Up on the Marquee: NEW YORK, NEW YORK
by Jennifer Broski
- Feb 23, 2023
New York, New York is coming to Broadway! New York, New York begins performances Friday, March 24, 2023 and officially opens Wednesday, April 26, 2023 at Broadway's St. James Theatre. Check out photos of the new Broadway marquee!
Chef Spike Mendelsohn To Keynote Day Two Of Plant Based World Expo
by Chloe Rabinowitz
- Aug 3, 2022
Plant Based World Expo (September 8-9, 2022) has announced that restaurateur, TV personality, entrepreneur and food policy advocate Chef Spike Mendelsohn will keynote Day 2 of the Plant Based World Expo on Friday, September 9, 2022.
Photos: LIMITLESS AI Celebrates Opening Night at ArtsDistrict Brooklyn
by Bruce Glikas
- Jul 31, 2022
ArtsDistrict Brooklyn, an immersive and experiential arts venue, just celebrated the US premiere of 'Limitless AI' by internationally-renowned artists Ferdi & Eylul Alici of Ouchhh Studio (Istanbul), creators of the award-winning 2018 global sensation, 'Poetic AI,' which was seen by 1 million visitors at Atelier des Lumières in Paris.
SWEENEY TODD's Jacqueline Petroccia Takes Over Instagram!
by HaleyJane Rose
- Jul 20, 2022
The Muny is presenting Stephen Sondheim's Sweeney Todd: The Demon Barbler of Fleet Street through July 22! Stop by our Instagram story all day for as Jacqueline Petroccia takes the social media reigns for an exclusive look backstage.
Review: SWEENEY TODD THE DEMON BARBER OF FLEET STREET at The Muny
by James Lindhorst
- Jul 18, 2022
The Muny and its casting partners The Telsey Office have assembled a killer cast who deliver Soundheim’s score with razor-sharp vocals. Ben Davis’ (Sweeney Todd) characterization and descent into madness may be the finest acting performance ever to darken The Muny Stage. The only thing more delicious than Mrs. Lovett’s pies is the wicked verbal waltz he and Carmen Cusack (Mrs. Lovett) deliver with ‘A Little Priest’ to end Act 1. Cusack’s Lovett is baked with exceptional charm and wit as she delivers the blackest of comedy. Riley Noland’s (Johanna) operatic soprano and Jake Boyd’s (Anthony Hope) silky tenor pair pleasingly. The ensemble’s robust presence, serving as a Greek chorus to drive the narrative, is felt every time they take the stage. The chorus’ dark and brooding presence opens the production with ‘The Ballad of Sweeney Todd’ and drags you into this grim tale of murderous madness.
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