giant green man with a booming brogue, a talking donkey, a wooden boy with a long nose, a wolf in granny skirts…. These are the loveable misfits who commandeer MSMT’s stage in the Jeannine Tesori- David Lindsay-Abaire classic SHREK THE MUSICAL that runs for four delightful performances at the Pickard Theater on June 8. The musical,based on the DreamWorks original movie, features witty lyrics, catchy tunes, and a heartwarming story, about acceptance, individuality, and inclusion.
Playwrights Bellamy Brewster and Ewan Lloyd will present Lines, a psychological chamber play set inside an audition that grows increasingly dangerous, for a limited run at Theatre 154 in New York's West Village.
Initial casting has been announced for the West End transfer of the Bridge Theatre production of Into The Woods. Learn more about the production and the cast here!
Rebecca McNamee (Director) delivers a fabulous new production of David Yazbek (Music and Lyrics) and Jeffrey Lane’s (Book) musical adaptation of DIRTY ROTTEN SCOUNDRELS.
State Ballet of Georgia will return to the London Coliseum with a brand new production of Swan Lake. Check out all new photos, taken at performances in the company’s home Opera and Ballet State Theatre in the Georgian capital of Tbilisi!
Set and costume designer David I. Reynoso thought his chances for making it on Broadway greatly diminished after moving 2,400 miles away from New York City.
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