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Review: EQUUS, Starring Toby Stephens, Menier Chocolate Factory

It's nearly twenty years since Daniel Radcliffe first tried to throw off the Harry Potter shackles in the 2007 version of Peter Shaffer’s 1973 play Equus. Now director Lindsay Posner has revived Shaffer's deeply traumatic story about the fluctuating relationship between a psychiatrist, Dr Dysart, and a teenage boy, Alan Strang. Featuring a remarkable cast and exquisite visuals, this is one not to be missed.

Review: A MIDSUMMER NIGHT’S DREAM, Bridge Theatre

“I have had a most rare vision. I had a dream, past the wit of man to say what dream it was…” Like Nick Bottom (and the lovers), stepping out of the Bridge Theatre auditorium after a performance of A Midsummer Night’s Dream does feel like you are waking up from some kind of reverie. Even if you’ve been sat down instead of promenading, the performance space is designed so well that everyone feels immersed in the world of the play. Nicholas Hytner’s production of the Shakespeare classic was something of a revelation in 2019, and it feels just as bold six years on.

Photos: A MIDSUMMER NIGHT'S DREAM at the Bridge Theatre

Production photos have been released from A Midsummer Night’s Dream ahead of the show’s official opening tonight. The immersive production of Shakespeare’s A Midsummer Night's Dream is playing a limited run this summer until 20 August.

Full Cast Set For A MIDSUMMER NIGHT'S DREAM at the Bridge Theatre

London Theatre Company has announced full casting for A Midsummer Night's Dream, and has released all new artwork for the show. One of The Bridge's biggest hits, the immersive A Midsummer Night's Dream will return this summer for a limited run.

Review: MACBETH, Lyric Hammersmith

The production checks off each convention you might think belongs to non-Jamie Lloyd contemporary theatre one after the other. Swanky set? Tick. Random handheld microphone that’s used once? Tick. Eccentric spin on a classic protagonist? Tick. One excellent visual display that re-establishes a recurring allegory? Tick. A strong female character we forget about halfway through? Tick. Live feeds and projections? Tick. That one actor who incorporates BSL in their practice? Tick. Sudden meta-break for no reason at all? Tick. It’s exhausting. It becomes a masterclass in how not to build a new take on Macbeth.

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