Alex Pineiro News

Captivating, heartwarming, colorful, imaginative and down-right magical, Nashville Children’s Theatre’s world premiere production – it’s 19th in the past few years since executive artistic director Ernie Nolan’s arrival – of the theatre for young audiences version of Disney-Pixar’s Finding Nemo is just the latest theatrical hit from the venerable Nashville institution.

Cassandra and Kiel Klaphake, the visionary forces behind Arizona Broadway Theatre, have delivered a winner with their refreshingly revisited production of THE WIZARD OF OZ, directed by Ken Urso and featuring Jasmine Bassham as Dorothy. Runs through July 11.

Delightfully campy and nostalgic, The SpongeBob Musical is a much-needed spark of joy at Arizona Broadway Theatre

There is no place more magical – no art form more transformative – than the theater and now, thanks to the continued creativity and sense of wonder shared by Ernie Nolan and David Weinstein (given an assist from a timeless tale by J.M. Barrie), audiences are treated to an exhilarating flight of fancy via the award-winning pair’s sprightly and sparkling new musical take on the story of Peter Pan: Wendy’s Adventure to Neverland.  

Ragtime opened last night, featuring a cast of Nashville stage veterans and a sizable coterie of performers, heretofore unknown to local audiences, who are certain to become fast favorites. Taking a brief respite from their hectic schedules of rehearsals, fittings, photo calls, more rehearsals and getting to know one another, four of those newcomers – Shelby Denise Smith, Wood Van Meter, Kortney Ballenger and Steven McCoy – took the time to answer our questions to tell you why you need to score those tickets for Ragtime now if you haven’t already.

Opening Thursday night, November 11 and continuing for five performances through Sunday, November 14, Ragtime – the musical by Stephen Flaherty (music), Lynn Ahrens (lyrics) and Terrance McNally (book) which, in turn, is based upon E.L. Doctorow’s 1975 novel of the same name – promises to be a grand undertaking, which hopefully will blow away the cobwebs and the dust that’s collected in the past year-and-a-half during which the theater was dark and the company strived to remain relevant and productive amidst all the challenges that ensued.

Since arriving in our midst in early 2017, Ernie Nolan justifiably has gained a reputation as an innovator, a creative genius (Hyperbole? The answer is a resounding a?oeno,a?? judging from his artistic achievements of the past two-plus years) and a master of challenging the status quo. As executive artistic director at Nashville Children's Theatre a?" one of the leading theater companies in America, dedicated to serving young audiences through challenging, elucidating offerings certain to appeal to their varied sensibilities a?" he's given us a plethora of productions that have been both unexpected and exhilarating, elevating the local theater scene immeasurably in the process.

Somewhere among the cards and letters, photographs and souvenirs from my misspent youth is a picture (circa 1978) of me clad in a powder blue tuxedo, with a ruffled-front shirt edged in the same hue, all capped off by an impossibly wide bow tie to match a?" my costume to serve as a groomsman in the wedding of two friends. That image has been prominent in my mind for the past 12 hours after experiencing déjà vu of a particular sort, thanks to a rousing, rollicking and downright rocking production of The Wedding Singer, the latest offering at Chaffin's Barn Dinner Theatre, which opened last night and continues through October 19 at the venerable Nashville venue.

Actors Bridge Ensemble's acclaimed production of Sarah DeLappe's The Wolves and Cumberland County Playhouse's rendition of Stephen Sondheim and Hugh Wheeler's Sweeney Todd: The Demon Barber of Fleet Street were named as the top shows of the year during Midwinter's First Night, the annual tribute to theater in Tennessee, held at Nashville's The Larry Keeton Theatre last Sunday night, January 13. Photographer Rae Lynn Whetzel-Stickney captured many of the night's biggest moments with her camera, which are shared on BroadwayWorld Nashville today.

Actors Bridge Ensemble's critically acclaimed production of Sarah DeLappe's The Wolves and Cumberland County Playhouse's stunning mounting of Stephen Sondheim and Hugh Wheeler's Sweeney Todd: The Demon Barber of Fleet Street were named as the top shows of the year during Midwinter's First Night, the annual tribute to theater in Tennessee, held at Nashville's The Larry Keeton Theatre Sunday night, January 13.

GOOD MORNING, THEATERATI! Welcome to Friday, June 9, 2017 - we're awfully glad to have you here! It's a big weekend in Nashville, maybe the biggest ever, thanks to the perfect storm of events and celebrations all across the region. It's CMA Music Festival weekend, Bonnaroo is pulsating some miles down the road (taking most of the attendees through Music City on their way to Manchester) and the Nashville Predators take on a team from Pittsburgh in the Stanley Cup Final's sixth game on Sunday night at Bridgestone Arena.

GOOD MORNING, THEATERATI! It's Thursday, June 8, 2017 - which means it's #theaterThursday (seriously, you could help a guy out here and make that hashtag a #thing) and your latest opportunity to live life dramatically! What better way to do that than by making plans to get yourself to the theater and see a show, live onstage…

While there are always rumors of closings and real estate transactions happening willy-nilly, Chaffin's Barn continues to thrive and to entertain and to give both audiences and theater folk an opportunity to get to know one another better and to be transported and transformed via the magic of live theater. I hope that Chaffin's Barn Dinner Theatre remains a vital part of Music City long after I've been reassigned to review shows in the afterlife.

With almost 400 people in the audience, the leading lights of Tennessee theater were heralded with the presentation of the 2015 First Night Honors Gala, Sunday night at the iconic and historic Chaffin's Barn Dinner Theatre in Nashville. Hosted by Geoff Davin, Stephanie Jones-Benton and Erica Patterson, the event featured musical numbers by more than 100 performers in tribute to the Class of 2015 Honorees.

Elvis Presley – aka “The King,” Tupelo's most famous favorite son and Memphis' most revered musical icon – sure had a lot of music in his catalogue of hits, and it seems that almost  all of it is included in the score of All Shook Up, the jukebox musical now onstage at Chaffin's Barn Dinner Theatre through August 30. There are so many songs, in fact, that opening night may have run longer than anticipated, yet those songs are so entertainingly performed and the show is so full of heart that you can't help but stick around until the end.

Rehearsals  are drawing to a close as the bright lights of opening night begin to heat up at Nashville's Chaffin's Barn Dinner Theatre, where the cast and crew of the company's big summer musical, All Shook Up, get ready for their big debut on Thursday. With a cast of Nashville theater veterans – joined by some of the region's brightest up-and-comers – it promises to be a grand theatrical affair. We've been sharing some of the backstage gossip for the past couple of weeks and as our preview coverage concludes, we share a special “by the numbers” look at the show, courtesy of Christen Heilman Runyon…

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Can you believe that it's already time to celebrate Independence Day - aka The Fourth of July - with the biggest-in-the-country fireworks display right here in Music City USA? We know how to celebrate America's Independence right here in Nashville and we expect even more tourists (playwright/actor/director/producer/bon vivant Del Shores is in town, for example, to get a taste of a down-home good time) than normal to fill our city's streets over the four-day holiday weekend.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.