Anna Jordan News

English Touring Theatre today announces that Peter Holland joins the company as Producer, having most recently worked as the producer at Frantic Assembly. He takes up the role from January 2022. He joins the organisation alongside Richard Twyman, Artistic Director & Sophie Scull, Executive Producer.

Get a first look at Heroes of the Fourth Turning by Will Arbery playing at BLUEBARN Theatre through October 24!

Burn Bright have created and commissioned a unique live event to mark the anniversary of lockdown-living. Hear Me Roar is a new online experience that offers writers a chance to say the unsaid: it will showcase premiere performances alongside an interview with inspirational writer Morgan Lloyd Malcolm (Emilia, The Globe & West End). Hear Me Roar will be broadcast via Zoom on Monday 22nd March at 8pm.

Strawdog Theatre Company is pleased to continue its all-virtual 33rd season with the digital U.S. premiere of British playwright Titas Halder's one-man drama Run The Beast Down, directed by ensemble member Elly Green* and featuring Gage Wallace. Halder's award-nominated thriller will play October 2 a?" 25, 2020.

Theatre503 today announces an online Autumn Writers Programme to launch the new 503Studio, including masterclasses from Anna Jordan, Jasmine Lee-Jones, Simon Stephens and other leading playwrights.

Theatre publishers Nick Hern Books (NHB) have announced five further writers to join The NHB Playgroup, their ongoing initiative throughout the current theatre shutdown which offers one free play each week to read and discuss, followed by a Q&A with the writer.

Theatre publishers Nick Hern Books have launched The NHB Playgroup, a new initiative offering one free play each week to read and discuss, plus a Q&A with the writer.

Celebrating its 10th anniversary with a ceremony held in the iconic Grand Hall of Battersea Arts Centre on Sunday 8 March 2020, the Off West End Awards once again celebrated the best of independent, fringe and alternative theatres across London.

Imy Wyatt Corner today announces Jade Williams will perform Everywoman. The one-woman show, directed by Amelia Sears and written anonymously, opens on 18 February, with previews from 17 February and runs until 22 February.

A fresh cast has been announced for ATC's 11-week UK-wide tour of Maya Arad Yasur's audacious play Amsterdam. It will be the first tour under Artistic Director Matthew Xia, recently named in The Stage's Top 100 Most influential People in Theatre.

Artistic Director Lisa Spirling today announces an entire year of programming for 2020 at the home of new writers, including the news that all four remaining finalists of the 2018 Theatre503 International Playwriting Award will be staged at the venue by November 2020. This follows on from the success of Award winner Out of Sorts by Danusia Samal premiering in October 2019. In February, the search for the best debut and emerging writers in the world will begin again as the 2020 Theatre503 International Playwriting Award opens for submissions.

Paines Plough have today announced casting for the transfer of Sam Steiner's YOU STUPID DARKNESS! to Southwark Playhouse, a co-production with Theatre Royal Plymouth. An urgent play about the struggle for optimism and community amid the chaos of a collapsing world, the production is directed by former Paines Plough co-Artistic Director James Grieve and the cast includes: Andrew Finnigan; Jenni Maitland; Lydia Larson; Andy Rush. The show opened at Theatre Royal Plymouth earlier this year and will run at Southwark Playhouse from 16 January - 22 February with a Press Night on Monday 20 January.

Today, Monday 4th November 2019, Phoebe Eclair-Powell's play, SHED: EXPLODED VIEW, has been named the overall winner of the Bruntwood Prize for Playwriting during a ceremony at the Royal Exchange Theatre in Manchester. As well as receiving £16,000, Eclair-Powell will work with the Royal Exchange Theatre's creative team to develop the script.

Following its top selling run at the Orange Tree Theatre this autumn, Maya Arad Yassur's strikingly original and audacious play Amsterdam will take to the road in early 2020. The three-way co-production, between Actors Touring Company, the Orange Tree Theatre and Theatre Royal Plymouth embarks on a tour that opens in Plymouth in February and stretches across the UK. Amsterdam is directed by Matthew Xia as his inaugural production as artistic director of ATC.

On 21 October 1994, Frantic Assembly performed their first ever work a?" a production of John Osborne's Look Back in Anger performed by Scott Graham and Steven Hoggett at the Taliesin Arts Centre in Swansea. To mark the anniversary of their first performance, the company today announced a new fundraising initiative and revealed further details of projects forming a year of activity to celebrate 25 years of Frantic Assembly.

Today, Tuesday 15th October 2019, the Royal Exchange Theatre and Bruntwood announce the shortlist for the prestigious Bruntwood Prize for Playwriting. The Prize a?" the largest for playwriting in Europe a?" seeks scripts from established, emerging and debut writers to develop for the stage, in association with the Royal Exchange Theatre's creative team.

I go to the Bunker more than any other London theatre, but when stepping into the building this time I hardly recognised it. Still retaining it's open and welcoming atmosphere, the inside has been completely transformed into a traditional working boozer. If you arrive in the hour before the show you can grab a drink on stage. On Tuesday there's a pub quiz and Thursday allows you to show your skills on the karaoke microphone.

From the award-winning Anna Jordan (Killing Eve, Sid Gentle Films Ltd; Succession, HBO), written between the Brexit vote and Trump's Presidential victory, We Anchor in Hope captures a moment of deep uncertainty in recent history and the characters' lives when local pub, The Anchor, closes for good. Chaos is in the air, and yet life goes on. For the duration of the play's run The Bunker will become The Anchor - transformed into a functioning pub with post-show events including pub quizzes, karaoke nights and music.

Dear Readers, a few years back I was fortunate enough to see a production made possible by ACT and the Kenan Fellowship in Directing, a?oeGuards at the Taja??. A show that still sticks with me to this day. And I say a?oefortunate enougha?? as it was only on stage at ACT for a few performances. Now ACT has brought us the latest recipient of the Kenan Fellowship, Rey Zane, and her production of Anna Jordan's a?oeYena?? and I can tell that this brutal and gripping play will also be one to stick with me thanks to some stunning direction and performances.