Review: THE BARBER OF SEVILLE BY ROSSINI at San Diego Civic Center Theater
by Ron Bierman
- Feb 20, 2026
Rossini’s Barber of Seville is a top ten opera in performances. Donors love it for its vocal gymnastics, memorable arias and sparkling melodies. Receptive newcomers like it because of its delightful bubbling overture, the familiar Figaro aria that soon follows, and its simple fast-moving sitcom-like plot.
Little Rock Winds Will Perform ESPAÑA! in February
by Stephi Wild
- Feb 12, 2026
Little Rock Winds will present a captivating concert titled ESPAÑA! this February, featuring a selection of Spanish-inspired music. Learn more about the performance here!
Review: PURITANI Is Bel Canto Bliss with Oropesa and Brownlee under Armiliato's Baton
by Richard Sasanow
- Jan 7, 2026
The Met’s new production of Vincenzo Bellini’s I PURITANI made its debut on New Year’s Eve, but I caught up with it at its third performance on January 6. I was glad I did--because it offered a cast with staggering singing abilities in four major roles that offered major demands, along with at least one minor one and the brilliant Met chorus under Tilman Michael. Simply put, soprano Lisette Oropesa, tenor Lawrence Brownlee, baritone Artur Rucinski and bass-baritone Christian Van Horn sang the pants off their roles, with Marco Armiliato conducting the fearless Met orchestra.
Review Roundup: I PURITANI at the Metropolitan Opera
by Stephi Wild
- Jan 2, 2026
Performances are now underway for The Metropolitan Opera's new staging of Vincenzo Bellini’s I Puritani, marking the company’s first new production of the opera in nearly 50 years. Find out what the critics are saying in the reviews here!
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