Mosaic Theater Company of DC launches its 5th season this month with the DC premiere of Lynn Nottage's Fabulation, Or The Re-Education of Undine, previewing August 21 (see our August 1 Fabulation press release for opening night information, and our March 29 a?oe#Wokeseason5a?? release for full season line-up), exactly one month after the close of the most successful show in Mosaic's history, the co-production of Kelvin Roston Jr.'s Twisted Melodies, which sold out its last week of performances, playing to record crowds and box office, providing the capstone to a season of transformative artistic and fundraising achievements.
Synetic Theater brings its unique spin to the high seas with an inclusive and immersive adaptation of Robert Louis Stevenson's Treasure Island. The production features a stellar cast, many of whom are making their Synetic debuts.
Inspired by Common's 1994 'I Used to Love H.E.R.', director and playwright Goldie E. Patrick has brought together a dynamic cast of five to tell the story of the role of women in Hip Hop. What unfolds is a love letter to HER and to all women who have shaped and influenced Hip Hop.
The John F. Kennedy Center for the Performing Arts hosts more than 120 outstanding theater students from colleges and universities across the nation as part of the 50th annual Kennedy Center American College Theater Festival (KCACTF), which runs April 16-20, 2019 in multiple locations throughout the Center. The Center also announced the national awardees for the KCACTF. Selected awardees and representatives will be brought to Washington, D.C. for an expense-paid trip to participate in the National Festival. These student artists from across the United States have been recognized for their outstanding work from the eight regional festivals that were held January 8 through February 28, 2019.
Oh bother! Adventure Theatre is currently presenting a hunny of a show with Le Clanché du Rand's delightful stage adaptation of A.A. Milne's Winnie the Pooh. Under the fine direction of Shirley Serotsky, Milne's 100 Acre Wood and its inhabitants magically come to life with a story of lost tales, huffalumps, and much more.
From the second we step through the doors of Anacostia Playhouse, we're asked to join the world of Dominique Morisseau's Blood at the Root - not just as observers but participants. Every corner of the lobby has been decked out like the hallways of a high school - in this case, Cedar High, located somewhere north of New Orleans. We glance upward and see a banner prominently featuring their mascot, the Pelican. There's a bulletin board littered with flyers and posters - Keep Calm and Wear Your Uniform. And just next to the entrance of the theater is a pair of lockers covered with real-life photographs of the young cast in their natural habitats - school, church, family reunions, summer camp. There's a lot to explore.
1st Stage, Tysons Corner's award-winning professional theatre, announces the extension of their critically-acclaimed production of A Civil War Christmas: An American Musical Celebration until December 30.
1st Stage's A Civil War Christmas, directed by Deidra Lawan Starnes with musical direction by Markus Williams, is a riveting musical helmed by a strong diverse cast of twelve actors and beautifully done production design.
It's 1864 and Washington, D.C. is settling down to the coldest Christmas Eve in years. "History lessons and holiday warmth sit cozily alongside each other" (The New York Times) in this pageant of carols by Paula Vogel, the Pulitzer Prize-winning writer of Indecent. Stories of many intertwining lives- spanning from the battlegrounds of Northern Virginia to the halls of the White House- demonstrate that the gladness of one's heart is the best gift of all. This "rich and moving play with music" (Variety) is a treat the whole family will enjoy.
It's 1864 and Washington, D.C. is settling down to the coldest Christmas Eve in years. "History lessons and holiday warmth sit cozily alongside each other" (The New York Times) in this pageant of carols by Paula Vogel, the Pulitzer Prize-winning writer of Indecent. Stories of many intertwining lives- spanning from the battlegrounds of Northern Virginia to the halls of the White House- demonstrate that the gladness of one's heart is the best gift of all. This "rich and moving play with music" (Variety) is a treat the whole family will enjoy.
Sarah Ruhl is one of the most produced contemporary playwrights today, with provocative works like 'Dead Man's Cell Phone' and 'In the Room: The Vibrator Play.' Less often produced is one of her earliest plays, the 2002 'Melancholy Play: A Contemporary Farce,' especially since she reworked it in recent years as a chamber musical.
Part of the excitement of DC's Capital Fringe Festival is not knowing when you'll stumble upon a true gem of a production. I was fortunate enough to find a couple when I indulged in two dramas and two comedies within 48 hours at Arena Stage.
THE SKIN OF OUR TEETH at Constellation Theatre is a thought-provoking, skillfully-rendered reminder that chaos and uncertainty are not unique to our time or to any single time. In the sure directorial hands of Mary Hall Surface, Thornton Wilder's masterpiece is a wild time-traveling, allegorical tragicomedy, without the Pepperidge Farm and Hallmark overtones we've now come to associate with the OUR TOWN playwright.
As effervescent and fun as it is filled with the world of ideas (and equations), 'Emilie: La Marquise du Chatelet Defends Her Life Tonight' is a heady evening, bringing a great women back to brilliant life both onstage and in our collective memory.
Avant Bard begins Season 28 with Lauren Gunderson's Emilie: La Marquise Du Chatelet Defends Her Life Tonight - a witty reincarnation of a passionate and defiant woman who in 18th-century France dazzled Voltaire and blazed a trail for women in science. BroadwayWorld has a first look at the cast in action below!
Avant Bard announces full casting and creative team for its first production of the season, Lauren Gunderson's Emilie: La Marquise Du Ch telet Defends Her Life Tonight--a witty reincarnation of a passionate and defiant woman who in 18th-century France dazzled Voltaire and blazed a trail for women in science.
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