In an effort to lay out a larger welcome mat to artists of many disciplines, BAM is offering residencies to seven artists/artistic teams to support the development of their work at a challenging time.
Theatre for a New Audience and the Fisher Center at Bard join forces to present the professional premiere of the groundbreaking undergraduate Bard College Theater & Performance Program production of Caryl Churchill's Mad Forest, created by acclaimed experimental theater and opera director Ashley Tata and performed and broadcast live online.
New York theater producers and artists have come together in support of relief and recovery from the bushfires still sweeping across Australia. The 'CODE RED' campaign is a larger fundraising effort spearheaded by New York's theatre community that will be launched with two performances of the critically acclaimed play THE DAY THE SKY TURNED at THE TANK in New York City. Tickets are available at TheTankNYC.org.
Knife Edge Production of Neil LaBute's play, In a Dark Dark House, opened on December 10 at A.R.T/New York Theatres in Midtown Manhattan. The critically acclaimed production runs through December 21.
Tony Award-nominated Reasons to Be Pretty playwright Neil LaBute will join the cast and director for a talkback following the performance of his play, In a Dark Dark House, on Sunday, December 15 at 7 pm. Andromache Chalfant (set designer for theatre & opera) will moderate.
Knidw Edge Production of Neil LaButes play, In a Dark Dark House, is currently running at A.R.T/New York Theatres in Midtown Manhattan. The production runs until December 21. The company's Resident Theatre Director, Sam Helfrich, directs.
Shakespeare Project (ASP) continues its 16th season with The Complete Works of William Shakespeare (abridged), performed at the Charlestown Working Theater, Charlestown, MA. Performances run December 21, 2019 - January 12, 2020.
Neil LaBute's, In a Dark Dark House, runs December 6 - 21 at A.R.T/New York Theatres in Midtown Manhattan. Opening night is slated for December 10. The drama is being presented by Knife Edge Productions, the company's Resident Theatre Director, Sam Helfrich, directs.
Knife Edge Productions is pleased to announce their next production, Neil LaBute's In a Dark Dark House. The play runs December 6 - 21 with opening night slated for December 10 at A.R.T/New York Theatres. In a Dark Dark House is directed by the company's Resident Theatre Director, Sam Helfrich.
Kitchen Theatre Company continues its 2019-2020 season with The Two Kids That Blow Shit Up by Carla Ching, a hilarious, touching, and explosive romantic comedy about trying not to fall in love with your best friend. Performances of The Two Kids That Blow Shit Up begin at the Kitchen Theatre Company in the Percy Browning Performance Space on Sunday, October 20 and will run through Sunday, November 3. And thanks to the support of an anonymous donor, all three preview performances (10/20, 10/22, and 10/23) will offer patrons the opportunity to a?oePay What You Want,a?? attending the performance for any price.
Kitchen Theatre Company continues its 2019-2020 season with The Two Kids That Blow Shit Up by Carla Ching, a hilarious, touching, and explosive romantic comedy about trying not to fall in love with your best friend. Performances of The Two Kids That Blow Shit Up begin at the Kitchen Theatre Company in the Percy Browning Performance Space on Sunday, October 20 and will run through Sunday, November 3.
Corkscrew Theater Festival's third annual summer season continues with the world premiere of Haleh Roshan's A Play Titled After the Collective Noun for Female-Identifying 20-Somethings Living in NYC in the 2010s. Directed by Lauren Zeftel and running July 18-August 3, Collective Noun centers on three young leftist women fighting for change in the world around them while managing their professional ambitions, romantic relationships, and a strange bug infestation in the kitchen
Anita Hollander lost her left leg to cancer in 1977 and channeled her experiences and musical theater skills into writing and performing a solo show, STILL STANDING: A MUSICAL SURIVAL GUIDE FOR LIFE'S CATASTROPHES. With songs, wit, and a powerful message of resilience, Hollander represents something far greater than mere survival when she takes the stage in New Rep's BlackBox Theater at the Mosesian Center for the Arts.
HEARTLAND conjures up an image of amber waves of grain and purple mountains majesties. For the part of it that is set in Nebraska, some of that may be appropriate. However, for the portion of it that is set in Afghanistan, it may be nothing more than a mirage. Likewise, the image of the United States as a land of exceptionalism and the world's moral authority would receive far more acceptance in the heartland than in that faraway, war-torn country that has been intertwined with ours for decades. Playwright Gabriel Jason Dean holds a mirror up to the face of US involvement with Afghanistan from the time of Russia's occupation, exploring a myriad of questions about responsibility, complicity, transparency, and morality, and the unintended consequences that always follow from even the most noble efforts.
Simon Geller and WVCA-FM, his one-man classical music radio station, were part of the local color of Gloucester, Massachusetts, for 24 years. From 1964 until he retired in 1988, Geller lived, breathed, ate, and slept to single-handedly produce commercial-free broadcasts from his in-home studio, doing it his way with meager financial support from his listeners. Playwright Ken Riaf, who lives and works in Gloucester as a practicing attorney, has been developing MY STATION IN LIFE with the Gloucester Stage Company since last season's NeverDark reading. Ken Baltin returns to GSC for the first time since appearing in Neil Simon's LAST OF THE RED HOT LOVERS (2009) to bring his interpretation to this most interesting character.
New Repertory Theatre presents the New England premiere of Young Jean Lee's STRAIGHT WHITE MEN, most recently seen on Broadway over the summer. Lee became the first Asian-American female playwright to have a play produced on Broadway with this exploration of privilege, identity, and American values in a white, middle-class family.
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