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Spotlight: MARY JANE at Seattle Rep

“Love Is a Verb”: Tony-Nominated Mary Jane at Seattle Rep. This spring, a New York Times Critic’s Pick and Tony Award–nominated play by Amy Herzog comes to Seattle Rep! Mary Jane is a deeply human drama, hailed as “the most profound…of Herzog’s fine plays,” and celebrated for its “upbeat charm… beautifully detailed… brutally honest” storytelling (The New York Times). 

Ensemble Studio Theatre Reveals 2025–2026 Youngblood Playwrights Cohort

Ensemble Studio Theatre’s Youngblood program has announced ten new members for its 2025–2026 season. The OBIE Award-winning collective will welcome Davis Alianiello, Messiah Cristine, Avery Deutsch, Xiaoyan Kang, Carolyn Kettig, Gloria Majule, Max Mooney, Jordan Ramirez Puckett, Eliya Smith, and Rosa Thomas.

Spotlight: AN ENEMY OF THE PEOPLE at Theater J

Meet the Cast: An Enemy of the People at Theater J. An Enemy of the People: Drama Desk Award winner for Outstanding Adaptation and recent Broadway sensation, Amy Herzog’s work unearths the relevance of Ibsen’s tale for our time, weighing the cost of standing up to power when pressured into silence.

SULFUR BOTTOM Extends By Two Weeks Off-Broadway

Sulfur Bottom has announced a two-week extension of its running time. The show will now be performed until October 25th at The Jerry Orbach Theater at The Theater Center.

AN ENEMY OF THE PEOPLE Comes to Theater J

Theater J will bring Amy Herzog's adaptation of Henrik Ibsen's An Enemy of the People to the stage. Learn more about the upcoming production and how to get tickets here!

Review: AN ENEMY OF THE PEOPLE at Union Arts Center

Sometimes, Dear Readers, a play can come along that feels so topical, and so raw, that you may walk out of the theater feeling uneasy. And even more so when you realize that play was originally written in 1882 Norway. Such a play is the new adaptation of Henrik Ibsen’s “An Enemy of the People”, currently playing at Union Arts Center (formerly ACT). And even with that feel of “ick” as we walked out, I was still thrilled with the knowledge of what theatrical powerhouses we have in Seattle and how, when they come together, can put on such a solid and resonant production.

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