'Topdog/Underdog', written by Suzan-Lori Parks, closes the Milwaukee Chamber Theater season out with a bang, telling the explosive story of two brothers. Their parents gave them the names Lincoln and Booth – and little else.
Under the meticulous direction of Chuck Smith, the Goodman’s newest revival of JOE TURNER’S COME AND GONE emphasizes the play’s continued relevance through masterful performances that find cause for celebration and laughter even in the face of oppression. The production has already been extended through May 19 due to popular demand.
Tonight, longtime August Wilson interpreter Chuck Smith’s major revival of Joe Turner’s Come and Gone opens—and extends its run. Learn how to purchase tickets !
Rehearsals for longtime August Wilson interpreter Chuck Smith’s new production of Joe Turner’s Come and Gone are underway with an all-Chicago cast. Learn more about the production.
As the third spinoff in the “Power” franchise, “Power Book IV: Force” showcases “Tommy Egan,” led by Joseph Sikora, (“Power,” “Ozark”) who cuts ties in New York and heads to Chicago in search of family. One step leads to another and Tommy quickly finds himself in Chicago's ruthless drug game between two of the city's biggest crews.
The sneak peek images spotlight Joseph Sikora (“Power,” “Ozark”) as “Tommy Egan,” Isaac Keys (“Get Shorty,” “The Oath”) as “Diamond Sampson,” Kris D. Lofton (“Ballers,” “Snowfall”) as “Jenard Sampson,” Manuel Eduardo Ramirez (“Snowfall,” “Queen of the South”) as “Miguel Garcia,” and more.
The explosive second season begins with Tommy on a mission to avenge the death of Lilliana, his former nemesis turned business partner. With Diamond (Isaac Keys) and Jenard (Kris D. Lofton) at odds, the Flynn organization weakened, and a new connect on the scene, Tommy is more determined than ever to take over the Chicago drug world.
Joseph Sikora reprises his iconic role as Tommy Egan in the fourth installment of the “Power” Universe, making moves to run his new town – Chicago. The cast also features Isaac Keys, Lili Simmons, Gabrielle Ryan, Shane Harper, Kris D. Lofton, Anthony Fleming III, Lucien Cambric, and Tommy Flanagan. Watch the new trailer now!
Lookingglass Theatre Company has announced their 2021 gglassquerade unGALA, a virtual event in support of the Tony Award-winning Lookingglass Theatre Company. Stay home, stay safe, stay cozy, and all the while, sustain America's most innovative ensemble-based theatre.
Lookingglass Theatre Company announces a one-of-a-kind experience brought to you by a one-in-a-million theatre company…and you don't even have to be there in person! It's the 2021 gglassquerade unGALA, a virtual event in support of the Tony Award-winning Lookingglass Theatre Company.
Lookingglass Theatre Company welcomes five new Ensemble Members and four new Artistic Associates into the Lookingglass family. Joining the Ensemble are Walter Briggs (Mary Shelley's Frankenstein, Moby Dick), Kasey Foster (The Steadfast Tin Soldier, 20,000 Leagues Under the Seas), circus choreographer Sylvia Hernandez-DiStasi (The Steadfast Tin Soldier, Mary Shelley's Frankenstein), Anthony Irons (The Steadfast Tin Soldier, Act(s) of God), and composer and sound designer Andre Pluess (The Steadfast Tin Soldier, Eastland). New Artistic Associates include Cordelia Dewdney (Moby Dick, Hard Times), Wendy Mateo (Big Lake Big City, Beyond Caring), costume designer Sully Ratke (Mary Shelley's Frankenstein, 20,000 Leagues Under the Seas) and Matthew C. Yee (Treasure Island, Moby Dick).
Following a successful 2015 run, that great white whale MOBY DICK has returned to Lookingglass in a highly physical, inventive, and visually compelling production that's fully in keeping with the company's aesthetic. David Catlin's adaptation of Herman Meville's sprawling novel surrounds audiences in the universe of those whalers on board the Pequod in search of that elusive creature. With Courtney O'Neill's artful and hand-crafted set design, the stage and audience reside in a whale 'skeleton,' which cleverly also becomes the structure of the ship. As is common with Lookingglass productions, MOBY DICK also makes use of some talented, athletic performers who take on stunning acrobatic feats (choreography by The Actors Gymnasium's Sylvia Hernandez-DiStasi). But like any voyage, Catlin's script has a number of slower, narration-heavy moments that lack much action. MOBY DICK vacillates between moments of captivating artistry combined with heightened physicality and lengthy stretches of pure narration.
As presented at Arena Stage, Lookingglass Theatre Company's 'Moby Dick' offers many theatrical surprises that are sure to enthrall nearly any theatergoer looking for something a little different this holiday season.